“Cheers everybody! Good health and be well! Thank you for being lost with us!” Tony Hadley, formerly of Spandau Ballet, in his headlining performance at Rewind Fest ’17’s Lost 80’s Live concert at Thunder Valley Outdoor Amphitheater on Sunday night. Filling out the line-up was Wang Chung, Berlin, Missing Persons, Cutting Crew, Naked Eyes, Trans-X, The Flirts, and Pretty Poison. World One Presents continues to bring out the top 80’s era live shows to Thunder Valley every summer, and this one was really great.
“We want to let you know that we really appreciate you… You have supported us – you have shown lots of love and dedication – for the last 58 years… That’s real special. And now it has come time, to show our appreciation. We’ve talked about it, and we agree that this song is the song that says the way we feel. So you sit back and we’re going to tell you a little story, so it’s something like this…” The original remaining two principal members of The O’Jays at a sold out show at Thunder Valley Outdoor Amphitheater on Saturday night before singing an incredible rendition of their song “Forever Mine”. Off of their 1979 album, Identify Yourself, the pioneering R&B group had the crowd on their feet throughout much of their headlining performance at World One Presents’ “Soul Fest ’17” concert, which also featured sets by Morris Day and The Time, The S.O.S. Band, and GQ. [Read more…]
WorldOne Presents is bringing another fantastic line-up of 80s R&B icons to the Greater Sacramento Region at Thunder Valley Amphitheater on Saturday, August 5th. Soulfest ’17 will feature The O’Jays, Morris Day & The Time, S.O.S. Band and GQ. [Read more…]
“Are you ready to get your Wang’s Chung’d? We’re going to Chung your ass’s off!” Rewind Fest‘s special edition of Lost 80s Live was a non-stop party featuring some of that decade’s best loved songs and artists, with no less than nine performances, including Wang Chung, tongue firmly planted in cheek. A World One Presents production by way of Rob Juarez’s incredible Boss Booking Agency of over 30 top 80s artists. The crowd was on their feet much of the show, as each of the many artists played very short sets of their top hits, making for almost a live version of listening to 80s radio back in the day. It was a who’s who of New Wave and 80’s music featuring Mike Score from Flock of Seagulls, the aforementioned Wang Chung, Berlin featuring Terri Nunn, Farrington and Mann from The Original When In Rome UK, Martha Davis and The Motels, Nick Van Eede from Cutting Crew, Nu Shooz, Animotion, and Tommy Tutone! Incredible, and an unforgettable evening of nostalgia and real artistry from some of the most innovative artists of the era. [Read more…]
“So, basically Culture Club makes happy sad music. If you’re a Gemini, you don’t need that explained. If you’re a Libra, I can’t help you. Hands up for the Geminis! You’ve got to use two hands if you’re a Gemini, because there’s always two of you. What’s that saying? ‘Roses are red, violets are blue, I’m schizophrenic, and so am I.’ That’s the Gemini mantra. So we do these happy sad songs. Dancy rhythms, melancholy sounds, mixed together…” Boy George explaining Culture Club in a way that only he could… an interesting insight into the band and the man who proudly stood out in front of it (as well standing for many other things) throughout the first half of the 1980s. All in preface to the song, “Move Away”, which was the lead single to their fourth album, From Luxury To Heartache, an album title which nicely dovetails into what he was explaining, as well as illustrative of that early trajectory of the band in it’s first life… It all ended far too early when they broke up in 1986 following the release of that album and that lead single, which would be their final entry into the U.S. Top 40 charts. The light that burns twice as bright last half the time and all that… But life is a funny thing. Fast forward thirty years (!), and there on that stage at Thunder Valley’s Outdoor Amphitheater in front of thousands of jubilant fans on Friday night was Boy George and the original members of Culture Club – Roy Hay, Mikey Craig and Jon Moss – and I can’t imagine them being any more happy or in sync with one another musically and with their live performance. And, it would seem, the impossible journey each took to get them there made it all the more sublime. Joyfully playing those now classic songs of happy sad music. A potent chemical reaction of letting soul and reggae out to play with all manner of other music genres, bending and twisting and dancing with new wave, country, pop, funk, rock, R&B, and even church music, to create something altogether unique but unified in that wicked sort of Gemini manner… The genius of Boy George, and his bravery in always being uniquely himself and forging new paths for others to follow. Definitely one of the best tours of 2016, one of the most important New Wave bands (who helped push those loose boundaries within that broad musical movement), and a band fronted by one of the most interesting figures in pop culture in modern times. [Read more…]
