“Hey Gina, did you play your brother’s 78s?” The Go-Go’s bass player Jane Wiedlin giving their drummer a hard time as Gina tried to give a preface to their stellar cover of the Rolling Stone’s hit “Paint it Black” by talking about how when you were a kid you would borrow your older brother or sister’s “records or CDs or whatever“. Like co-headliner The B-52s, both bands brought a combination of rock and good fun on stage at Mountain Winery in Saratoga last night, and even shared the stage for one song, contributing to the intimate, party-like atmosphere. I’ve seen both bands in the past 12 months, but it was something special to be treated to their respective New Wave sound on the same night. It was also kind of neat to see members of each band watching each others’ sets from side stage (like Belinda Carlisle fully immersed in The B-52s show and Kate Pierson taking in The Go-Go’s performance). Maybe the combination gave special energy all around, as each put on the best show I’ve seen from either band, so it was a pretty amazing night celebrating some of the best songs from my personal favorite era of music.
Super Freestyle Explosion with Stevie B, Lisa Lisa, Exposé, Debbie Deb, Shannon, Trinere, Johnny O, Nu Shooz, Pretty Poison, Stacey Q at HP Pavilion | San Jose, California | 6/29/13 (Concert Review)
It’s not often that you attend a non-festival concert with ten (!) different music artists performing on the same stage in one night, all in the span of about three and a half hours. It was a pretty special event at the HP Pavilion in San Jose last night, with the Super Freestyle Explosion turning out about 7,000 fans of the predominantly Latin, electronic/synthesizer/samples-centric, and mostly mid-80s era genre of music. Representing the relatively short-lived but highly influential music scene and style for the evening was Stevie B, Lisa Lisa, Exposé, Debbie Deb, Shannon, Trinere, Johnny O, Nu Shooz, Pretty Poison, and Stacey Q. Really a remarkable line-up, to the credit of promoter ITP Records/Pacific Concert Group, for pulling together such a vast roster of artists to play through a series of highly recognizable hits to those who grew up with the music or perhaps rediscovered it later. Of course, pulling off such an event in such a time frame requires some concessions and trade offs, but in my opinion they found a near perfect balance to make for an incredible evening of 80s freestyle nostalgia.
AM & Shawn Lee at Rickshaw Stop (“Sounds of Summer” Album Release Party) | San Francisco, California | 6/26/2013 (Concert Review)
2013 is shaping up to be a great year for new music and exciting artists playing live dates, and AM & Shawn Lee are most definitely a part of both. With the release of their second collaborative studio album last month, La Musique Numberique, it is fueled by some amazing songs that translate brilliantly well in their live sets. The transatlantic writing and recording process (with AM in Los Angeles and Shawn Lee in London) produced an electronic and synth-driven collection of songs that fuse sounds from past decades (particularly the 70s and 80s) but sound as contemporary as anything else released in the past few years. As performers, both sides of the duo have a very relaxed style and great chemistry. As the climax to their “Sounds of Summer” touring album release party, it was a festive night at Rickshaw Stop in San Francisco last night, with a great crowd in an intimate venue. If you’ve never checked out their music, you are missing out and you can preview over at SoundCloud… awesome stuff!
Cyndi Lauper “She’s So Unusual: 30th Anniversary Tour” at Mountain Winery | Saratoga, California | 6/19/2013 (Concert Review)
“‘The second hand is unwinding…’ And I’m thinking… good lyric. So I used it. I always think it’s good to put a piece of what is really happening in the songs… there’s always a piece of what somebody says, in the songs, and that was one of the pieces.” A small part of one of many stories told by Cyndi Lauper about the making of the songs comprising her debut album, She’s So Unusual. With her “She’s So Unusual: 30th Anniversary Tour” underway, currently touring California, the Grammy and Tony Award winning artist entertained and delighted fans in the audience of Mountain Winery in Saratoga last night with her compelling mix of great music and insights into her life and experiences. Having had the opportunity and pleasure to catch her show two nights in a row, there were definitely some differences between the show I reviewed at the Crest Theatre in Sacramento and the one at Mountain Winery. For starters, the former was indoors in a theater while the latter was outdoors in an amphitheater, both designated historic landmarks in The Golden State. It was fun for me, personally, to compare and contrast. In any event, one thing is certain – no two shows are the same. While the general framework of the stories behind the music was the same, her recounting of them and stream of consciousness approach provided different insights, and the music felt different show to show as well, with a bit of a different energy (with Sacramento being perhaps more relaxed and Saratoga being more rocking). I’m very glad I was able to turn out for both, but having written quite a bit in the original review for Sacramento, this is more of a Part 2 addendum. Both shows are among my favorites attended this year and it is definitely a must see event for pop and rock music fans, especially those (who, like me) view the 80s (and first half of the 80s in particular) as an amazing time for music, with the birth of many great artists and songs, with Cyndi Lauper being central to all of it.
