Just when you think you know what to expect from a Crystal Castles concert, a naked man casually walks on stage to tend to his drum kit (not a euphemism), part of the second of two supporting bands. But of course the real show starts with the main set… and with Crystal Castles, it’s as much about the experience surrounding the music as it is the music itself. While Alice Glass and Ethan Kath don’t really have anything to say in-between songs during their thumping (with many thumps courtesy of touring drummer Christopher Chartrand) high energy shows, they certainly know how to entertain and excite once they take the stage. With their unconventional sound, seizure-inducing lighting effects, and interactivity (by way of Alice diving into the audience), a Crystal Castles show overloads the senses… so much unfamiliar and unexpected for your eyes, ears, and brain to process. Whatever your take on their brand of experimental electronic/synthpop/synthpunk music, you certainly can’t consider their live shows to be boring or uneventful. A band born to perform live, for sure. Their studio recordings are fantastic (and their third studio album, (III) is excellent), but you really need to see them live to understand their music, and get the full Crystal Castles experience.
“Do you guys remember – some of you will remember – Metric shows before cell phone cameras? It’s really funny you know; that shit changed my life.” Metric’s Emily Haines, taking a moment mid-show at the Fox Theater in Oakland last night to share some candid thoughts about how advances in technology have affected her and what she shares with audiences during concerts; a bit of a lament over the way things used to be… a simpler time. Her philosophical aside was quite interesting (salted with some humor as well); to hear her unique perspective on live concert events today and the ubiquitous technology wherein everything and anything can be recorded with ease (and how bits can carry on, out of context). Funny enough, it was something I had mentioned in my coverage of the show the night prior at Mondavi Center in Davis, though some friends of mine who have been to Metric shows that I missed said it is something she has brought up in the past as well. In any event, with that and a nice chat at the end leading into their “Gimme Sympathy” closer, there seemed to be a different kind of dynamic with each audience in the past two nights (both awesome, but different). Fox Theater offered a GA floor whereas Mondavi was seated (though ended up sort of GA as it got going), but the larger Fox has the distinct separation between stage and audience, with the security pit, so the added discussion maybe bridged that literal gap to create a different sort of connection compared with Mondavi, wherein the band could reach down and literally touch the members of the audience with ease. In any event, having seen back-to-back shows over two nights, it was fun for me to compare the two. Both were stellar shows with great performances by Metric, as they tour over a dozen shows and dates between now and June. While for me on a personal level the Mondavi show was more engaging (since I was front row for the entire show), I took an opportunity with the Fox show to enjoy the set from different perspectives, and it was quite enjoyable to even move to the very back and have a better perspective with which to take in the impressive lighting effects on the stage, which is much different from seeing it all up close. All in all, another fantastic show by Metric and they have become one of my favorite bands to turn out to see live.
“If you’re here, you know I love a sing along, so don’t let me down, alright? Hook me up.” Metric’s Emily Haines, giving her introduction to the acoustic version of their classic song, “Gimme Sympathy”, which brought the intimate show at Mondavi Center to a close last night. 2013 is shaping up to be one of the best years in some time for live music concerts, and April in particular is weighted very heavy with competing and conflicting shows all over the West Coast due to Coachella and bands doing their own headlining shows in addition to that “granddaddy of U.S. festivals”. Even so, when Metric announced a little over a dozen dates running through June, I changed around my own schedule to be sure to see them twice. The only other artist I’m seeing twice this month is Prince, so I think that speaks volumes about the esteem with which I hold this band. With their show a Mondavi Center for the Performing Arts, they certainly didn’t disappoint. Pre-show, looking around the beautiful venue at the crowd, it was hard to say what kind of audience the band was going to encounter. Opener Mona delivered and got them out of their seats, and by the time Metric came on stage, they were beaming with excitement that further fueled the band. It was definitely one of the top shows I’ve been to this year, and it was one of those shows that was so good, the only negative was those fleeting thoughts that it eventually had to come to an end. In any event, it was spectacular and unforgettable, and the band is one of the must-see acts touring today.
“Because we’re sentimental folks, and we like symmetry, and we like to tie things up. And we like to make amends, and we love to give thanks. So thank you for being here tonight.“ Shirley Manson from Garbage opened up to the fans in attendance at The Pearl Concert Theater at The Palms Casino Resort in Las Vegas last night, as the concert marked their return back to where it all started one year ago, and thus the U.S. leg of their world tour came to an end last night with a mix of mutual heartfelt emotion and gratitude from the stage and from the audience as well. The band has come a long way in the past year, and comparing the show at the same venue in April 2012 to the one put on last night, they have certainly matured as a live act, but it is more than obvious the bonds between the band members as well as between them and their fans has strengthened tremendously. It was an incredible show, and for me at least, is a frontrunner for concert of the year. They will be missed, but are going back to create a new album, and I’m certain that when they return it will open up a new journey for the group that we can all then become a part of again.
Early on during his “Finding My Dance” one man show, I got the sense that Colin Hay is often the smartest person in the room, no matter how large or small the venue. More than a musician (and a great one at that), he is a philosopher, comedian, and genuinely kind man. He is very funny, and not just prepared and rehearsed funny, but quick witted as well, and I’ve always operated under the idea that really funny people have to be highly intelligent in the most fundamental of ways, as you must have real keen self awareness and highly complex and contemplative observational abilities, as well as emotional depth and empathy. I picked up on all of this with Colin Hay from my front row vantage point at The Center for the Arts in Grass Valley where he put on his amazing show for the sold out crowd. That show – a hybrid of music and storytelling – was over two hours long and really captivating in every sense as he took us on both a narrative and musical journey of his life. He talked about having an understanding of his place in the universe, and those who might expect him to be nothing more than the former front man of 80s band Men At Work are truly missing out at what he has to offer not just in terms of music and entertainment, but the wisdom (in the form of stories and anecdotes) from someone who has had experiences that none of us ever could. He is a great musician but a wonderful storyteller as well, and I can’t imagine a more fitting venue with which to enjoy it.
