This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. The first guest for 2015 is Dick Dale, a legend in music, regarded as both “The King of the Surf Guitar” and the “Father of Heavy Metal”. Now 77 years old, Mr. Dale is well known to younger generations for his 1962 song, “Misirlou”, which was used by Quentin Tarantino as the title track in his film, Pulp Fiction.
Peter Hook & The Light Performing New Order’s “Low-Life” and “Brotherhood” (with Moby) at The Fonda Theatre | Hollywood, California | 11/22/2014 (Concert Review + Photos)
“And that’s how you play The Perfect Kiss!” An emphatic Peter Hook, currently touring as Peter Hook & The Light (formerly of Joy Division and New Order) – rock and roll’s greatest bass player – is apparently a skilled mind reader as well, as he pulled that quote right out of my head to shout back through his microphone after playing the best rendition of the classic song that I’d ever heard. Hooky and his band are in 2014 touring New Order’s third and fourth albums (Low-Life and Brotherhood, respectively) in their entirety, having done the same in 2013 with the first two (Movement and Power, Corruption & Lies). As an added bonus with each of these outings, they open for themselves as Slaves of Venues with dedicated Joy Division sets, which collectively makes for quite a substantive and lengthy set of shows each night. At The Fonda Theatre in Hollywood Saturday night, the dedicated fans in attendance were also treated to a surprise guest appearance on stage for the encore, with none other than Moby coming out to perform vocals for the first two songs of that set to close out the evening. All and all, with a show kicking off around 9:30 PM and going until 12:30 AM, it was three solid hours of celebration for fans of Joy Division and New Order. It was certainly one of those special shows were the venue, artist, and fans all clicked perfectly to make for a very memorable experience and a blazing hot and awesome show by a legendary artist and performer, who in my opinion is the heart and soul of New Order keeping the most authentic live performance of their music alive for old and new fans.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Peter Hook. Peter Hook is a founding member of Joy Division and New Order, and next week embarks on his latest tour as Peter Hook & The Light, covering the third and forth New Order albums, Lowlife (1985) and Brotherhood (1986), in full. Last year, he and his band covered the first two New Order albums and my review of that tour can be found in a separate article (see: “Peter Hook & The Light Performing New Order’s “Movement” and “Power, Corruption & Lies”…).
MØ with Erik Hassle at Popscene at Rickshaw Stop | San Francisco, California | 6/3/2014 (Concert Review + Photos)
The Popscene concert at Rickshaw Stop on Tuesday night was one of those rare shows that was very surprising (in a good way). Danish singer-songwriter MØ (Karen Marie Ørsted) headlined the night that featured Swedish singer-songwriter Erik Hassle supporting, and both put on stellar performances, with awesome bookend DJ sets by Aaron Axelsen. Candidly, I was not familiar with either of these young artists until recently, and I would mark the night as one of the best concerts I’ve attended so far in 2014. MØ and Erik Hassle should be on the pop culture watch list as ones to expect big things from in the future.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Erik Hassle. He released his latest work as an EP, Somebody’s Party, which debuted earlier this year. He is also one of the songwriters for the current single, co-featuring Rihanna, “Can’t Remember to Forget You“. Erik is just finishing up his U.S. tour with MØ, and took time before his concert at Popscene at Rickshaw Stop last night to participate in this interview. The full concert review with photos from the live show can be found in my separate article (see: “MØ with Erik Hassle at Popscene at Rickshaw Stop | San Francisco, California | 6/3/2014″).
Charli XCX’s first U.S. headlining tour kicked off this past week, making an early stop in San Francisco at Slim’s last night to a dedicated and enthusiastic young crowd. The high energy evening kicked off with opening sets by LIZ and Kitten, providing a showcase of music with three young women fronting acts with three different styles of music. While Charli has been making music and performing going back several years, she broke much wider into the pop culture consciousness in the past year with Icona Pop’s “I Love It”, which she wrote and also provided vocals to in the hit pop song. Her own music, off her debut album True Romance, is a bit more experimental and darker by contrast, which is why she gave the song to the synthpop Swedish duo for their own album. Charli has had a productive time since I last saw her opening for Santigold in the Summer of 2012, having toured with Coldplay, Paramore, Marina and the Diamonds, as well as put out a lot of new music and music videos like the recently released “SuperLove“. She is definitely one to continue to watch as she forges her own unique path through the music industry. She put on a great show last night and really seems to have grown into having a real command on the stage (with new band in tow) and has inspired and sparked the imagination of a generation of fans.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Charli XCX. She released her first studio album, True Romance, earlier this year, and is embarking on her first headlining tour of the U.S. this month. This month she also released a new song and music video for SuperLove, with plans to release a second studio album in the Spring. She took the time to call in from Stockholm this morning to participate in this interview.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Chloe Chaidez of Kitten. Chloe is the singer and driving force in the very young band that has been blowing up the music industry with their high energy live shows and interesting blend of musical genres. They will be supporting the upcoming Charli XCX tour, which has recently been rescheduled. Kitten just released their new EP, Like A Stranger.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Susan Ottaviano with Book Of Love. The pioneering New Wave favorite from the 80s and early 90s will be releasing some all-new music later this year and will be playing some special live concert dates in California in October.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Keven Preston with Prima Donna. The Los Angeles-based rock band will be embarking on a North American tour with Adam Ant starting later this month, running July, August and September.
Black Rebel Motorcycle Club at The Fillmore | San Francisco, California | 4/22/2013 (Concert Review)
“We did something rather foolish here…” Black Rebel Motorcycle Club’s Robert Levon Been, reminiscing about a past performance at the historic Fillmore, in San Francisco where the band was born. A fitting venue from which to launch their North American tour last night, supporting the new studio album, Specter At The Feast. Robert never came back around to explain their past foolishness, but there is always a bit of mystery about this band and their music, as well as a genuine politeness, on and off stage. In any event, Robert and co-singer/guitarist Peter Hayes and drummer Leah Shapiro did not hold back at all with their overpowering sonic performance; a virtually non-stop set clocking in at about two hours and fifteen minutes. The hard rocking band only slowed down a little for a few acoustic numbers in the second half of the show and at the end, and later with the encore and set closer, “Lose Yourself”, which played out in a way that felt as if the building were unwinding itself like an overspun vintage pocket watch, beat by beat, with minimalist yet powerful drums that even improve on the studio recording. But I’ve learned to expect the unexpected with this band, who take their live sets to levels only dreamed of by other artists. It was one of those shows that felt like a special one, and I can’t imagine a better way for them to kick off what is likely to be a stellar tour.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Steve Marker with Garbage. The band is finishing a tour in the United States currently (and I will be covering their show in Las Vegas at The Pearl Theater at The Palms Casino Resort next week), and news has begun to circulate about the possibility of a new studio album coming early next year. Steve was kind enough to talk with me today about the music industry in general, being part of the band, what they have planned for Record Store Day this year and more.