“Do I have my readers on my head? How long has that been the case? Is that from the first set? [shouts from crowd: “just the second!”] That just leveled me, a little bit, to be honest…” Tanya Donelly on stage with the recently reformed Belly, pulling her reading glasses off of the top of her head during their blazing show at Great American Music Hall in San Francisco on Friday night, which prompted bass player Gail Greenwood to playfully interject, “this is the only person I know who actually applied for an AARP card… meanwhile the rest of us will cut that motherfucker up!” Tanya, acknowledging her father up front and center in the crowd quipped in reply, “I’m an Irish girl… I like my discounts!” A reflection of the funny and fun-loving vibe between the band (and family) on this quite special tour, with the “dream pop” alternative band back together some 20 years after their break up in the mid-90s. Not only did they seem to be having more fun than anyone at the sold out show (which is saying a lot), but their performance was truly impeccable, bringing back so many of their great songs and playing them in a way that made them sound better than ever. With Thomas and Chris Gorman also on stage on guitar and drums, the reunited band also played two new work-in-progress songs, which is a reflection of the status and future of the band, moving forward with new love for one another and what they created together, as well as building on what once was with what might be. The future is bright for the quartet and their fans.
“The aim of life is to live, and to live means to be aware, joyously, drunkenly, serenely, divinely aware” – Henry Miller. Black Francis (AKA Frank Black, AKA Charles Michael Kittridge Thompson IV) had nothing really to say to the sold out crowd of about 300 lucky fans at the amazing show at Henry Miller Memorial Library in Big Sur Tuesday night, but as an artist, he’s had plenty to say with his music over the years. And 2013 and 2014 mark the big comeback for the band, with their EP-1, EP-2, and EP-3 (with four tracks a piece) collectively comprising their first new album in over 20 years. Pulled together, their latest – Indie Cindy – somehow captures the sound and vibe of their pioneering work in the late 80s and early 90s, but with a contemporary vibe (though some would argue they were decades ahead of things back in the day). Currently playing live dates with their current touring bassist, Paz Lenchantin brings great energy, warmth, and sex appeal to the band which still features original guitarist Joey Santiago and drummer David Lovering, in addition to Black Francis at the helm of things. I’ve marked Pixies as one of my favorite bands since high school, and have seen them many times going back to the late 80s, and I’d have to say that not only was the show in Big Sur this week the best I’ve seen, it will probably go down as the best Pixies concert I will ever see. A sublime mix of venue, crowd, and energy, it was nothing short of magnificent. And since the two shows I saw in Los Angeles last year and Oakland a few months ago, it would seem that the band has come into their best groove ever, going without setlists and employing some keen (though at times glitchy) psychic powers among themselves. Like what Henry Miller was getting at, this is a group that is aware on many different levels…
Black Francis (AKA Frank Black, AKA Charles Michael Kittridge Thompson IV) usually has little to say to an audience during a Pixies concert, and unless I missed it, he had nothing to say to the sold out crowd at the Fox Theater in Oakland last night. The music he crafted with his band, originating in the late 80s, still sounds ahead of it’s time, and rocks harder than most of the material put out by bands yesterday and today. Yet in true anti-rock star style, after casually coming onto the stage Friday night and giving the crowd a friendly wave hello, Black Francis realized his shoe was untied and propped his foot up on the drum kit to rectify the situation before kicking into “Bone Machine”. The band has one of the best collections of songs for a band with such a short lifespan in its original incarnation (1986-1993, more or less). I personally love every song on their five studio albums, save one or two. As most are fairly short, some are played even faster live, so a Pixies concert always feels like some kind of a race of sorts to the end, and thus the chit chat engaged in by some artists is skipped over completely with the Pixies, though they always have a surprise or two none the less. The most unexpected moment with their stop in Oakland was the apparent lack of a set list, and after a satisfying encore, the house lights came up, band still onstage with fans exiting in a hurry, only to have the quartet break into a frenetic and rocking version of “Planet of Sound”, with house lights still up throughout. Funny enough, I asked the sound and light crew at the mixing board in the back about this when the show finally (finally) came to a close, and even they were surprised. In any event, a stellar show put on by one of my favorite bands of all time, played to a fascinating mix of fans old and new (some of the latter of which weren’t even born during their first run in the late 80s and early 90s). A true celebration of some of the best music of my generation. They’ve still got it. [Read more…]
2013 is maybe the best year since the early 90s to be a Pixies fan. Interestingly, having been in attendance now at the first two of three consecutive shows this week at El Rey Theatre in Los Angeles (and a fourth coming right after at the Mayan Theatre), the crowd overall skewed very young, which really underscores my long held belief that the Pixies were way, way, way ahead of their time, and also had bad timing (maybe in an alternate universe they could have had Nirvana-sized mainstream success). In any event, as I’ve often referenced in countless articles here on the Rock Subculture Journal, the Pixies are solid in my Top Three favorite artists of all time. Before going into recent and ancient history, the big question those reading this are probably wondering is, ‘how were these shows?‘ The short answer is, absolutely phenomenal. Everything one could hope for in a Pixies concert has been present in Night 1 and Night 2. With their new touring efforts and new music (music that is on par with their classic material), it is an awesome time to be into the Pixies, whether you were around back in the day or not. A time to celebrate, and the band and the fans all brought the party to El Rey Theatre this week.