This is probably the first and last concert in which I will have seen and heard two of my three all-time favorite songs performed live at the same show – New Order’s “Blue Monday”, and “How Soon Is Now?” by original guitarist and co-songwriter for The Smiths, Johnny Marr. If only Depeche Mode were on hand to play “Never Let Me Down Again”, I would have had all three. Obviously, the rare combination of Johnny Marr and New Order playing on the same bill made for an incredible night of music at The Boulevard Pool at The Cosmopolitan in Las Vegas. Though they never shared the stage at the same time, it was a show that celebrated some of the most significant and influential players in music in the past three decades. Johnny Marr’s first solo record, The Messenger, came out earlier this year to great critical reception, and his set included a mix of the new work as well as a few songs from The Smiths, Electronic number, and one cover. New Order changed things up a bit since their tour last year, playing “World (The Price of Love)” live for the first time and closed out with an encore of three Joy Division songs.
Orchestral Manoeuvres in the Dark (OMD) at The Depot | Salt Lake City, Utah | 4/10/2013 (Concert Review)
“We could dance fast in those days… will you keep up?” OMD front man Andy McCluskey reminiscing about the late 70s as he introduced the final song of their encore at The Depot in Salt Lake City last night, their debut single, “Electricity”. It was a bit of personal déjà vu for me, as he closed out a show I attended way back in 1991 in much the same manner. But this was the first time I had the opportunity to see Orchestral Manoeuvres in the Dark with their full original line-up (with co-founder Paul Humphreys also on vocals and keyboards, Martin Cooper on keyboards and saxophone, and Malcolm Holmes on drums), and the energy from the stage and overall atmosphere was certainly electric. OMD put on an incredible show with songs from their new album released just this week – English Electric – as well as all those classics and favorites going back more than three decades.
Colin Hay at The Center for the Arts | Grass Valley, California | 4/7/13 (Concert Review)
Early on during his “Finding My Dance” one man show, I got the sense that Colin Hay is often the smartest person in the room, no matter how large or small the venue. More than a musician (and a great one at that), he is a philosopher, comedian, and genuinely kind man. He is very funny, and not just prepared and rehearsed funny, but quick witted as well, and I’ve always operated under the idea that really funny people have to be highly intelligent in the most fundamental of ways, as you must have real keen self awareness and highly complex and contemplative observational abilities, as well as emotional depth and empathy. I picked up on all of this with Colin Hay from my front row vantage point at The Center for the Arts in Grass Valley where he put on his amazing show for the sold out crowd. That show – a hybrid of music and storytelling – was over two hours long and really captivating in every sense as he took us on both a narrative and musical journey of his life. He talked about having an understanding of his place in the universe, and those who might expect him to be nothing more than the former front man of 80s band Men At Work are truly missing out at what he has to offer not just in terms of music and entertainment, but the wisdom (in the form of stories and anecdotes) from someone who has had experiences that none of us ever could. He is a great musician but a wonderful storyteller as well, and I can’t imagine a more fitting venue with which to enjoy it.
Rihanna’s “Diamonds World Tour” at HP Pavilion | San Jose, California | 4/6/2013 (Concert Review)
Rihanna is an artist that is one of the hardest working in music today (on and off stage), and her only real problem with her show at HP Pavilion in San Jose last night was that she has so many hit songs – even at just 25 years old – she could not fit them all into a sprawling, nearly two-hour non-stop concert event. A prolific artist, Talk That Talk came out in 2011, just as she was wrapping up her Loud Tour (named after the studio album before that), she’s since release 2012’s Unapologetic, and tickets for this tour actually went on sale late last year as well. The show in the massive HP Pavilion was sold out and filled to its 14,500 capacity, and it was one of the best giant arena audiences I’ve seen. Rihanna did not disappoint, as the place was bouncing and euphoric before she ever took the stage, and things only cranked up from there. She put on her usual top class show fueled with energy and heartfelt emotion and gratitude, as I experienced at the O2 show in London in late 2011 as her last tour came to a close. This is definitely one of the must-see tours of the year, with both figurative and literal pyrotechnics.
