Early in his rare solo acoustic headlining performance at Notes & Words 2018, Dave Grohl at once revealed his laid back humor and his insightful personal pondering on life and how it intersected with the feelings of the evening in his stream of consciousness commentary leading into one of his famous Foo Fighters songs: “As I was thinking about the setlist earlier… 15 minutes ago… [laughs] I thought that maybe that I would begin the set with this song, but then decided not to… But I think that this song is one of the ones that makes most sense tonight. I wrote this song in a period of my life where I was down… and I finally stopped and took at look at everything I had and all the things that I’d taken for granted. A wonderful home and appreciation of life, and love, and my friends. And the good things, and the good people, and the big picture and how we’re all connected in some way. I wrote this song and it’s called “Times Like These”. Every year, there is magic all around at the Notes & Words: Benefit For UCSF Benioff Children’s Hospital event, and it was off the charts again Saturday night, as per tradition. The format remained the same – entertainment including both writers and musicians on stage – and this year featured musicians Dave Grohl with Emmett Reeed and Oakland School for the Arts, as well as writer George Saunders and, as always, writer and event host Kelly Corrigan. The highlight of the evening for sure was watching Dave perform on stage with his two very talented daughters, Violet and Harper Grohl. Not just the music, but the opportunity to see a loving family share with the crowd in such an amazing, candid and joyful way. And all this good will went toward making new happy beginnings as seen with some of the real life stories shared by families who have been helped by UCSF Benioff Children’s Hospital.
The annual Notes & Words: Benefit For UCSF Benioff Children’s Hospital Oakland event will be held at Fox Theater Oakland on Saturday, May 12th. As per tradition, it will feature both writers and musicians on stage, this year including musicians Dave Grohl (Foo Fighters, Nirvana), Emmett Reed, and the Oakland School for the Arts
and writers George Saunders and Kelly Corrigan. Notes & Words is an annual benefit concert created to support the UCSF Benioff Children’s Hospital Oakland; the Children’s Hospital & Research Center Oakland provides the highest quality medical care to children throughout California. [Read more…]
“You never know who you’re saving; you never know what future you’re making possible…” Kelly Corrigan speaking to a packed Fox Theater in Oakland, with 1,615 people in attendance on Saturday night for the 8th annual Notes & Words: Benefit For UCSF Benioff Children’s Hospital. As per their format, entertainment included both writers and musicians on stage. This year featured musicians Daveed Diggs, The Head and the Heart, and Vocal Rush and writers Michael Lewis, Calvin Trillin, and writer (and event host) Kelly Corrigan. The Oakland School for the Arts Chamber Choir also performed. Notes & Words is an annual benefit concert created to support the UCSF Benioff Children’s Hospital Oakland; the Children’s Hospital & Research Center Oakland provides the highest quality medical care to children throughout California. An intimate show, it shared many personal stories and perspectives by way of the personalities on stage as well as video presentations offering real context by showcasing some of the patients of the Children’s Hospital.
As with my 2012, 2013, 2014 and 2015 Year in Review features, this article looks back on a year of music with a summary of the highlights. This year, I attended about 35 shows, with hundreds of different sets of incredible talent and music to make sense of, not to mention trying to keep up with all of the studio releases from artists, new and old. This is my attempt to (subjectively) share my favorites of the year, from live shows to new songs and albums. You can also check out my Top 100 Concert Photos of 2016 in that separate article.
“…that’s the dream, that together we can do amazing stuff for the right reasons!” Author and event organizer Kelly Corrigan was left nearly speechless on stage as she reflected back on the amazing evening that closed with Coldplay’s Chris Martin and performers from the Oakland School for the Arts covering David Bowie’s “Life On Mars?”. All part of the annual Notes & Words: Benefit For UCSF Benioff Children’s Hospital Oakland at Fox Theater on Saturday night. The sold out crowd of sponsors, donors and attendees took in a wide ranging selection of entertainment that also included a rocking performance from The Stone Foxes and readings from B.J. Novak and Dave Eggers. There was a lot of emotion throughout the night, though the majority of it was good humor and contagious joyfulness.
As with my 2012, 2013, and 2014 Year in Review features, this feature looks back on a year of music with a summary of the highlights. This year, I attended about 50 shows, with hundreds of different sets of incredible talent and music to make sense of, not to mention trying to keep up with all of the studio releases from artists, new and old. This is my attempt to (subjectively) share my favorites of the year, from live shows to new songs and albums. You can also check out my Top 100 Concert Photos of 2015 in that separate article.
“Is that the only pair of panties we’re going to get tonight?” Lisa Light, remarking on the underwear tossed at her co-vocalist and guitarist Scott Blonde of The Lovemakers at Popscene at Rickshaw Stop in San Francisco Friday night, as part of their “My Bloody Valentine’s Day Party on Friday the 13th of February”. The band seem to have a special relationship with the annual romantic holiday, though looking around it seemed to have turned out more singles looking for fulfillment than happily coupled couples. Building on their 2014 reunion, the band seems at it’s best live and on stage, literally pouring water on their hot and sultry style of retro pop and dance music. The Lovemakers were supported with a blazing set by Beginners, who came up from their home in Los Angeles. Filling in with fantastic DJ sets were Popscene’s Aaron Axelsen and Omar.
As with my 2012 and 2013 Year in Review features, it’s always a challenge to reflect back on a year of music and summarize the highlights. Honestly, I don’t know if I will have have a year that beats 2013, which was an incredible one for me with a lot of travel as well. This year, I ended up attending 60-something shows, most with two or more artists, so hundreds of different sets of incredible talent and music. As such, I feel it is important to highlight the best of the best of the best, in an attempt to celebrate the year that was. You can also check out my Top 100 Concert Photos of 2014 in that separate article.
“Are you ready, San Francisco?” Scott Blonde of The Lovemakers, on guitar on the front end of a blazing set at Popscene at Rickshaw Stop last night, sometime around midnight. With co-vocalist Lisa Light holding down the opposite corner on bass, it was am impressive onslaught of thumping and catchy 80s-inspired synth pop for the on and off again band that is maybe the best thing those outside of San Francisco are missing of late, as they have amazing songs and an incredible live show. Following on a fantastic opening set by The Trims and framed by cutting-edge DJ sets by Aaron Axelsen and Omar, it was another unique evening with Popscene.
“We’re female chauvinist pigs…” Jill Cunniff, one of the three members of Luscious Jackson, prefacing her invitation of a handful of men in the audience to join them on the stage to shake their booties during their song, “#1 Bum”. It was an informal kind of show for the band, who haven’t been in San Francisco for a very long time, having recently reunited for their first studio album since 1999. One of just three headlining shows for this tour (having played Los Angeles the night prior and with Boston still to come next Saturday, as well as two festival appearances), The Independent appeared sold out (or close to it) last night. They put on an electric show with material spanning their original 90s songs as well as the new album, all sounding fresh and original. They definitely still have “it”, and hopefully their efforts to reinvent themselves with their PledgeMusic campaign and new independent streak will lead to a resurgence of their special brand of rock/pop/hip hop.