“It actually wasn’t supposed to be on the album, but I’m glad we did it, because it’s one of the greatest rock and roll songs of all time…” Daryl Hall giving an intro to their cover of the classic Righteous Brothers hit, “You’ve Lost That Lovin’ Feelin'”. Along with his partner, John, Hall and Oates have so many hit songs that they don’t have time to get to in the span of a standard-length concert that it is the one rare cover song that they perform live, showing a respect and debt of gratitude to the record and artists that came before them. Playing to a nearly sold out crowd of many thousands at the gorgeous Ironstone Amphitheatre at Ironstone Winery in Murphy’s California, it was only fitting that they closed out their Summer Concert Series on such a high note. I tend to see them every year (and less than a year ago at Mountain Winery in Saratoga), and they remain one of my all-time favorite live acts. They are such a fantastic live band, their songs in concert tend to be even better and more vibrant than the familiar studio recordings. A full band of exceptionally talented musicians, they play so well together than little improvisational flourishes make it all fresh and immediate. As the most successful recording duo of all time, they at once exceed audience expectations yet leave everyone wanting more because they are just that brilliant on stage.
“Holy shit! San! Fran! Cisco! Oh my God. Well, I may be really fucking tired… I danced my ass off! I have sit down so I don’t have a heart attack! … just in case you missed what we were trying to say… San Francisco, you are fucking amazing!” MisterWives’ Mandy Lee, after coming back on stage for their encore, taking a seat behind the drum kit. That encore opened with a “fucking amazing” cover of “Uptown Funk”. This is the moment where they really showed off how each member of the group is an exceptional musician, as they went through an extended jam session that really showcased their music talents and ability to intuitively wander about a song and squeeze every last bit of sonic confection out of it. I first saw the New York pop band performing as part of the KNPB television series, Cargo Live at Whitney Peak Hotel in Reno, and came away feeling that it was a band destined for a very bright future. That feeling was cemented Thursday night, as they have matured even more as a live act. Their debut album, Our Own House, has since been released, and fueled them through an hour and a half show. The theme of the night, for them, seemed to be an earnest love for The City by the Bay, with Mandy becoming choked up at the love being showered onto the band throughout the concert. They are definitely a young act with much larger stages waiting for them in the not too distant future, as long as they keep on doing what they are doing.
“Okay, you all know this song and you need to sing along, because we don’t know what fucking hours of music were going to play tonight we’re going to keep going, so you guys sing along with this one…” Jules De Martino providing an intro into one of The Ting Ting’s biggest hits, “That’s Not My Name”, just before Katie White throws down with the vocals and gets the audience into a frenzy at their sold out show at Harlow’s Restaurant and Nightclub in Sacramento on Saturday night. As mentioned in my review of their show for Popscene at Rickshaw Stop in San Francisco the night before, The Ting Tings haven’t passed through on a tour since supporting their sophomore album, Songs from Nowheresville, in 2012 (see my review of that show at The Fillmore). Their newly released third studio album, Super Critical, just came out late last year via their successful PledgeMusic campaign. Co-produced by original Duran Duran guitarist Andy Taylor, the album pivots them into a different direction, though with their trademark infectious and experimental sound and energy. I thought the show Friday night was amazing, and illustrated how the band puts a lot of thought and attention into creating a live show that refashions their music a bit with each outing, keeping it all fresh and exciting for the crowds they turn out… Somehow, the Sacramento show was even better, and will definitely be in my Top Ten shows of 2015 at the end of the year, and has set the bar high for all of the other shows I’ll be seeing in the next 11 months.
“San!!! Fran!!! Cisco!!!” A city turned into a three-word chant by Jules De Martino, he and the other half of The Ting Tings duo Katie White aren’t the type to chit chat too much in-between songs at their live shows, but they certainly know how to get a place jumping. And that’s just what they did at the sold out show at Popscene at Rickshaw Stop on Friday night. The Ting Tings haven’t passed through on a tour since supporting their sophomore album, Songs from Nowheresville, in 2012 (see my review of that show at The Fillmore), and this latest gig was even more of a special occasion since they aren’t hitting but a handful of cities on this front end of touring in 2015 (and the dates in play are predominantly in California). Their newly released third studio album, Super Critical, just came out late last year via their successful PledgeMusic campaign. Co-produced by original Duran Duran guitarist Andy Taylor, the album pivots them into a different direction, though with their trademark infectious and experimental sound and energy. The show Friday night was amazing, and illustrated how the band puts a lot of thought and attention into creating a live show that refashions their music a bit with each outing, keeping it all fresh and exciting for the crowds they turn out. I loved every second of it, and while it was a full set, they left me wanting more, but I’ll get that at their follow-up show in Sacramento… one of those rare bands who inspire me to follow them around a bit.
“Those guys really rocked their faces off, so it was an honor to share the stage with those incredible bands.” Mandy Lee of MisterWives, talking about the three awesome bands that took the stage leading up to their set: Crash Kings, The Soft White Sixties, and Moondog Matinee. A quadruple headliner show, each act served as unique showcases of up and coming artists, with each being featured early next year in their own respective episodes of the PBS member station’s KNPB television series, Cargo Live at Whitney Peak Hotel, due to start airing early next year. This concert, which ran for about five hours Friday night at Cargo in Reno, Nevada, boasted a fantastic collective of artists and the venue provided a great setting for really exciting and electric shows.
“We keep moving back now, further back to the 70s… you guys are fans of the 70s, right?” Daryl Hall and John Oates continued to delve deep into their catalog at their show at Mountain Winery in Saratoga on Thursday night. With a seemingly endless reservoir of top hits, the number one duo of all time were in a special groove. I’ve always counted them as one of the top live acts of all time, and every time I see them play I feel that sentiment more strongly. As incredible as their studio cuts of each song are, they come to life in such a special way at their live shows. There is an element of improvisation and a kind of subconscious jamming among the band where they can riff and extend songs out in a way that makes everything fresh and new and unpredictable. And somehow better than ever. They usually hit Mountain Winery every year, but were missed in 2013, so it was great to have them return this year.
“I wanted to give a shout out to the other bands that played tonight; weren’t they all so hot? I was like, ‘damn, I got some work to do tonight – those bitches were hot!’” Kitten’s Chloe Chaidez giving props to the other two amazing bands sharing the stage with her at Cargo at the Whitney Peak Hotel Thursday night, which also featured Jessica Hernandez & The Deltas and Bomba Estéreo. Kind of a triple headliner show, each act put on incredible sets with tons of energy, with the awesome lighting and sound at the Cargo giving them a lot to work with to showcase their unique approaches to their music. As this was all filmed by PBS member station’s KNPB, each set will be an episode of the upcoming television series, Cargo Live at Whitney Peak Hotel, due to start airing early next year.