The English Beat at The Center for the Arts | Grass Valley, California | 4/5/13 (Concert Review)
“Are you ready? Are you really, really, really ready?” The English Beat front man and voice of the band, Dave Wakeling, is one of those music artists that is completely tuned into his audience, particularly in an intimate venue such as The Center for the Arts in Grass Valley, California, where he performed last night. The part seated, part standing 360-capacity venue was packed and from the moment the band stepped onto the stage, the majority was on the dance floor moving to the very unique blending of 2 tone ska/punk/new wave/reggae hits from the band known simply as The Beat in their home of the UK, though also on offer were as some tunes from General Public, the subsequent musical efforts by Dave Wakeling and Ranking Roger following the original break-up of The Beat (Ranking Roger currently performs in the UK version of the band back in England). The band dispensed with having an opening band on the bill, and instead performed two full sets of their own on either side of a short intermission. It was a true live music experience that made great use of the excellent sound system and acoustics of the charming venue as they played song after song for the energetic crowd.
Phoenix at Freeborn Hall, U.C. Davis | Davis, California | 4/2/2013 (Concert Review)
Thomas Mars, vocalist for French alternative rock band Phoenix, was a man of few words in-between songs at their Coachella headlining warm up gig at Freeborn Hall at U.C. Davis last night, but the show was extremely interactive. By the second song of their approximately hour and a half set, he was already at the edge of the stage, leaning into the audience. By the time the high energy show came to an end, he’d sung one song on the front rail of the all standing/GA venue, made his way deep into the crowd sometime thereafter, and eventually crowd surfed atop the sold out capacity crowd. It was among their first live shows in several years, and they played a lot of material from their highly anticipated forthcoming fifth studio album, Bankrupt!, due April 22nd.
Living Colour at The Fillmore | San Francisco, California | 3/27/2013 (Concert Review)
“Yeah, we rule a very tiny kingdom…” Living Colour guitarist Vernon Reid’s modest response to a fan shouting out “you rule” in-between songs during their lengthy set, gesturing to the crowd within the historic Fillmore in San Francisco as they celebrated with their “Vivid 25th Anniversary Tour” last night. The band literally attacked the stage, with drummer Will Calhoun busting a large hole in the kick drum two songs in, with their explosive live performance of their classic Grammy Award-winning 1988 hit, “Cult of Personality”. Playing Vivid front to back, the group put on an amazing concert that underscored what a great work that album was, taking us back to a time when albums mattered, as well as showcasing their innovative blending of disparate musical styles and genres into something really unique and powerful.
Caprices Festival 2013 in Crans-Montana, Switzerland: 9-Day Music Artist Live Concert Event Review & Recap
Since this was a pretty special experience and International music event, I thought I would share some thoughts and photos in summary here, mostly in an effort to genuinely promote and recommend this event to those who might not have heard of it or ever considering attending themselves. The 9-day event took place in Crans-Montana, Switzerland, a coming together of twin ski/resort towns to put on Caprices Festival, hosting dozens of musical artists spanning many different genres and styles. I actually only ran into a couple of Americans during the nine days of concerts (both had come out from New York for Tori Amos), so I think spreading some more information about the event on a U.S.-based site might bring out more people from the United States for future incarnations of this annual event, which celebrated it’s 10th anniversary this year, which also happened to mark some big changes and growth in size and line-up. [Read more…]
Travel Destination Journal & Pictorial: Crans-Montana, Switzerland (Caprices Festival 2013)
Having recently returned from my trip to Crans-Montana, Switzerland for Caprices Festival, I thought I would share some thoughts and feelings about the ski resort town that hosted the event for those who might have an interested in going there as a travel destination. Since I am not into skiing and snow-related sports, it was not a vacation spot at the top of my list, as it obviously offers a lot of recreation opportunities that do not appeal to me on a personal level. Even so, I really loved exploring the town and completely enjoyed myself, and plan to return for the same festival next year and look forward to making another visit to the two ski resort towns. [Read more…]
Caprices Festival Photojournal | Après-ski & Modernity | Crans-Montana, Switzerland
I did not make it to Après-ski and Modernity until the final day of Caprices Festival in Crans-Montana, Switzerland, which actually worked out great as far as Modernity went, as it was the sunniest day and very clear out, so I had a nice opportunity to take in the beautiful mountains from an amazing vantage point. However, at the time I stopped in at Après-ski, there was no scheduled live music (hence the photos of the empty space). I did shoot some video of the amazing views of the Swiss Alps from Modernity, which sits atop the ski slopes during the 9-day long music fesitval, just a short 20 minute walk and fun ride up the mountain from the main arenas and areas for the main part of the annual music festival. [Read more…]
- « Previous Page
- 1
- …
- 22
- 23
- 24
- 25
- 26
- …
- 34
- Next Page »