Playing on stage for nearly three and a half hours, with just two 2-minute breaks and almost no in-between song chit chat, The Cure was all about songs and performance at the Neal S. Blaisdell Arena in Honolulu, Oahu last night, making the legendary band’s first ever concert in Hawaii maybe one of the best for those lucky enough to score tickets at the sold out arena. Last night’s rocking show was all about fan service, from the sprawling 38-song set list to the special meet and greet opportunity for those who were able to get one of the coveted front row seats on the floor; the decades old group that is impossible to categorize played a dream set of many of their seemingly endless catalog of hits, spanning their entire career. Though they’ve been one of my own favorite bands since the 80s, I haven’t seen them live since their Wish Tour in the early 90s. I’ve been to over 60 concerts so far this year and with that probably have seen sets by well over 100 artists, and I would definitely rank this as one of my Top Three shows so far in 2013. Having traveled special to the islands for this special concert event – part of their “The Great Circle Tour” – it was definitely more than worth it as it was an unforgettable experience.
Peter Murphy “Mr. Moonlight Tour: Celebrating 35 Years of Bauhaus” at The Fillmore | San Francisco, California | 7/24/2013 (Concert Review)
“If you’re on the wall, you’re awesome…” Peter Murphy relaying what he was told pre-show, in a pretty impressive American accent, about the custom poster designed for the sold out show at The Fillmore last night, on the second American leg of his “Mr. Moonlight Tour: Celebrating 35 Years of Bauhaus”, before he critiqued the fact that it portrayed him as bald and with wings. Peter Murphy has always been a bit of an enigma to me, as you have an idea of what he might be like from listening to his music, but on stage he usually has a few funny things to say in-between songs. But for this tour in particular, fans turned out for the songs, with an all-Bauhaus setlist, with Peter Murphy and his band bringing the classics to life on stage, with great precision and style. Bauhaus were one of the most important bands during that era, with a massive influence in music at large and a catalog of music that has stood the test of time. The show in San Francisco last night definitely lived up to the billing as a celebration of that music. I would say it is the best Peter Murphy concert I’ve seen (which is saying a lot). One of the best tours of the year.
Kings of the Mic Tour (LL Cool J, Ice Cube, Public Enemy, De La Soul) at The Greek Theatre | Los Angeles, California | 7/7/2013 (Concert Review)
I don’t go to very many hip hop/rap shows, but loved the artists that got their start (and really got that genre of music into the mainstream) in the 80s. My first ever concert, at the age of 14, was Run-DMC, Beastie Boys, and Ice-T at Cal Expo in Sacramento in 1987. So when I heard about this “Kings of the Mic Tour” earlier this year, and that it was headlined by LL Cool J, it was a must see concert for me. Unfortunately, the Bay Area show conflicted with other travel plans, but a date was added onto the end of the tour in Los Angeles at the Greek Theatre, so I knew that was the one to catch. I am certainly glad that I did attend that specific show Sunday night, as it seemed to be a special one on all counts (and clocked in at over four hours of nearly non-stop entertainment). However, the highlight for me took me back to that very first concert experience I ever had, as there was a special surprise guest… toward the end of the last set, Darryl McDaniels (from Run-DMC) joined LL Cool J on stage, and the two performed “Peter Piper”, which was amazing. Stunning for me, really. Overall, it was a very impressive and high energy show from start to finish by all artists involved, and it definitely left me feeling that I need to catch more old school hip hop shows, though I think the bar was set very high by this last stop on the Kings of the Mic Tour.