Cyndi Lauper “She’s So Unusual: 30th Anniversary Tour” at Crest Theatre | Sacramento, California | 6/18/2013 (Concert Review)
The greatest artists are always brilliant storytellers, in one way or another, and there is no doubting that Cyndi Lauper is a great communicator. I’ve been to many of her shows over the years, and Cyndi Lauper is all about connecting with people; connecting with her fans. She kicked off her show at the Crest Theatre in Sacramento last night by jumping off the stage and making her way up to the middle of the crowd, doing much of her singing surrounded by those who adore her and love not just her music, but what she’s done with her life, how she lives it, and what she gives back to the global community. Throughout her set, her stories in-between were unfiltered (apart from a few word choices out of respect for a nine year old up front), meandering, and fascinating… and going by the set list taped on the floor, passed into some of the time planned for singing. But when she sings, it’s truly a marvel, with her gift of voice and performance, and as she paced up and down the crowd up front (which instantly went from an all seated show to a standing GA free for all), she made personal connections with each of us – a look, a touch with her hand – because she is one of those earnest people… that rare breed who “made it” but it is not about themselves, but giving back… through songs, stories, laughter, experiences… and of course her brilliant music. Touring for the 30th anniversary of her debut album, She’s So Unusual, she is playing all those classic songs from that seminal 80s work, along with a bonus or two. I obviously go to a lot of concerts, but Cyndi Lauper was a true icon for me growing up in the 80s, and this was definitely the best experience I’ve had at one of her shows. Definitely a must see tour this year, and I’ll personally be doing it all again tonight at Mountain Winery in Saratoga.
CSS (Cansei de Ser Sexy), MS MR, and IO Echo at The Independent | San Francisco, California | 6/16/2013 (Concert Review)
It’s rare that audiences are treated to a real triple header concert, but that was my take on the female fronted trio of bands that owned the stage at The Independent in San Francisco last night. How I ended up there… I blame the Swiss (more on that later), but it was a real showcase of contemporary alternative bands that are making incredible music and bringing it on the road. All three have also released amazing new albums this year (more on that later as well) and this material seemed to please the sold out crowd of 800 at the intimate Bay Area club. They are all doing it again tonight at the Great American Music Hall, and I can’t recommend enough checking it out. If they aren’t coming to a city near you, I can’t recommend enough picking up their albums, each released this year. CSS’s Planta, MS MR’s Secondhand Rapture and IO Echo’s Ministry of Love are, for me personally, three of the best releases of the year, and there is a good chance all three will appear in my Top 10 Albums list for my 2013 End Of Year article.
They Might Be Giants at The Warfield | San Francisco, California | 6/14/2013 (Concert Review)
“We got in kind of late today, and everybody jumped off the bus, except me… I had to change my clothes… and I looked out the window, and there was a man in his underpants… directly across from the bus… and was just sort of walking around like, ‘it’s cold’. And I felt like I was finally at home. Which brings us to this next song, ladies and gentlemen, which is called ‘We Live In A Dump’.” Preface to one of their uniquely They Might Be Giants songs, by one of the two founding members, John Flansburg, painting an accurate picture of the immediate area surrounding The Warfield in San Francisco in a uniquely perceptive and humorous TMBG way. The Grammy Award-winning duo and backing band have long been pioneers in alternative and experimental music, breaking into the mainstream with their third studio album, Flood (1990), which included hits “Birdhouse in Your Soul” and “Istanbul (Not Constantinople)” and well known for their “Boss of Me” theme song to the television series, Malcolm in the Middle. Last night’s show included a great mix of old and new material, including songs from their 16th studio album, Nanobots, released just a few months ago. The packed theater seemed to be filled with hardcore fans, which wasn’t surprising given that their work is so unique and they have been so prolific over more than a quarter century that they’ve cultivated quite a following.
