Charli XCX’s first U.S. headlining tour kicked off this past week, making an early stop in San Francisco at Slim’s last night to a dedicated and enthusiastic young crowd. The high energy evening kicked off with opening sets by LIZ and Kitten, providing a showcase of music with three young women fronting acts with three different styles of music. While Charli has been making music and performing going back several years, she broke much wider into the pop culture consciousness in the past year with Icona Pop’s “I Love It”, which she wrote and also provided vocals to in the hit pop song. Her own music, off her debut album True Romance, is a bit more experimental and darker by contrast, which is why she gave the song to the synthpop Swedish duo for their own album. Charli has had a productive time since I last saw her opening for Santigold in the Summer of 2012, having toured with Coldplay, Paramore, Marina and the Diamonds, as well as put out a lot of new music and music videos like the recently released “SuperLove“. She is definitely one to continue to watch as she forges her own unique path through the music industry. She put on a great show last night and really seems to have grown into having a real command on the stage (with new band in tow) and has inspired and sparked the imagination of a generation of fans.
Whodini, Kurtis Blow, and Rob Base (V101’s Hip Hop Halloween House Party 2013) at Thunder Valley Casino Resort | Lincoln, California | 10/25/2013 (Concert Review)
Last night was all about old school hip hop legends, with Whodini, Kurtis Blow, and Rob Base each taking the stage during V101’s Hip Hop Halloween House Party at Pano Hall inside Thunder Valley Casino Resort in Lincoln. Pioneers in what has since become a wildly popular genre of music, it was a celebration of the artists who built the foundation of hip hop, with respect paid to many of their peers who were not part of the concert, by way of mention and covers. It made for an interesting and unpredictable night of music, with legend Kurtis Blow doing his own music, like “The Breaks” (the first gold certified rap song back in 1980) as well as some unexpected works from others that followed many years later, like House of Pain’s “Jump Around”. Hip Hop has obviously changed tremendously in the past three decades, but those in attendance last night, I think, appreciate that it was probably at its best in those early years, and it is gratifying to have seen these artists do their thing on stage last night in a relatively intimate atmosphere with a great crowd, some of whom also took to the stage throughout the show.
Mazzy Star Launch North American Tour in Support of “Seasons of Your Day”, First New Album in 17 Years
Hope Sandoval and David Roback’s Mazzy Star launched their first new album in 17 years, Seasons of Your Day, last month, and are kicking off a modest North American tour running the month of November. It definitely ranks as one of the best albums of the year, so it should be a fantastic concert tour. [Read more…]
Hotel/Resort Review: Palomar San Diego, A Kimpton Hotel – San Diego, California
This is part of a continuing series of my impressions and experiences staying at various hotels and resorts while traveling to attend concerts worldwide. This stay was during my recent trip to San Diego in October 2013. This review is for Palomar, San Diego, A Kimpton Hotel, in San Diego, California. [Read more…]
Book of Love (MMXIII Tour) at DNA Lounge | San Francisco, California | 10/9/2013 (Concert Review)
“This is actually the first song we ever wrote… do you remember your first time?” Susan Ottaviano, vocalist for Book of Love, providing her introduction to “It’s in Your Eyes” halfway through their set at DNA Lounge in San Francisco last night, one stop in a handful of California dates this month. The New Wave synthpop band from Philadelphia, which was formed more than 30 years ago, have started working together and recording together again, and these special concerts are a part of that rebirth for the group. Based on the packed nightclub and enthusiasm of the crowd, they are not forgotten, and there was a large fan base in attendance, many of whom traveled special for the relatively intimate show. As the style of music that they helped to develop back in the 80s gains in popularity today, it is exciting to see the band active and killing it on stage as if they’ve been active all along, rather than reuniting. Hopefully it will mark the start of more to come.
Peter Hook & The Light Performing New Order’s “Movement” and “Power, Corruption & Lies” at Mezzanine | San Francisco, California | 9/27/2013 (Concert Review)
“I asked him what he wanted for his birthday… What do you think he said? He said, ‘Dad, I wanna play ‘What Do You Want From Me?”” Peter Hook of Peter Hook & The Light, currently, and formerly of Joy Division, New Order, Ad Infinitum, Revenge, Freebass, and Monaco. “What Do You Want From Me?” was the top single produced by Monaco, and as Peter Hook (more affectionately referred to simply as Hooky) recounted his conversation on stage before the packed crowd at Mezzanine in San Francisco last night, he held his hand on his heart, touched by his son’s request, and beaming with pride. It was definitely a special sort of evening last night, with more than the one big surprise, as I don’t believe his current band Peter Hook & The Light – with son Jack on bass – have ever performed that song live for the public. The other big surprise of the night was opening and supporting band Slaves of Venus… but more on that later. In the end, it was nearly three hours of not just the promised first two New Order albums, Movement and Power, Corruption & Lies, but a bit of Joy Division as well. Really much more to cover than I can even contemplate in this opening teaser, but it was a stellar show and a showcase of amazing music.