Cyndi Lauper “She’s So Unusual: 30th Anniversary Tour” at Mountain Winery | Saratoga, California | 6/19/2013 (Concert Review)
“‘The second hand is unwinding…’ And I’m thinking… good lyric. So I used it. I always think it’s good to put a piece of what is really happening in the songs… there’s always a piece of what somebody says, in the songs, and that was one of the pieces.” A small part of one of many stories told by Cyndi Lauper about the making of the songs comprising her debut album, She’s So Unusual. With her “She’s So Unusual: 30th Anniversary Tour” underway, currently touring California, the Grammy and Tony Award winning artist entertained and delighted fans in the audience of Mountain Winery in Saratoga last night with her compelling mix of great music and insights into her life and experiences. Having had the opportunity and pleasure to catch her show two nights in a row, there were definitely some differences between the show I reviewed at the Crest Theatre in Sacramento and the one at Mountain Winery. For starters, the former was indoors in a theater while the latter was outdoors in an amphitheater, both designated historic landmarks in The Golden State. It was fun for me, personally, to compare and contrast. In any event, one thing is certain – no two shows are the same. While the general framework of the stories behind the music was the same, her recounting of them and stream of consciousness approach provided different insights, and the music felt different show to show as well, with a bit of a different energy (with Sacramento being perhaps more relaxed and Saratoga being more rocking). I’m very glad I was able to turn out for both, but having written quite a bit in the original review for Sacramento, this is more of a Part 2 addendum. Both shows are among my favorites attended this year and it is definitely a must see event for pop and rock music fans, especially those (who, like me) view the 80s (and first half of the 80s in particular) as an amazing time for music, with the birth of many great artists and songs, with Cyndi Lauper being central to all of it.
Cyndi Lauper “She’s So Unusual: 30th Anniversary Tour” at Crest Theatre | Sacramento, California | 6/18/2013 (Concert Review)
The greatest artists are always brilliant storytellers, in one way or another, and there is no doubting that Cyndi Lauper is a great communicator. I’ve been to many of her shows over the years, and Cyndi Lauper is all about connecting with people; connecting with her fans. She kicked off her show at the Crest Theatre in Sacramento last night by jumping off the stage and making her way up to the middle of the crowd, doing much of her singing surrounded by those who adore her and love not just her music, but what she’s done with her life, how she lives it, and what she gives back to the global community. Throughout her set, her stories in-between were unfiltered (apart from a few word choices out of respect for a nine year old up front), meandering, and fascinating… and going by the set list taped on the floor, passed into some of the time planned for singing. But when she sings, it’s truly a marvel, with her gift of voice and performance, and as she paced up and down the crowd up front (which instantly went from an all seated show to a standing GA free for all), she made personal connections with each of us – a look, a touch with her hand – because she is one of those earnest people… that rare breed who “made it” but it is not about themselves, but giving back… through songs, stories, laughter, experiences… and of course her brilliant music. Touring for the 30th anniversary of her debut album, She’s So Unusual, she is playing all those classic songs from that seminal 80s work, along with a bonus or two. I obviously go to a lot of concerts, but Cyndi Lauper was a true icon for me growing up in the 80s, and this was definitely the best experience I’ve had at one of her shows. Definitely a must see tour this year, and I’ll personally be doing it all again tonight at Mountain Winery in Saratoga.
Jewel “Greatest Hits Tour” at Ovations LIVE! Showroom, Wild Horse Pass Hotel & Casino | Chandler, Arizona | 6/8/2013 (Concert Review)
“I’ve been losing my voice, so I’m probably going to be singing a lot of sweet, falsetto songs tonight. I apologize for not being able to do more of my trademark growling and Janis Joplin screaming that I’m so famous for… but I’ll do what I can.” A few songs into her set, how singer-songwriter Jewel framed her performance at Ovations LIVE! at Wild Horse Pass Hotel & Casino last night in Chandler, Arizona, well into her “Greatest Hits Tour”. Having had an opportunity to meet her backstage before the show, where conversation was limited to whispering, I wasn’t too sure what to expect. Amazingly, sitting in the audience, you would never have any idea that she was having any issues at all, as she put on an incredible showcase performance, reflective of her place in the music world as one of our most gifted vocalists in popular music today, with range, versatility, and emotion bursting out of every song. Having penned over 500 songs, later in the show Jewel mentioned that no two shows are ever the same, yet in addition to the music she provided some personal insights into her life and journey in music, both of which seem forever intertwined. It was really a fantastic evening, and her (mostly) solo, all acoustic show is definitely a must see in live music today.
