Today, Depeche Mode announced their final set of North American concerts as they complete their “Global Spirit Tour”, which began last year. Live Nation announced that the band will be visiting nine cities in North America – Anaheim, Sacramento, San Antonino, Tulsa, Chicago, Philadelphia, Boston, and Toronto – in-between previously announced European dates and festivals. Depeche Mode have been touring in support of their fourteenth studio album, Spirit. Fans can register for a Ticketmaster Verified Fan pre-sale scheduled for Monday, February 12th. Tickets will go on sale to the public on Friday, February 16th. [Read more…]
2017 is a big year for Depeche Mode. The band has released their 14th studio album, Spirit, and they embarking on their latest world tour this year. However, DM are doing something really interesting this year – inviting fans to apply for an opportunity to takeover their official Facebook page for one day, with plans to do this for one full year with a different fan featured each day. Well, I was surprised to learn I was selected to do this, so I thought I would publish this supplemental feature for fans who make their way over to my Rock Subculture website… [Read more…]
Depeche Mode’s fourteenth studio album, Spirit, is due out on March 17th, and today the band announced the dates and venues for their “Global Spirit Fall 2017 North American Tour”. The dates announced thus far run from late August through late October. The North American dates follow there European stadium tour kicking off in early May. [Read more…]
“We’re going to play a few songs now that you might know. You’ve been very patient; thank you very much. You also might not know them as well…” Dave Gahan, bridging the main set of Soulsavers material and their encore, which featured two songs from his first two solo records and two from Depeche Mode’s Songs of Faith and Devotion. Making his debut performance with Soulsavers, they previewed the newly recorded material from Angels & Ghosts, which will be released on Friday. Dave Gahan has reunited for a second album as Dave Gahan & Soulsavers, as well as announced a very limited set of concerts with a 10-piece band at very small and intimate venues in the U.S. and Europe, with this first one happening at The Theatre at Ace Hotel in Los Angeles on Monday night. The album, Angels & Ghosts, is his second collaboration with producer Rich Machin and the tour takes them to New York, London, Berlin, Paris, and Milan. It all creates a framework to showcase Mr. Gahan’s ability to transcend the work of Depeche Mode into territory that allows him to reveal his own unique gifts, artistry, and vision. A peek into the soul of a man who is very complex, as well as a foundation with which to truly hear his voice soar to new heights and lyrics that provide real vulnerability. Decidedly not “a Depeche Mode show”, but a rare experience for fans to see another side of one of the most talented artists of our generation. Unforgettable.
Depeche Mode has been my favorite band since Black Celebration came out, so when I came across the new of this special DJ set show at SOhO Restaurant & Music Club in Santa Barbara, I was excited for an opportunity to see the man behind some of my all-time favorite songs express himself in a completely different setting. Part of SOhO’s 20th Anniversary Fundraising Show Series, it did not disappoint. Martin Gore played his unique style of live music for around two hours. It was amazing to see the man at work, and being close enough to see his own facial expressions reacting to his own music.
When Depeche Mode announced the North American dates and cities for their Delta Machine Tour, I immediately identified the one at Pearl Concert Theater at Palms Casino Resort as the one to go to, since I was familiar with the (relatively) small and intimate venue from past shows, and it was one of just a few in the United States with a general admission standing floor area in front of the stage. Having seen them five times overseas earlier this year, I had become spoiled with standing right in front of the stage, so that has become a must for me in experiencing my favorite band. With the show last night, I certainly wasn’t disappointed, and I suspect most to all in the crowd felt the same, as Vegas is one of those rare cities that pull fans from not only all over the U.S., but all over the world. It was quite a celebration for not only the audience, but seemingly the band as well, who were quite jubilant throughout the performance, which clocked in at about two hours (there was no supporting act at this date). For me, being surrounded by friends who also traveled from California for this show, it was the perfect way to close out an amazing year of live music by the band who have in many ways impacted my life with their art, particularly in my formative years throughout the 80s. [Read more…]
Last night’s Depeche Mode concert was the last for me, representing the fifth show in the past two weeks. The second of two concerts back-to-back at the O2 Arena in London, as with the night before, I elected to take a spot in the front row center at the end of the catwalk extending into the vast general admission standing floor. Waiting for the band to come out, it was a bit of déjà vu, but it turned out to be anything but… with the prior four shows, the set list was exactly the same at Bratislava, Slovakia’s Štadión Pasienky, Zagreb, Croatia’s Zagreb Arena, Budapest, Hungary’s Puskás Ferenc Stadion, and the prior night’s show at London, England’s O2 Arena. The signal that last night’s gig had something different in store was the familiar sound of distorted guitar feedback that marked the opening of Depeche Mode’s “In Your Room”, which opened into the awesome Zepyhr Mix version of the song. A friend of mine from California also turned out for the two O2 shows, and we turned to each other at the same time with a “holy shit!” expression on our faces. We knew at that point we were going to be treated to an amazing – and unpredictable – show put on by my favorite band on Earth, and they did not disappoint. An epic conclusion to an amazing personal (and literal) journey with the band and their music over the past two weeks, spanning a number of countries all over Europe and coming to a close in their home of England.
