“We been coming around here with you guys… well, hell, we’ve been coming around with you all for over four decades. Same three guys right here… Same three chords right here…” Billy Gibbons, guitarist and vocalist of ZZ Top, sharing the stage with co-vocalist and bassist Dusty Hill and drummer Frank Beard. What can you say about a band that’s had the same line-up forever (since 1969!). Really unheard of in the music industry. In any event, having covered the Summer Concert Series by Richter Entertainment Group at Ironstone Amphitheatre at Ironstone Vineyards over the past several months, ZZ Top turned out a huge crowd that had a unique character all its own. With Kenny Wayne Shepherd Band heating things up at the start of the evening, ZZ Top closed it out with both bands showcasing incredible work on guitar being the star of the show.
“I must say it’s smelling awfully good out there… I’m on duty… [laughs]” Peter Frampton on stage and in front of a massive crowd at Ironstone Amphitheatre at Ironstone Vineyards in Murphys, California, part of a double-headlining show with Lynyrd Skynyrd, fittingly playing as the sun set and dusk settled in as he then went into his blazing cover of Soundgarden’s “Black Hole Sun”. Darkness took over by the time he left the stage and southern rockers Lynyrd Skynyrd closed out the night, with vocalist and front man Johnny Van Zant trying to set the clock back through sheer force of will: “Now it’s Sunday night… Sunday night… we need to make it a Saturday night… Are you guys all in or what?” There was a lot of gratitude exchanged between the two artists as each took turns holding stage, as it was the end of their joint tour together, which would appear to have been a successful pairing of two different styles of music on this Summer tour. [Read more…]
“I don’t even know where we are right now…” Patrick Monahan of Train to a sold out crowd of upwards of 7,000 fans at Ironstone Amphitheatre at Ironstone Vineyards in Murphy’s California. Train certainly brought the magic to turn out such a massive number of fans to Murphys, California for a special evening under faint moonlight and brilliant lights from the stage on which they and The English Beat performed on Saturday night. Bringing a mix of hits, new songs, and covers, Train had the crowd up and out of their seats most of the night, and Monohan was on point vocally as well as engaging with fans, taking selfies with their mobile phones as well as performing one song from out in the audience. It was really a stellar show that left most satisfied but also probably thinking about doing it all again in the future. [Read more…]
“This album’s called “Doin’ Time”, because this here feels like Summertime, alright, so party with me…” Rome, of Sublime with Rome, doing an updated version of the 1997 Sublime hit, which itself was an homage more than a cover of “Summertime” by George Gershwin. Like ripples in a lake, impactful music can take on a life of its own as it moves through time. Of course, Sublime with Rome is not Sublime (original vocalist Bradley Nowell died in 1996), but this band and tour is as much about the subculture as it is the music, and seems to draw a crowd that skews younger than one might expect, given that the original Sublime was a 90s era band. But it was an evening filled out with music of several eras, with the youthful Bleeker kicking things off, with Tribal Seeds and Dirty Heads following. Each had it’s own unique genre-bending sound and style, providing an interesting kaleidoscope of music for those moved by reggae, hip hop, rock, and alternative. [Read more…]
“…sort of the college kids version of owning a winery.” John Rzeznik of The Goo Goo Dolls at Ironstone Winery, talking about when he and Robby Takac met just out of high school many decades ago and starting selling weed to their friends. Headlining a concert tour with Collective Soul and Tribe Society, this stop played to thousands at Richter Entertainment Group’s summer concert series at Ironstore Amphitheatre in Murphys, California. While both The Goo Goo Dolls and Collective Soul are most associated with the ’90s (when both bands broke out with global success), each have endured and continued to produce new music and evolve with the times. The Goo Goo Dolls’ latest album, Boxes, is in my opinion one of the best albums of the year, and worth checking out, as is this awesome live tour. [Read more…]
“Ever since I was four years old man, all I wanted to do is sing…” A grateful Darius Rucker in front of a massive crowd at the first show of Richter Entertainment Group’s summer concert series at Ironstone Amphitheatre in Murphys, California. As preface to the song, “It Won’t Be Like This For Long”, Rucker talked about touring with two of his children and said: “If God came to me and said you could be one thing, you know what I’d be? I’d be a parent.” The Grammy Award-winning singer-songwriter brought an authentic earnestness to the stage and his performance, which goes hand in hand with his style of music. Country hit makers Dan + Shay and Michael Ray filled out the entertainment for the evening with their supporting sets, all set against the beautiful backdrop of Ironstone Vineyards, with it’s seasonal amphitheater drawing a massive crowd yet somehow maintaining an intimate atmosphere. [Read more…]
“Right now we’re going to do one that we haven’t done probably in about ten years… it’s a fan favorite. It’s not necessarily a happy song…” James “J.Y.” Young of Styx, leading into their controversial 1981 song “Snowblind”, which was claimed to have been “Satanistic” by some anti-rock activists at the time (as well as claiming that it was one of the songs that contained hidden messages – only heard if played backwards!). Styx has recorded and performed music now for over four decades (with some break-ups along the way), and given the energy and enthusiasm coming from the stage at Bob Hope Theatre in Stockton on Sunday night, it is quite amazing how well the band has endured over the years as they continue to bring their unique style of music to fans, old and new. Judging by their interactions while on stage, they seem like they really enjoy working and playing together these days, which is very rare in the music world. Playing “an evening with…” style of show with no supporting or opening artists, they split their own set in two (with a short intermission) and played a solid 90 minutes of not only their own songs but some surprise covers and tributes as well. An excellent show and the kind of band worth seeing again and again, as they seem to have unique elements to their concerts to keep things fresh and exciting. An earnest and authentic group of guys, there was no pretense or arrogance… they seemed to acknowledge that their legacy is locked within those songs and albums and were eager to celebrate their music with the sold out crowd.
