Depeche Mode’s fourteenth studio album, Spirit, is due out on March 17th, and today the band announced the dates and venues for their “Global Spirit Fall 2017 North American Tour”. The dates announced thus far run from late August through late October. The North American dates follow there European stadium tour kicking off in early May. [Read more…]
“We’re going to play a few songs now that you might know. You’ve been very patient; thank you very much. You also might not know them as well…” Dave Gahan, bridging the main set of Soulsavers material and their encore, which featured two songs from his first two solo records and two from Depeche Mode’s Songs of Faith and Devotion. Making his debut performance with Soulsavers, they previewed the newly recorded material from Angels & Ghosts, which will be released on Friday. Dave Gahan has reunited for a second album as Dave Gahan & Soulsavers, as well as announced a very limited set of concerts with a 10-piece band at very small and intimate venues in the U.S. and Europe, with this first one happening at The Theatre at Ace Hotel in Los Angeles on Monday night. The album, Angels & Ghosts, is his second collaboration with producer Rich Machin and the tour takes them to New York, London, Berlin, Paris, and Milan. It all creates a framework to showcase Mr. Gahan’s ability to transcend the work of Depeche Mode into territory that allows him to reveal his own unique gifts, artistry, and vision. A peek into the soul of a man who is very complex, as well as a foundation with which to truly hear his voice soar to new heights and lyrics that provide real vulnerability. Decidedly not “a Depeche Mode show”, but a rare experience for fans to see another side of one of the most talented artists of our generation. Unforgettable.
Depeche Mode frontman Dave Gahan has reunited for a second album as Dave Gahan & Soulsavers, as well as announced a very limited set of six concerts with a 10-piece band at very small and intimate venues in the U.S. and Europe. The album, Angels & Ghosts, is his second collaboration with producer Rich Machin, and it is due out October 23rd. The tour, with shows in Los Angeles, New York, London, Berlin, Paris, and Milan, will happen in late October and early November. [Read more…]
Depeche Mode has been my favorite band since Black Celebration came out, so when I came across the new of this special DJ set show at SOhO Restaurant & Music Club in Santa Barbara, I was excited for an opportunity to see the man behind some of my all-time favorite songs express himself in a completely different setting. Part of SOhO’s 20th Anniversary Fundraising Show Series, it did not disappoint. Martin Gore played his unique style of live music for around two hours. It was amazing to see the man at work, and being close enough to see his own facial expressions reacting to his own music.
“Halloween is so brilliant though, isn’t it? ‘Cause everyone can dress up; be what they want to do… nobody is like judging you at all for how you look or anything or what you’re doing or who you’re with, blah, blah, blah …” Andy Bell of Erasure on Halloween at the Pearl Concert Theater at Palms Casino Resort in Las Vegas. Certainly an interesting combination of band, date, and city to be sure. As the more extroverted of the duo, Andy came dressed in a sort of skeleton costume with accompanying face paint that has some resemblance to the cover art of their latest album; Vince Clarke, set back from the front of the stage and back to one corner, I don’t think said anything all night, and was dressed in more business-style attire (though he had the aforementioned art one his laptop lid. However the two contrasting personalities found one another for their journey into music that has gone on for nearly three decades, the magic worked in the beginning and continues to do so today. This was definitely an interesting (in a great way!) night on many levels. I had an opportunity to meet Vince Clarke and Andy Bell from Erasure via the special tickets made available through their PledgeMusic campaign for that newest latest album, The Violet Flame. The aptly named Violet Flame Tour included a number of those new songs mixed into the set, as well as a lot of their many, many hits and favorites. I got the sense that it was a different sort of show for this series of shows, and I’m happy that I got a chance to experience this new music and tour.
As with last year’s 2012 Year In Review, reflecting on the many shows attended in 2013 and trying to make some sense of it all was a challenge. Having attended nearly 100 events, which usually includes at least one supporting act and a headliner, as well as one 10-day festival and many multi-artist shows, I saw literally hundreds of sets. Miraculously, I can probably count on one hand the number that were “bad”, and the majority were awesome in one or more ways. Still, I feel it is important to highlight the best of the best of the best, in an attempt to celebrate an amazing year of music. You can also check out my Top 100 Concert Photos of 2013 in that separate article.
