I usually open my concert review articles with a quote from one of the artists on stage that night, though with Meg Myers at The Boardwalk on Thursday night, it would have been words in reference to asking some loudmouthed people in the venue to shut up. More on that in a moment. In spite of the ongoing source of annoyance to those who showed up to enjoy the music and the artists who came to perform, Meg and her band put on a stellar performance. I’ve been a strong supporter of Meg and her music since I first saw her open for the Pixies in Los Angeles two years ago, and she has continued to build on her works and cultivating fans who understand her and her music. Her debut album, Sorry, is due next month, and it will be interesting to see how much it fuels her career and where it will take her coming into 2016. The single, “Sorry”, has been a big hit for her. She is, in my opinion, one of the most creative and interesting (and exciting) artists active today, and her live show is definitely one not to miss.
Meg Myers Playing U.S. Headlining Dates and Festivals; The Boardwalk in Orangevale and Live 105’s BFD in Mountain View
Alternative singer-songwriter Meg Myers has some live dates coming up, taking her around the United States from now through October, including appearances at some of the best festivals including Life Is Beautiful in Las Vegas and Austin City Limits. Her last big release was the fantastic Make A Shadow EP, which has gained significant critical acclaim as she continues to build a fan base for unique style of music. Her latest single, “Sorry”, was released just a few months ago. I’ve been a huge fan of her work since seeing her supporting some Pixies live shows in Los Angeles a few years ago, as well as her show with Broods last year. [Read more…]
Louis E. Johnson Passes Away at 60: Concert Photography Tribute – Photos from Last Concert as The Brothers Johnson
Louis E. Johnson, known as Louis “Thunder Thumbs” Johnson and half of The Brothers Johnson with brother George “Lightnin’ Licks” Johnson, passed away on May 21st at age 60. Louis Johnson was a legendary bass player and one of the principal figures in Funk music, and also is famous for laying down that incredible bassline on Michael Jackson’s “Billie Jean” as well as playing on his hit, “Don’t Stop ‘Til You Get Enough”. The Brothers Johnson collaborated with Quincy Jones, and are best known for their 1977 cover of Shuggie Otis’ “Strawberry Letter 23”, their 1976 hit “I’ll Be Good to You”, and the 1980’s hit “Stomp!”. I was lucky enough to see what I think might have been the last live concert performance by The Brothers Johnson” in September 2013 as part of WorldOne Presents and their “Funk Fest” event at Thunder Valley in Lincoln, California, and did extensive photography at the show. You can see my full review and photos in my original article, but I thought I would pull out some of the Louis Johnson ones here as a tribute to the great man. [Read more…]
Howard Jones at Harlow’s Restaurant & Nightclub | Sacramento, California | 5/13/2015 (Concert Review + Photos)
“You gotta keep believing in what you wanna do; don’t give up…” Howard Jones on stage at Harlow’s Restaurant & Nightclub in Sacramento on Wednesday night, playing to a sold out crowd in an intimate space holding about 450 fans. He was reflecting back on when he was working in a factory as a very young man, and writing “New Song”. His debut single – released in 1983 – is all about optimism… and that is in my estimation what the man is still about today, some three decades later. Throughout his performance, he was beaming with joy and fun between each song, chatting with fans and tossing out anecdotes and familiar lyrics that can still be instructive today (“try and enjoy the here and now… the future will take care of itself somehow!”). But it’s not just the classic tunes that had people moving. Having released his 11th studio album this year – Engage – he is as creative and relevant as ever, with fresh new songs. My own feeling is that in all this time since the 80s have come and gone, he best represents not just the style of music but the feelings of that era, and it is awesome that he continues to spread his work and message in live shows like this one. Things can only get better, indeed.