Orchestral Manoeuvres in the Dark (OMD) at The Depot | Salt Lake City, Utah | 4/10/2013 (Concert Review)
“We could dance fast in those days… will you keep up?” OMD front man Andy McCluskey reminiscing about the late 70s as he introduced the final song of their encore at The Depot in Salt Lake City last night, their debut single, “Electricity”. It was a bit of personal déjà vu for me, as he closed out a show I attended way back in 1991 in much the same manner. But this was the first time I had the opportunity to see Orchestral Manoeuvres in the Dark with their full original line-up (with co-founder Paul Humphreys also on vocals and keyboards, Martin Cooper on keyboards and saxophone, and Malcolm Holmes on drums), and the energy from the stage and overall atmosphere was certainly electric. OMD put on an incredible show with songs from their new album released just this week – English Electric – as well as all those classics and favorites going back more than three decades.
Colin Hay at The Center for the Arts | Grass Valley, California | 4/7/13 (Concert Review)
Early on during his “Finding My Dance” one man show, I got the sense that Colin Hay is often the smartest person in the room, no matter how large or small the venue. More than a musician (and a great one at that), he is a philosopher, comedian, and genuinely kind man. He is very funny, and not just prepared and rehearsed funny, but quick witted as well, and I’ve always operated under the idea that really funny people have to be highly intelligent in the most fundamental of ways, as you must have real keen self awareness and highly complex and contemplative observational abilities, as well as emotional depth and empathy. I picked up on all of this with Colin Hay from my front row vantage point at The Center for the Arts in Grass Valley where he put on his amazing show for the sold out crowd. That show – a hybrid of music and storytelling – was over two hours long and really captivating in every sense as he took us on both a narrative and musical journey of his life. He talked about having an understanding of his place in the universe, and those who might expect him to be nothing more than the former front man of 80s band Men At Work are truly missing out at what he has to offer not just in terms of music and entertainment, but the wisdom (in the form of stories and anecdotes) from someone who has had experiences that none of us ever could. He is a great musician but a wonderful storyteller as well, and I can’t imagine a more fitting venue with which to enjoy it.
Marilyn Manson at Modesto Centre Plaza | Modesto, California | 2/15/2013 (Concert Review)
Going to a Marilyn Manson concert is quite an experience, and probably not understood except by those who have done the same. To draw a comparison with the art world, it is akin to going to art museums in London and stopping in at the Tate. Except not to confuse matters… not in the past two weeks during Kraftwerk’s residency. That’s something else entirely. In any event, he puts on quite the impressive show, and is maybe the modern day rock concert equivalent of circus freak sideshows, only with Manson, though his band is supporting, it is decidedly a one man attraction. Most striking is how interactive it is – not just the literal interactions with the audience (and there are many), but his ability to lock onto members of the audience with his eyes, in a kind of staring match version of “chicken”, to see if he can make it striking enough to have you look away first (benefits of being right up close). He’s a natural performer, though interestingly comes across quite different off stage (more on that later). Really an exhilarating evening and hosted courtesy of Marilyn Manson’s unique and stylish version of reality.
Juice Newton Acoustic Trio at Yoshi’s San Francisco | San Francisco, California | 11/13/2012 (Concert Review)
“We’d like for you guys to participate in this, because otherwise it just sits on its ass”. Music legend Juice Newton’s typically blunt and modest preface to the tremendous 80s country/pop crossover hits “Queen of Hearts” mixed with “Love’s Been a Little Bit Hard on Me”, as performed flawlessly (with audience providing the “clap-clap, clap” beat) at Yoshi’s in San Francisco in probably the most intimate show I’ve been to all year. The Juice Newton Trio, which was all acoustic strings with Jay Cawley and Danny Dugan both on guitars and providing backing vocals, Juice Newton stressed that this was a different sort of challenge and endeavor for her… a live concert sans the full band, which required the selection from of incredible songs from her catalog to be rearranged for a completely different result. And that result – simply amazing songs with the most artful delivery by one of the best vocalists in the business – was very moving and definitely sets the bar for soulful live music performances in small, intimate venues.