“Joy is not supposed to… it’s never meant to be this seamless stream of happiness, you know? Joy happens in moments, in little minutes, in little capsules of time…” Alison Moyet, talking about the ideas and themes and inspiration behind her latest studio album, The Minutes. As I gushed about in my preview last month of this very special three date, three city stop in the United States by New Wave icon Alison Moyet, she has been one of my all-time favorite vocalists, so I had really high expectations for this concert. I expected it to be a highlight among the approximate 100 concerts I’ll have attended by the end of the year. Remarkably, my expectations were exceeded in every way. Truly a fantastic concert and I know from being within the crowd of fans that I am not alone in my assessment. She was joined on stage by band members John Garden and Sean McGhee, and there were ample songs from her latest album (in my opinion maybe her best solo record of her career) as well as favorites going all the way back to her beginnings with Vince Clarke with whom she partnered with for Yazoo (Yaz in the U.S.). It is too bad for the masses here in the States that this must-see show is limited to just San Francisco, Los Angeles, and New York, but if you have a chance to catch one of the other two upcoming dates, it is well worth it. A phenomenal and unforgettable show by one of the most gifted singer-songwriters of my generation.
This feature is really born out of my own music playlists… I thought I would take my latest current playlist and break it down to music that was published in 2013 and limit it to 50 songs. Also, the songs have to be off of albums that came out in 2013 (not singles released in 2013 for albums that debuted in 2012). My only other restriction was limiting it to no more than one song per artist. Oh, and no covers… Included is a lot of music that I enjoy that likely include artists that some readers have never heard of, so hopefully this will result in some people finding new music and new artists. The songs are not ranked in an order of preference, but more in a flowing, playlist style. In any event, 2013 is a great year for new music… [Read more…]
When Depeche Mode announced the North American dates and cities for their Delta Machine Tour, I immediately identified the one at Pearl Concert Theater at Palms Casino Resort as the one to go to, since I was familiar with the (relatively) small and intimate venue from past shows, and it was one of just a few in the United States with a general admission standing floor area in front of the stage. Having seen them five times overseas earlier this year, I had become spoiled with standing right in front of the stage, so that has become a must for me in experiencing my favorite band. With the show last night, I certainly wasn’t disappointed, and I suspect most to all in the crowd felt the same, as Vegas is one of those rare cities that pull fans from not only all over the U.S., but all over the world. It was quite a celebration for not only the audience, but seemingly the band as well, who were quite jubilant throughout the performance, which clocked in at about two hours (there was no supporting act at this date). For me, being surrounded by friends who also traveled from California for this show, it was the perfect way to close out an amazing year of live music by the band who have in many ways impacted my life with their art, particularly in my formative years throughout the 80s. [Read more…]
Last night’s Depeche Mode concert was the last for me, representing the fifth show in the past two weeks. The second of two concerts back-to-back at the O2 Arena in London, as with the night before, I elected to take a spot in the front row center at the end of the catwalk extending into the vast general admission standing floor. Waiting for the band to come out, it was a bit of déjà vu, but it turned out to be anything but… with the prior four shows, the set list was exactly the same at Bratislava, Slovakia’s Štadión Pasienky, Zagreb, Croatia’s Zagreb Arena, Budapest, Hungary’s Puskás Ferenc Stadion, and the prior night’s show at London, England’s O2 Arena. The signal that last night’s gig had something different in store was the familiar sound of distorted guitar feedback that marked the opening of Depeche Mode’s “In Your Room”, which opened into the awesome Zepyhr Mix version of the song. A friend of mine from California also turned out for the two O2 shows, and we turned to each other at the same time with a “holy shit!” expression on our faces. We knew at that point we were going to be treated to an amazing – and unpredictable – show put on by my favorite band on Earth, and they did not disappoint. An epic conclusion to an amazing personal (and literal) journey with the band and their music over the past two weeks, spanning a number of countries all over Europe and coming to a close in their home of England.