“I think Paul and I actually played this before we even picked up electric instruments, more than 50 years ago… “ An intro into Buffy Sainte-Marie’s “Cod-ine” by David Freiberg, who played with legend Paul Kantner in both Jefferson Airplane and Jefferson Starship. The sold out concert at The Center for the Arts in Grass Valley last night was a celebration of both bands, as they celebrated 50 years of the former and 45 years of the later. Coincidentally, yesterday was also the day that the great Leonard Nimoy passed away. I made the connection in that Jefferson Airplane and Paul Kantner and Star Trek and Leonard Nimoy were both pioneers in pop culture from the mid-60’s onward and remain icons of that period today. The 60’s represents many different things to different people, but as time marches on, the reality of it slips more and more into the past and that reality is transformed more and more into symbolism and ideas. In some ways it fades, but it also becomes more powerful in that it has more of a mythic than real quality to people today, who forget… Or, like me, were born after that time. But Paul Kantner and David Freiberg are still on the road, keeping their music and the messages behind their art alive for those who come out to experience it.
Early on during his “Finding My Dance” one man show, I got the sense that Colin Hay is often the smartest person in the room, no matter how large or small the venue. More than a musician (and a great one at that), he is a philosopher, comedian, and genuinely kind man. He is very funny, and not just prepared and rehearsed funny, but quick witted as well, and I’ve always operated under the idea that really funny people have to be highly intelligent in the most fundamental of ways, as you must have real keen self awareness and highly complex and contemplative observational abilities, as well as emotional depth and empathy. I picked up on all of this with Colin Hay from my front row vantage point at The Center for the Arts in Grass Valley where he put on his amazing show for the sold out crowd. That show – a hybrid of music and storytelling – was over two hours long and really captivating in every sense as he took us on both a narrative and musical journey of his life. He talked about having an understanding of his place in the universe, and those who might expect him to be nothing more than the former front man of 80s band Men At Work are truly missing out at what he has to offer not just in terms of music and entertainment, but the wisdom (in the form of stories and anecdotes) from someone who has had experiences that none of us ever could. He is a great musician but a wonderful storyteller as well, and I can’t imagine a more fitting venue with which to enjoy it.
“Are you ready? Are you really, really, really ready?” The English Beat front man and voice of the band, Dave Wakeling, is one of those music artists that is completely tuned into his audience, particularly in an intimate venue such as The Center for the Arts in Grass Valley, California, where he performed last night. The part seated, part standing 360-capacity venue was packed and from the moment the band stepped onto the stage, the majority was on the dance floor moving to the very unique blending of 2 tone ska/punk/new wave/reggae hits from the band known simply as The Beat in their home of the UK, though also on offer were as some tunes from General Public, the subsequent musical efforts by Dave Wakeling and Ranking Roger following the original break-up of The Beat (Ranking Roger currently performs in the UK version of the band back in England). The band dispensed with having an opening band on the bill, and instead performed two full sets of their own on either side of a short intermission. It was a true live music experience that made great use of the excellent sound system and acoustics of the charming venue as they played song after song for the energetic crowd.