“Welcome To My World” – the song Depeche Mode has been using to kick off each gig for the European leg of their Delta Machine World Tour – took on a whole different meaning for me tonight as I had an opportunity to see Depeche Mode play in their native home country of England. Playing two shows back-to-back at The O2 Arena in London, this marks my fourth consecutive Depeche Mode show in the past two weeks (having seen them previously at Bratislava, Slovakia’s Štadión Pasienky, Zagreb, Croatia’s Zagreb Arena and Budapest, Hungary’s Puskás Ferenc Stadion. Surprisingly, though the set list has not changed show to show, the concerts themselves have all been pretty different from one another, and completely different experiences on a personal level to be sure. One thing I didn’t expect with the London shows was that what seemed like a majority of the concert goers (close to stage on the floor at least) were not from England, but other countries, so it was quite a multicultural affair. I’ve also made a concerted effort to change my own point of view – literally – with each show, and with this first O2 gig planted myself at the foot of the catwalk that extends out into the audience (and is much shorter in the indoor arenas compared with the outdoor stadiums), and it was really a fantastic experience. Seeing the expression on Dave Gahan’s face as he came out to the end for “Never Let Me Down Again” – close up and in real life – made this relentless two week country-hopping adventure worth it just for that amazing moment (which I managed to catch on video as well). As I’ve mentioned over and over in the reviews leading up to this, Depeche Mode has long been my favorite band, and these concerts have been nothing short of epic.
Bratislava, Slovakia’s Štadión Pasienky played host to the third consecutive Depeche Mode concert that I am reviewing as part of the European Leg of their worldwide Delta Machine Tour (having covered Budapest, Hungary four days ago, and Zagreb, Croatia two days ago, with the two London shows at the O2 still to come). Funny enough, each show has been a completely different experience for me, and while all awesome in their own ways, as far as the pure show itself goes, I would have to say the one in Bratislava last night was the best. The crowd was awesome, there was a certain energy in the air, and everything seemed to be flawless with the show itself. I’ve been telling people that the best spot in the “front of stage” area is in the front to the left of the ramp (looking at the stage); I went against my own advice going for the front row on the opposite side of the ramp, and it ended up being awesome. Halfway down the ramp, you have an unobstructed view of Dave and Martin, and Dave seemed to go down the ramp many more times last night, which was awesome, as he shifted tremendous energy into the massive crowd, who just ate it up.
So this is the second of five consecutive Depeche Mode concerts that I will be covering as part of the European Leg of their worldwide Delta Machine Tour (having covered Budapest two days ago, with Bratislava and two London shows still to come). With the last review I gave some background on my own views on Depeche Mode, and a general overview of this tour. Last night was a totally different experience from the first, so I will compare and contrast and share some thoughts for those who might be looking for some insights to prepare for upcoming shows. As was the case with Budapest, their appearance in Zagreb was nothing short of amazing, and while I was up front for the first show on my itinerary, for this one (after shooting the first three songs directly below the stage) I headed to the back of the huge indoor arena to get the “distant” experience, the highlight of which was taking in Anton Corbijn’s amazing (as expected) video collateral that filled the displays during some of the songs.