Jason DeBord's Rock Subculture Journal

“Not So Silent Night” by Live 105 (Night 2, #NSSN) at Oracle Arena | Oakland, California | 12/8/2012 (Concert Review)

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As noted yesterday, Not So Silent Night (NSSN) is Live 105’s “Annual Holiday Rock Show”, with 2012 being the first year it spans two consecutive nights.  This second night featured headliner The Killers, along with M83, Passion Pit, Tegan and Sara, GROUPLOVE, and Imagine Dragons.  Again, I was very, very impressed at how extremely well managed this multi-artist event was on both nights.  Oracle Arena again served as host to six amazing acts in about seven hours time, with very brief breaks in-between.  I found the two night show to be such a great event to attend, to have an opportunity to see so many great bands back to back, with a stellar closing set by The Killers.

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“Not So Silent Night” by Live 105 (Night 1, #NSSN) at Oracle Arena | Oakland, California | 12/7/2012 (Concert Review)

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Not So Silent Night (NSSN) is Live 105’s “Annual Holiday Rock Show”, with 2012 being the first year it spans two consecutive nights.  This first night featured headliner Jack White, along with The Shins, Metric, Of Monsters and Men, The Gaslight Anthem, Two Door Cinema Club, and Our Vinyl Vows.  I’ve never been a fan of traditional, outdoor festivals (for a variety of reasons), but this was an extremely well organized multi-artist event that can serve as a model for how to do them right, and comprised an excellent line-up of artists.  The packed Oracle Arena was treated to seven great acts in under seven hours.  It was a really fantastic evening celebrating the work of some really great bands, with Jack White closing things out with a really amazing performance.

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No Doubt at Gibson Amphitheatre (Night 6, #NDnight6) | Universal City, California | 12/04/2012 (Concert Review)

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“You’re singing the words to the new songs…  I can’t express… how happy I am that it touched you and connected to you… thank you for that… it’s the greatest feeling ever.”  Gwen Stefani taking a moment (one of many) to chat with her fans at the sold out show at the 6,200 capacity Gibson Amphitheatre in Universal City – the sixth of their “Seven Night Stand” special residency shows running late November through tomorrow.  Having recently released their first new album in 11 years, Push and Shove, the audience of mostly dedicated fans flocked from all over the U.S. and beyond to see this amazing band perform live truly better than ever.  In addition to putting on a phenomenal show, front woman Stefani took many moments to reach out to fans – sometimes literally – and all the members of the Anaheim band (Tony Kanal, Tom Dumont, Adrian Young, Stephen Bradley, and Gabriel McNair) seemed to be having the time of their lives on stage.  Hopefully this will serve as a prelude to a full tour next year, given the reception of these shows and the strength of the new album, which is fantastic.  Truly an epic night that will not be forgotten by those lucky enough to have attended this show or one of the others.

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Juice Newton Acoustic Trio at Yoshi’s San Francisco | San Francisco, California | 11/13/2012 (Concert Review)

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“We’d like for you guys to participate in this, because otherwise it just sits on its ass”.  Music legend Juice Newton’s typically blunt and modest preface to the tremendous 80s country/pop crossover hits “Queen of Hearts” mixed with “Love’s Been a Little Bit Hard on Me”, as performed flawlessly (with audience providing the “clap-clap, clap” beat) at Yoshi’s in San Francisco in probably the most intimate show I’ve been to all year.  The Juice Newton Trio, which was all acoustic strings with Jay Cawley and Danny Dugan both on guitars and providing backing vocals, Juice Newton stressed that this was a different sort of challenge and endeavor for her… a live concert sans the full band, which required the selection from of incredible songs from her catalog to be rearranged for a completely different result.  And that result – simply amazing songs with the most artful delivery by one of the best vocalists in the business – was very moving and definitely sets the bar for soulful live music performances in small, intimate venues.

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Billy Idol at Hult Center for the Performing Arts | Eugene, Oregon | 10/28/2012 (Concert Review)

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“Thank you, Eugene, Oregon, for making my life so fucking great!”  That’s Billy Idol for you.  Billy Idol connects with people, and appreciates his fans.  He connects with people via his music, of course, but in a live performance, he does more than that…  and just as his language is uncensored, so are his connections with people.  As soon as he comes out onto the stage, his eyes dart about the audience, and you see him make these connections.  He seems to have an innate ability to connect with fans, and give them something back that suits them – a grin, a smile, a point with his finger and nod, a wry look, wide open eyes, the famous lip curl…  [Read more…]

Billy Idol at Showbox SoDo | Seattle, Washington | 10/26/2012 (“Play My Birthday Billy Idol dot com” Concert) (Concert Review)