“Are you ready? Are you really, really, really ready?” The English Beat front man and voice of the band, Dave Wakeling, is one of those music artists that is completely tuned into his audience, particularly in an intimate venue such as The Center for the Arts in Grass Valley, California, where he performed last night. The part seated, part standing 360-capacity venue was packed and from the moment the band stepped onto the stage, the majority was on the dance floor moving to the very unique blending of 2 tone ska/punk/new wave/reggae hits from the band known simply as The Beat in their home of the UK, though also on offer were as some tunes from General Public, the subsequent musical efforts by Dave Wakeling and Ranking Roger following the original break-up of The Beat (Ranking Roger currently performs in the UK version of the band back in England). The band dispensed with having an opening band on the bill, and instead performed two full sets of their own on either side of a short intermission. It was a true live music experience that made great use of the excellent sound system and acoustics of the charming venue as they played song after song for the energetic crowd.
Caprices Festival Day 9 | Cypress Hill, Method Man & Redman, Mix Master Mike, Logic, Rootwords | Crans-Montana, Switzerland | 3/16/2013 (Concert Review)
Day 9 of Caprices Festival in Crans-Montana, Switzerland… it was the final one for the incredible series of a wide-ranging line-up of artist from a variety of music genres that drew thousands upon thousands to the resort area in the Swiss Alps. The themes for the final night, which drew one of the largest and most energetic crowds, was rap music and, well, a marijuana culture. I would have to rate the night near the top as far as high performance and crowd enthusiasm go, regardless of how one might feel about either of those things, as the artists collectively put out more energy than probably any other night’s show – they were each really amazing in their own ways, and gave fans what they wanted as well as probably cultivated some new ones for themselves. Really impressive stuff.
Caprices Festival Day 8 | Mika, Nelly Furtado, Célien Schneider, Nadine Carina | Crans-Montana, Switzerland | 3/15/2013 (Concert Review)
Day 8 of Caprices Festival in Crans-Montana, Switzerland… as the event approached its final two days Friday night, those in attendance seemed to have a desire to keep the party going, as Mika drew the largest crowd to date, not only filling the vast airline hanger-like space of The Moon, but overfilling the standing room only space in front of the stage. The popular British singer-songwriter drew such a crowd people were spilling out, standing watching from the hallway space in-between The Moon and The Tube, and was far and away the largest crowd pulled in thus far for the 9-day festival. The more pop-oriented line-up also included rising star Nadine Carina, local pop/folk singer Célien Schneider, and the ever versatile and classy Nelly Furtado, who put in one of my favorite shows of the past week.
Spencer Page, Daniel Taylor, Chris Ellul, and Kelvin Swaby are The Heavy: “Rock Talk” Interview (Caprices Festival Special)
Yesterday I had the opportunity and honor to meet with The Heavy backstage in their dressing room after their soundcheck for their set at Caprices Festival in Crans-Montana, Switzerland to talk to them a little bit and ask some questions about their band and perspective on a variety of topics. You can also check out my thoughts on their subsequent performance was well as photos over in my Day 7 coverage of this event. [Read more...]
Caprices Festival Day 7 | Alice Cooper, Black Rebel Motorcycle Club (BRMC), The Heavy, Demi mondAine | Crans-Montana, Switzerland | 3/14/2013 (Concert Review)
Day 7 of Caprices Festival in Crans-Montana, Switzerland… Definitely one of the strongest nights for performances, if not the strongest overall, with a really unique and stellar line-up including The Heavy, Black Rebel Motorcycle Club, and Alice Cooper. The theme tonight was rock and roll (though in a variety of different packages), and it was really like a triple headliner. I also had the unique opportunity to meet with and interview two of the four bands that took to the stage at The Moon at Caprices.
Caprices Festival Day 6 | The Spinto Band, 2ManyDJs, SebastiAn, March | Crans-Montana, Switzerland | 3/13/2013 (Concert Review)
Day 6 of Caprices Festival in Crans-Montana, Switzerland was unfortunately one of disappointment for all involved, as headliner The Killers were not able to make to to play their set due to weather conditions. I was really looking forward to seeing them again after their epic show in their hometown of Las Vegas that closed out 2012. The rest of the line up for the evening was present, and this included many, many acts, of which I viewed four in whole or part, including the headliner by default The Spinto Band, 2ManyDJs, SebastiAn, and March. It was a high energy night for both rock and DJ/electronic music.
Caprices Festival Day 5 | Portishead, Baxter Dury, Model 500 | Crans-Montana, Switzerland | 03/12/2013 (Concert Review)
Day 5 of Caprices Festival in Crans-Montana, Switzerland… wow, what a night. I’ve loved Portishead since their first album, but never had an opportunity to see them live until last night. They completely and utterly exceeded all of my expectations – brilliant performance, every aspect of it. Brilliant, brilliant, brilliant. I also saw Baxter Dury, who opened for them on The Moon stage, and they made me a fan. Late into the night, I also got to see Model 500 featuring Juan Atkins, one of the originators of techno music. Caprices has put together such a stellar line-up of entertainment, and experiencing the entire show, day by day, with it’s wide ranging collection of artists, provides a different atmosphere for music each night, and I would count last night as one of the highlights.