“Ladies and gentlemen, let me take you back…” Dennis Edwards, as original lead singer of legendary Motown band The Temptations from 1968-1976, 1980-1984 and 1987- 1989, he truly did take the sold out crowd at Thunder Valley back to a different era on Saturday night, leading his Temptations Review band through hit after hit. But it wasn’t just the music, but the performance and delivery, the costumes, the charm… it all worked together beautifully in recreating a show that is how I might imagine it might have been way back when. World One Presents’ “Valentine’s Soul Jam” for 2016 included hours of top notch entertainment, with leading performances by Dr. Funk’s Mind, Body and Soul Band as well as R&B, soul, and funk icon Carl Carlton, best known for his cover of “Everlasting Love” and early 80s hit, “She’s A Bad Mama Jama”. A celebration of the 60’s, 70’s, 80’s and beyond, all three artists brought a ton of energy to the stage and engaged the audience throughout the show. [Read more…]
“Sacramento… you may notice a bit of moisture forming on my forehead… falling down my face… I know what you’re thinking. You’re thinking, ‘Morris has lost it.’ You may even be thinking, ‘Morris is not cool anymore.’ But let me fix that shit for you, Sacramento. Just like you take a cool bottle of champagne out of the refrigerator, and you set it on the counter… what does it begin to do? See, it sounds like you all don’t know. See, it begins to condensate, Sacramento. Because that’s what you do when you’re cool from the inside out… So please understand, Morris is not sweatin’. I’m condensatin’. And, hell yes, Morris Day is still cool!” Words from the legendary Morris Day from Morris Day & The Time (now The Original 7ven), headlining the Big Block Party by WorldOne Presents at Thunder Valley Casino Resort Saturday night. Having come on stage after the sun dropped out of view, which hit a high of 100 degrees, it left me wondering if the sweat rolling off everyone in the sold out concert venue was from the heat of the day, or the heat coming off the stage from the outrageous funk band, who followed the incredible line-up of Sheila E., Guy, and Doug E. Fresh.
The show at Thunder Valley Casino Resort’s Outdoor Amphitheater Sunday night was continuing on in WorldOne Presents’ tradition of their annual “80s Rewind Festival Music Fest”, and arrived in Lincoln, California with it’s own unique line-up and variation on the newly christened Retro Futura Tour 2014 (formerly Regeneration Tour). With this event, the same co-headliners – Thompson Twins’ Tom Bailey and Howard Jones – shared the bill, as did Katrina Leskanich (formerly of Katrina and The Waves. But in place of Midge Ure and China Crisis was the incredible English Beat featuring Dave Wakeling. As usual, the show took on a character all it’s own, playing out to a large and enthusiastic crowd. I think the Katrina/English Beat/Howard Jones/Tom Bailey line-up featured artists that all have one thing in common: authentic optimism driving their music. Of course, the modern day ’10s are not the classic ’80s, and though the music played came from the past, it could also serve as a beacon of hope for the future. And, as with the show at Mountain Winery the night before, there seemed to be quite a reception for Tom Bailey, who stopped touring and performing live as Thompson Twins way back in 1987. It was another exceptional performance by all of the artists, and both shows are certainly on the short list for top concerts of the year for me personally.
“Somebody’s gonna get pregnant tonight!” Headlining this year’s Summer Jam for WorldOne Presents and V101, R&B icon Keith Sweat made it clear that much of his music is meant to accompany more… romantic activities. It was fitting that by the time he took the stage at Thunder Valley’s Outdoor Amphitheater Saturday night, the sun was long gone and there was a bright moon serving as backdrop to the evening. The other artists brought more of a high energy show to the stage, with Salt-n-Pepa performing not only their own music but samples from all manner of genre of music, courtesy the founding DJ, Spinderella, while D’wayne and Amar of Tony! Toni! Toné! raced back and forth across the vast stage getting the audience going at the start of the show. The sold out crowd of 4,000 fans in Lincoln, California appeared to be thrilled by the performances of all three artists, with DJ Gino bridging each act with his ongoing DJ set.
Last night was all about old school hip hop legends, with Whodini, Kurtis Blow, and Rob Base each taking the stage during V101’s Hip Hop Halloween House Party at Pano Hall inside Thunder Valley Casino Resort in Lincoln. Pioneers in what has since become a wildly popular genre of music, it was a celebration of the artists who built the foundation of hip hop, with respect paid to many of their peers who were not part of the concert, by way of mention and covers. It made for an interesting and unpredictable night of music, with legend Kurtis Blow doing his own music, like “The Breaks” (the first gold certified rap song back in 1980) as well as some unexpected works from others that followed many years later, like House of Pain’s “Jump Around”. Hip Hop has obviously changed tremendously in the past three decades, but those in attendance last night, I think, appreciate that it was probably at its best in those early years, and it is gratifying to have seen these artists do their thing on stage last night in a relatively intimate atmosphere with a great crowd, some of whom also took to the stage throughout the show.