Arctic Monkeys “AM Tour” at Fox Theater | Oakland, California | 9/26/2013 (Concert Review)
“As it so happens, this one goes out to all the ladies!” A song intro by Alex Turner, front man for Arctic Monkeys, one of the coolest and most charismatic bands on the planet. Dispensing with too much in-between song chit chat, the band kept building upon the frenzy within the audience throughout their hour and a half set. The fans in attendance, who started lining up a 6 am in morning to ultimately bask in the stunning lights of pure and unfiltered cool glowing from the stage, made the first of two back-to-back Arctic Monkeys shows at the Fox Theater in Oakland a tough one to best. The band is in the midst of their world tour in support of their fifth studio album, AM, which was released earlier this month. Showing confidence in the future, the band closed out the show with an encored that ended with their new hit single, “R U Mine?”, which might just be their best song yet.
Little Boots with MNDR at The Independent | San Francisco, California | 9/24/2013 (Concert Review)
“Are you up for a rave? Do you have raves in San Francisco on a Tuesday?” Victoria Christina Hesketh, AKA Little Boots, leading into “Broken Record”, the thumping lead single from her highly acclaimed second studio album Nocturnes, which was released in May. A natural performer, Little Boots certainly brought a special mix of charisma and energy to the stage to power her amazing music, building on Amanda Warner of MDNR’s blazing opening set within the intimate setting of The Independent. Definitely a great night of contemporary electronic synthpop as Little Boots kicks off her world tour running through the end of the year.
Blondie with X “No Principals Tour” at Nob Hill Masonic Auditorium | San Francisco, California | 9/19/2013 (Concert Review)
Blondie’s spectacular show at the Nob Hill Masonic Auditorium in San Francisco Thursday night was a reminder of how seemingly effortlessly Debbie Harry and the band crossed into and innovated within so many different styles and genres of music in the late 70s and early 80s. Punk, post-punk, disco, pop, New Wave, even some rap, reggae, and infusions of some world music, they were quite the innovators, really serving as a pioneering force in music, and they continue to record new and relevant music today. The Debbie Harry-fronted East Coast post punk/pop/disco group Blondie share the bill on the “No Principals Tour” with Exene Cervenka and John Doe fronting on vocals for the West Coast, L.A. punk pioneers X, which features its original line-up. Both artists brought amazing energy to the stage, which created a frenzy within the crowd at the Masonic unlike anything I’d seen at the usually mellow venue, with fans of both bands flooding the area between the all-seated venue and the low stage. It was definitely a different sort of concert (in a great way) and celebration of music that really served as a pivotal transition from the 70s to the 80s, paving a pathway into what turned out to be fresh and new world.
GROUPLOVE “Seesaw Tour” (Night 1 “Heavy”) at The Independent & (Night 2 “Light”) at The Chapel | San Francisco, California | 9/14/2013 & 9/15/2013 (Concert Review)
“We do it for love, sweet love…” Fittingly, the final words sung on stage both Saturday and Sunday night in San Francisco by GROUPLOVE, from their hit song, “Colours”. Playing back-to-back shows as part of their special run of their “Seesaw Tour”, performing at two small venues in select cities, doing one traditional show and one acoustic-style show, each night featured a different kind of show, almost as if seen, heard, and felt through a kaleidoscope that shifted not just night to night, but within each show. GROUPLOVE is a band with probably the best energy of anyone playing today – such joy and positivity beaming not just from the speakers at the venues, but from the artists themselves – their expressions and jumping around, and interactions with the audience. The funny thing is that the audiences and shows kind of played counter to expectations, with the “heavy” night at The Independent skewing older and more mellow and the “light” night at The Chapel being much more youthful and boundless, which seemed to fuel the band into rocking their acoustic instruments on the tiny stage, which could barely contain them. Two incredible shows that delivered well beyond expectations.
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