“It actually wasn’t supposed to be on the album, but I’m glad we did it, because it’s one of the greatest rock and roll songs of all time…” Daryl Hall giving an intro to their cover of the classic Righteous Brothers hit, “You’ve Lost That Lovin’ Feelin'”. Along with his partner, John, Hall and Oates have so many hit songs that they don’t have time to get to in the span of a standard-length concert that it is the one rare cover song that they perform live, showing a respect and debt of gratitude to the record and artists that came before them. Playing to a nearly sold out crowd of many thousands at the gorgeous Ironstone Amphitheatre at Ironstone Winery in Murphy’s California, it was only fitting that they closed out their Summer Concert Series on such a high note. I tend to see them every year (and less than a year ago at Mountain Winery in Saratoga), and they remain one of my all-time favorite live acts. They are such a fantastic live band, their songs in concert tend to be even better and more vibrant than the familiar studio recordings. A full band of exceptionally talented musicians, they play so well together than little improvisational flourishes make it all fresh and immediate. As the most successful recording duo of all time, they at once exceed audience expectations yet leave everyone wanting more because they are just that brilliant on stage.
“Holy shit! San! Fran! Cisco! Oh my God. Well, I may be really fucking tired… I danced my ass off! I have sit down so I don’t have a heart attack! … just in case you missed what we were trying to say… San Francisco, you are fucking amazing!” MisterWives’ Mandy Lee, after coming back on stage for their encore, taking a seat behind the drum kit. That encore opened with a “fucking amazing” cover of “Uptown Funk”. This is the moment where they really showed off how each member of the group is an exceptional musician, as they went through an extended jam session that really showcased their music talents and ability to intuitively wander about a song and squeeze every last bit of sonic confection out of it. I first saw the New York pop band performing as part of the KNPB television series, Cargo Live at Whitney Peak Hotel in Reno, and came away feeling that it was a band destined for a very bright future. That feeling was cemented Thursday night, as they have matured even more as a live act. Their debut album, Our Own House, has since been released, and fueled them through an hour and a half show. The theme of the night, for them, seemed to be an earnest love for The City by the Bay, with Mandy becoming choked up at the love being showered onto the band throughout the concert. They are definitely a young act with much larger stages waiting for them in the not too distant future, as long as they keep on doing what they are doing.
“Okay, you all know this song and you need to sing along, because we don’t know what fucking hours of music were going to play tonight we’re going to keep going, so you guys sing along with this one…” Jules De Martino providing an intro into one of The Ting Ting’s biggest hits, “That’s Not My Name”, just before Katie White throws down with the vocals and gets the audience into a frenzy at their sold out show at Harlow’s Restaurant and Nightclub in Sacramento on Saturday night. As mentioned in my review of their show for Popscene at Rickshaw Stop in San Francisco the night before, The Ting Tings haven’t passed through on a tour since supporting their sophomore album, Songs from Nowheresville, in 2012 (see my review of that show at The Fillmore). Their newly released third studio album, Super Critical, just came out late last year via their successful PledgeMusic campaign. Co-produced by original Duran Duran guitarist Andy Taylor, the album pivots them into a different direction, though with their trademark infectious and experimental sound and energy. I thought the show Friday night was amazing, and illustrated how the band puts a lot of thought and attention into creating a live show that refashions their music a bit with each outing, keeping it all fresh and exciting for the crowds they turn out… Somehow, the Sacramento show was even better, and will definitely be in my Top Ten shows of 2015 at the end of the year, and has set the bar high for all of the other shows I’ll be seeing in the next 11 months.