Jewel “Greatest Hits Tour” at Ovations LIVE! Showroom, Wild Horse Pass Hotel & Casino | Chandler, Arizona | 6/8/2013 (Concert Review)
“I’ve been losing my voice, so I’m probably going to be singing a lot of sweet, falsetto songs tonight. I apologize for not being able to do more of my trademark growling and Janis Joplin screaming that I’m so famous for… but I’ll do what I can.” A few songs into her set, how singer-songwriter Jewel framed her performance at Ovations LIVE! at Wild Horse Pass Hotel & Casino last night in Chandler, Arizona, well into her “Greatest Hits Tour”. Having had an opportunity to meet her backstage before the show, where conversation was limited to whispering, I wasn’t too sure what to expect. Amazingly, sitting in the audience, you would never have any idea that she was having any issues at all, as she put on an incredible showcase performance, reflective of her place in the music world as one of our most gifted vocalists in popular music today, with range, versatility, and emotion bursting out of every song. Having penned over 500 songs, later in the show Jewel mentioned that no two shows are ever the same, yet in addition to the music she provided some personal insights into her life and journey in music, both of which seem forever intertwined. It was really a fantastic evening, and her (mostly) solo, all acoustic show is definitely a must see in live music today.
Muse at Royal Horse Guard’s Parade (World War Z Premiere) | London, England | 6/2/2013 (Concert Review)
15,000 hardcore Muse fans showed up at the Royal Horse Guard’s Parade in London, England last night for a special one-off concert promoting the premiere of Paramount’s new film, World War Z. As fans waited for the expected partial show (rumor was about half an hour of actual performance), we were shown the same movie trailer over and over and told that Brad Pitt would be appearing on stage before us. Well, he never did appear (apart from some silent footage on the jumbo monitors from the red carpet), but I don’t think the Muse fans could care less, as the usual opener to their shows was modified with some footage from the film, and after those few moments, it was pure Muse (not “Muze”, as the marketing department for the film would like us to believe). Being from the U.S., the awesome setting amidst historic London buildings and the awesome crowd certainly was not lost on me. The energy was as palpable as the heat wave surging into the audience from the pyrotechnics above the stage. But the real power came from the band, who have grown into being one of the best acts touring today, with real anthemic music that stirs the crowd into a fist-pumping frenzy. They ended up playing maybe just under an hour, but I’m certain that they satisfied all who turned out for the special free show, most of whom turned out for the two shows at Emirates Stadium and seemingly universally declared them the best Muse concerts ever.
The Zombies at indigO2 (at O2 Arena) | London, England | 6/1/2013 (Concert Review)
“The Zombies started over 52 years ago…” One of many breaks in-between songs wherein Colin Blunstone and Rod Argent – two founding members of the band – would provide some background and history on the “musical journey” myself and others in the packed indigO2 took part in throughout the concert. I love to have opportunities to witness true rock and roll pioneers and icons do their thing on stage, but given how long ago the band started, I always adjust down my expectations and anticipate nostalgia filling in where perhaps the performance might fall short. This perspective of mine ended up making me that much more thrilled once they started doing their thing, because the five men on stage were true musicians at the top of their game. They played flawlessly together, the sound was superb, Colin’s vocals were nothing short of staggering and sublime, and their music – new and old (and covered) sounded as contemporary as anything “new” I hear these days. I was truly floored by how The Zombies hit on all cylinders with their show in London last night, and cannot recommend enough turning out for their upcoming tour in the United States. Brilliant musicians and they put a variety of songs through their paces in a unique way that makes me wonder even more how this band never became so much bigger in popularity.
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