Blondie’s spectacular show at the Nob Hill Masonic Auditorium in San Francisco Thursday night was a reminder of how seemingly effortlessly Debbie Harry and the band crossed into and innovated within so many different styles and genres of music in the late 70s and early 80s. Punk, post-punk, disco, pop, New Wave, even some rap, reggae, and infusions of some world music, they were quite the innovators, really serving as a pioneering force in music, and they continue to record new and relevant music today. The Debbie Harry-fronted East Coast post punk/pop/disco group Blondie share the bill on the “No Principals Tour” with Exene Cervenka and John Doe fronting on vocals for the West Coast, L.A. punk pioneers X, which features its original line-up. Both artists brought amazing energy to the stage, which created a frenzy within the crowd at the Masonic unlike anything I’d seen at the usually mellow venue, with fans of both bands flooding the area between the all-seated venue and the low stage. It was definitely a different sort of concert (in a great way) and celebration of music that really served as a pivotal transition from the 70s to the 80s, paving a pathway into what turned out to be fresh and new world.
Heart “Heartbreaker Tour” with Jason Bonham’s Led Zeppelin Experience at America’s Cup Pavilion | San Francisco, California | 8/28/2013 (Concert Review)
I have been to many, many concerts this year, but this is one of those few that left me feeling kind of speechless. With their San Francisco stop on their “Heartbreaker Tour”, Live Nation and America’s Cup hosted the event at America’s Cup Pavilion as part of their Summer Concert Series. Joining Ann and Nancy Wilson on this Heart tour is Jason Bonham and his Led Zeppelin Experience; more than a supporting act, it is a dynamic fusion that has made for a very unique and unforgettable concert experience. Throughout the evening, the musical journey and artistry on display seemed to build perfectly, song after song, moment to moment, and culminated with Jason Bonham and his band joining Heart on stage to perform Led Zeppelin material, with the crescendo of the overall experience being their collective rendition of “Stairway to Heaven”. Really, live music does not get any better than that, and when you see even the venue security rocking out with the fans, you know you are part of one of those special concert experiences where people forget who they are and just live the moment and soak it in, basking in the greatness shining from the stage.
The Breeders at The Fillmore | San Francisco, California | 8/27/2013 (Concert Review)
This week The Breeders returned to San Francisco, the city where recorded their second studio album, Last Splash, back in 1993. This weekend will literally mark the 20th anniversary of the release of this album, and the original band members that recorded it were on stage for two concert dates at The Fillmore on Tuesday and Wednesday. I have been to many anniversary-style shows over the years, but this was maybe the most literal, with quite an attention to details, history, and nuance. The Kim Deal-fronted band did a brilliant job recreating the seminal album on stage as part of their “LSXX” celebration. As a special bonus to the two San Francisco dates (the first of which was sold out, and is the basis for this review), the “Last Splash” line-up not only played that album front to back, but their debut album, Pod, as well, so it was a really amazing show for fans of the band.
The Cure “The Great Circle Tour” at Neal S. Blaisdell Arena | Honolulu, Oahu in Hawaii | 7/30/2013 (Concert Review)
Playing on stage for nearly three and a half hours, with just two 2-minute breaks and almost no in-between song chit chat, The Cure was all about songs and performance at the Neal S. Blaisdell Arena in Honolulu, Oahu last night, making the legendary band’s first ever concert in Hawaii maybe one of the best for those lucky enough to score tickets at the sold out arena. Last night’s rocking show was all about fan service, from the sprawling 38-song set list to the special meet and greet opportunity for those who were able to get one of the coveted front row seats on the floor; the decades old group that is impossible to categorize played a dream set of many of their seemingly endless catalog of hits, spanning their entire career. Though they’ve been one of my own favorite bands since the 80s, I haven’t seen them live since their Wish Tour in the early 90s. I’ve been to over 60 concerts so far this year and with that probably have seen sets by well over 100 artists, and I would definitely rank this as one of my Top Three shows so far in 2013. Having traveled special to the islands for this special concert event – part of their “The Great Circle Tour” – it was definitely more than worth it as it was an unforgettable experience.
Peter Murphy “Mr. Moonlight Tour: Celebrating 35 Years of Bauhaus” at The Fillmore | San Francisco, California | 7/24/2013 (Concert Review)
“If you’re on the wall, you’re awesome…” Peter Murphy relaying what he was told pre-show, in a pretty impressive American accent, about the custom poster designed for the sold out show at The Fillmore last night, on the second American leg of his “Mr. Moonlight Tour: Celebrating 35 Years of Bauhaus”, before he critiqued the fact that it portrayed him as bald and with wings. Peter Murphy has always been a bit of an enigma to me, as you have an idea of what he might be like from listening to his music, but on stage he usually has a few funny things to say in-between songs. But for this tour in particular, fans turned out for the songs, with an all-Bauhaus setlist, with Peter Murphy and his band bringing the classics to life on stage, with great precision and style. Bauhaus were one of the most important bands during that era, with a massive influence in music at large and a catalog of music that has stood the test of time. The show in San Francisco last night definitely lived up to the billing as a celebration of that music. I would say it is the best Peter Murphy concert I’ve seen (which is saying a lot). One of the best tours of the year.