Blues Legend B.B. King Passes at 89; A Tribute in Concert Photography
Music legend B.B. King passes away at age 89 today. The “King of Blues” was born in Mississippi, and not only was witness to nearly nine decades of history, but was a key participant in it as well. [Read more…]
Florence + The Machine at The Masonic | San Francisco, California | 4/8/2015 & 4/9/2015 (Concert Review + Photos)
“It’s so wonderful to be back in San Francisco. It’s wonderful to be back in America, because actually the title of the record – How Big How Blue How Beautiful – was inspired by the American sky. It was actually, in a text message… I sent – I don’t want to break the mystery of it – but I sent to someone I really cared about a lot. And this song was written about that time. And about just how everything seemed endless, and beautiful, and that the world was a magical place. And then if you hear the rest of the record, you may be able to tell that things got a bit… muh… but still, I feel like you come back to this feeling, always.” Florence Welch of Florence + The Machine, providing an introduction to the title song of the upcoming album due out in June. Playing two back-to-back shows at The Masonic in San Francisco, it was not only a set of concerts with new music, but seemingly a Florence with a bit of a different feeling. I was lucky enough to catch two of their shows in 2012 (at the Mondavi Center in Davis and at the Hollywood Bowl), and the Florence I saw performing this week encompassed what I came to expect (an intense and phenomenal performer), but with flourishes of more joy than I’ve seen previously. It made for even more captivating shows, as her and her incredible group of artists truly put on a masterful performance, with a mix of familiar and new. I obviously attend a lot of concerts every year, but Florence + The Machine is one of the very few that can give me that adrenaline rush and tingle down my spine throughout – a real feat. Being fortunate enough to attend both shows this week, while the set list was the same, the shows each had there own character, energy, and vibe. With the preview of the new album, and the quality of the songs, it would appear that the band hasn’t hit any ceilings yet in terms of their gifts, talents and abilities, and I expect them to continue to soar in that big blue sky that Ms. Welch is so fond of… in studio or on stage, they remain one of the top musical artists active today. [Read more…]
Clan of Xymox at DNA Lounge | San Francisco, California | 3/19/2015 (Concert Review + Photos)
“San Francisco. It’s been a while.” Ronny Moorings, to what appeared to be a sold out crowd at DNA Lounge on Thursday night, with Clan of Xymox’s first show in Northern California in over a decade. Ronny founded Xymox/Clan of Xymox in the Netherlands in 1981, and remains the sole original member, singing all of the vocals as well as playing guitar. A pioneer of Darkwave music, the mix of Synth Wave, Post-Punk, and Gothic Rock had it’s golden age in the 80s among contemporaries like Bauhaus, Joy Division, The Cure, Sisters of Mercy, Siouxsie and the Banshees, Cocteau Twins, and Depeche Mode. A rare visit not only the San Francisco, but the U.S. in general, this was one of just a few shows in California this week. With a playlist featuring classic and new Xymox songs, it was an incredible showcase of a unique style of music that Ronny has kept alive and relevant for over three decades now.
Kristin Hersh (of Throwing Muses) at City Winery Napa | Napa, California | 3/16/2015 (Concert Review + Photos)
“I’m going to play really small tonight…” Kristin Hersh at the start of her special show at City Winery Napa. I would have to say that it was maybe the most quotable concert I’ve ever attended, filled with an endless number of interesting comments and observations throughout her set, which was a mix of poetry readings and music from her various projects recorded under her own name, Throwing Muses, and 50 Foot Wave. The setting within the beautiful, candle lit venue seemed perfect (Kristin’s first words coming out to the stage and mic was, “it’s so romantic here…”). Her comment about playing small was inspired by her own characterization of her setlist (“the tiniest setlist ever!“), which was about half the size of a Post-It Note, double-sided. But Kristin always seems to do things different; her own way… and sees the world I think a lot differently from the rest of us, which makes her works all the more compelling (in words, sound, and delivery). Quite the artist, it is interesting how she does not limit her expression to her incredible music, but also gives us glimpses into her world via words printed on paper (“I’m going to read books at you tonight…“). She has a sort of funny, quirky, open, and honest presentation which is somewhat disarming, in that she will then tear into a raw and emotional (powerful) song that is a shock to the system. A singular artist, I get the sense every show she does – even the “small” ones like last night – are quite unique journeys unto themselves. Certainly one of the more gifted and unique artists of her generation (and a real pioneer in terms of creating new pathways for women in music), she is definitely worth turning out to see live if you get the opportunity, and I would say the solo show is even more interesting than the traditional Throwing Muses concert (like the one I reviewed about a year ago).
Broods (The Evergreen Tour) at The Regency Ballroom | San Francisco, California | 3/7/2015 (Concert Review + Photos)
“If I was rich, I’d live here…” The modest Georgia Nott, chatting in-between songs about the beautiful houses she’d seen in San Francisco earlier in the day, at their sold out show at The Regency Ballroom Saturday night. It was a big step up in size from the shows I’d attended last year. Accompanied as always with her brother Caleb and touring drummer Joel Farland, it was indeed a much bigger stage this time around, which they filled with ease with their authentic set of fantastic pop music fueled by incredible melodies and heartfelt, thoughtful lyrics (and of course those soaring vocals!). Dubbed “The Evergreen Tour”, they are supporting their solid debut album released last year (which I ranked in my own Top Ten Albums of 2014). The kiwi duo are so young that I’m really excited to continue to follow them to see where their gifts take them next. I expect checking in on them in 2016, we will see them take on even larger stages and venues. One of the best new artists of this era, and they put on a fantastic live show – my highest recommendation.
Clan of Xymox Coming to Play Three Shows in California This Month
Dutch electronic “darkwave” band Clan of Xymox will be coming to the United States to play just three concerts this month, one at DNA Lounge in San Francisco and two back-to-back shows at The Complex in Los Angeles (Ronny Moorings will also be doing a DJ set in San Francisco at The Cat Club. In 2014, they released a new studio album, Matters Of Mind, Body And Soul. [Read more…]
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