Fleetwood Mac “Fleetwood Mac Live 2013 Tour” at Sleep Train Arena | Sacramento, California | 7/6/2013 (Concert Review)
It isn’t often that real, genuine rock and roll legends come into my hometown of Sacramento to perform in concert, but after last night’s Fleetwood Mac show at Sleep Train Arena, they’ve set the bar quite high for any act to follow. Have loved this band since I was a kid, but have never seen them live, so this was an eagerly anticipated show for me. I did see Lindsay Buckingham on his own last year, and Stevie Nicks with Dave Grohl’s Sound City Players earlier this year, so have had bursts of greatness, which really fed my desire to see them together as Fleetwood Mac even more. As amazing as those other performances had been, they did not prepare me for the magic of having their best line-up (unfortunately sans Christine McVie) on stage together. I think it cements Lindsay Buckingham as the true rock God of the 70s/80s generation and Stevie Nicks, fittingly, as the rock Goddess. Mick Fleetwood is like Zeus (or maybe a mad pirate), with twin balls hanging (in a dangling/dancing sort of way) from his belt. John McVie is content to leave center stage to the others, throwing down his bassline and keeping everything on the tracks as much as possible. This is a band who know who they are, and haven’t strayed from their identity in sound or fashion. What really hit home is how much they appreciate their fans, which was expressed not just in the performance but in eloquent statements from Nicks and Fleetwood to close out the show, calling us their “Dreamcatchers”, and really articulating the music fan/musician dynamic better than I’ve ever heard before. This date closed out the U.S. leg of their tour, and certainly inspires one to start following them around Europe later this year…
Black Rebel Motorcycle Club at The Fillmore | San Francisco, California | 4/22/2013 (Concert Review)
“We did something rather foolish here…” Black Rebel Motorcycle Club’s Robert Levon Been, reminiscing about a past performance at the historic Fillmore, in San Francisco where the band was born. A fitting venue from which to launch their North American tour last night, supporting the new studio album, Specter At The Feast. Robert never came back around to explain their past foolishness, but there is always a bit of mystery about this band and their music, as well as a genuine politeness, on and off stage. In any event, Robert and co-singer/guitarist Peter Hayes and drummer Leah Shapiro did not hold back at all with their overpowering sonic performance; a virtually non-stop set clocking in at about two hours and fifteen minutes. The hard rocking band only slowed down a little for a few acoustic numbers in the second half of the show and at the end, and later with the encore and set closer, “Lose Yourself”, which played out in a way that felt as if the building were unwinding itself like an overspun vintage pocket watch, beat by beat, with minimalist yet powerful drums that even improve on the studio recording. But I’ve learned to expect the unexpected with this band, who take their live sets to levels only dreamed of by other artists. It was one of those shows that felt like a special one, and I can’t imagine a better way for them to kick off what is likely to be a stellar tour.
Rihanna’s “Diamonds World Tour” at HP Pavilion | San Jose, California | 4/6/2013 (Concert Review)
Rihanna is an artist that is one of the hardest working in music today (on and off stage), and her only real problem with her show at HP Pavilion in San Jose last night was that she has so many hit songs – even at just 25 years old – she could not fit them all into a sprawling, nearly two-hour non-stop concert event. A prolific artist, Talk That Talk came out in 2011, just as she was wrapping up her Loud Tour (named after the studio album before that), she’s since release 2012’s Unapologetic, and tickets for this tour actually went on sale late last year as well. The show in the massive HP Pavilion was sold out and filled to its 14,500 capacity, and it was one of the best giant arena audiences I’ve seen. Rihanna did not disappoint, as the place was bouncing and euphoric before she ever took the stage, and things only cranked up from there. She put on her usual top class show fueled with energy and heartfelt emotion and gratitude, as I experienced at the O2 show in London in late 2011 as her last tour came to a close. This is definitely one of the must-see tours of the year, with both figurative and literal pyrotechnics.
Living Colour at The Fillmore | San Francisco, California | 3/27/2013 (Concert Review)
“Yeah, we rule a very tiny kingdom…” Living Colour guitarist Vernon Reid’s modest response to a fan shouting out “you rule” in-between songs during their lengthy set, gesturing to the crowd within the historic Fillmore in San Francisco as they celebrated with their “Vivid 25th Anniversary Tour” last night. The band literally attacked the stage, with drummer Will Calhoun busting a large hole in the kick drum two songs in, with their explosive live performance of their classic Grammy Award-winning 1988 hit, “Cult of Personality”. Playing Vivid front to back, the group put on an amazing concert that underscored what a great work that album was, taking us back to a time when albums mattered, as well as showcasing their innovative blending of disparate musical styles and genres into something really unique and powerful.
Journey at Neal S. Blaisdell Arena in Honolulu | Oahi, Hawaii | 12/14/2012 (Concert Review)
I was fortunate enough to see the second gig on Journey’s 2012 concert tour, which was at Stateline, Nevada in South Lake Tahoe (see prior review). As mentioned at the time, it was an unforgettable evening, and one of the best concerts of the year for me, and if I had the opportunity, that I’d like to see them again before year end. I was able to make that dream come true Friday night, this time seeing the second to the last show of 2012, and the second of three special concerts at the Neal S. Blaisdell Arena in Honolulu, Hawaii, on the island of Oahu. It was a much different show (more on that later), and just as enjoyable as the first, as the legendary band played pop and rock music standards that have stood the test of time for decades. Definitely a great send off to an amazing year for concerts.