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The world needs Billy Idol.  The world needs cool, and it needs a bit of a rebel yell.  But it also needs dreamers.  And, sometimes, a crazy, impossible, outlandish dream can lead to great things.  And all of this was proven on an epic night in Seattle, as a young man with hope, ambition, persistence, and ingenuity leveraged the Internet in a way that lead to rock music legend and icon Billy Idol playing his 26th birthday party at the Showbox SoDo in Seattle last night.  I’ve seen Billy Idol many, many times over the years, but I can say without a doubt that last night’s special show featured the best audience I’ve ever been a part of at one of his concerts.  And in these challenging times we live in, it felt like everyone left their struggles and frustrations and all other negativity at the door, and embraced the awesome music and amazing live performance of Billy Idol and his band, as the put on a scorching show.  As just the second (by my count) U.S. date this year (with a third in Eugene tomorrow night), I believe it serves as evidence of the significant demand for fans to see Billy Idol play live.  He is one of my all-time favorite artist, has such a fantastic catalog of songs, and is one of the best live acts performing today accompanied by a peerless band and the incomparable Steve Stevens on lead guitar.  Cheers to Michael Henrichsen for having a dream and putting such effort into something that brings joy not just to himself, but everyone who loves Billy Idol who came to take part in it.  Michael certainly knows how to party, and he brought it to Seattle last night, in the form of the legendary Billy Idol.

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Crystal Castles at Shobox SoDo | Seattle, Washington | 10/25/2012 (Concert Review)

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Alice Glass may dispense with the audience chit chat you might find with other artists; for her and her bandmate Ethan Kath and their gigs as Crystal Castles, it certainly doesn’t make them any less interactive…  with a reputation for high energy shows, she spent a good portion of the concert diving into the audience and literally surfing the crowd at the Showbox SoDo in Seattle last night.  The Canadian duo, along with drummer Christopher Chartrand, rocked their unique and experimental lo-fi electronic synthpop/synthpunk sound with synthesizers including an Atari 5200-chip modded keyboard.  Their live act is definitely worth checking out, as the somewhat chaotic staging and delivery is somewhat in contrast with the electronic music, fusing raw energy with 8-bit retro sounds to bring something to life that felt and looked like raw rock and roll, but sounded like something altogether new and different.

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Jane’s Addiction at Mondavi Center, U.C. Davis | Davis, California | 10/20/2012 (Concert Review)

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“Most times I try to think about how blessed my life is, and what a great time I’m gonna have in the future”…  An optimistic and heartfelt sentiment shared by Jane’s Addiction front man Perry Farrell, somewhere in the middle of an amazing concert last night.  Jane’s Addiction pretty much figuratively kicked the door open from the 80s and into the 90s with their alternative music, genre defining single, “Stop!”, off their 1990 album Ritual de lo habitual.  A truly pioneering band with a unique post-punk/post-goth (and at times hard) rock sound; if “Stop!” kicked the door in, “Been Caught Stealing” off the same album hammered a wedge in that door for the next generation of music that followed.  At the Mondavi Center in Davis last night, some 22 or so years later, “Stop!” closed out one of the best shows I’ve been to all year.  A fantastic celebration of amazing music by an awesome band, who, collectively and with individual efforts outside of their group, have had a tremendous and ongoing influence on pop culture in challenging ideas and preconceived notions.  Maybe it is just in their nature, but they continue breaking new ground and opening doors well into their careers, and never lost their grasp on how to put on a great rock concert and connect with their fans.

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Adam Ant at The Regency Ballroom | San Francisco, California | 10/18/2012 (Concert Review)

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New Wave revolutionary?  Prince??  Pirate???  Adam Ant has adopted a multitude of roles spanning many decades…  but as an icon of post-punk and early 80s music and pop culture, he still knows how to kill it on stage, which is what he did for the sold out crowd at The Regency Ballroom in San Francisco last night, tearing through a massive 28+ song set list that still left out some fan favorites.  Who would have imagined when he came on the scene in the mid to late 70s that not only would he still be selling out shows, but he’d still be relevant (and, looking backward, prescient) well into his late 50’s.  Truly an artist musician, Adam Ant has created a culture and world all his own, and it is definitely a fun place to visit.

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Smashing Pumpkins at Bill Graham Civic Auditorium | San Francisco, California | 10/12/2012 (Concert Review)

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“I’m old; I need to catch my breath…”  Words from the legendary Smashing Pumpkins founder and frontman Billy Corgan during a momentary pause, about two hours into a massive set which kicked off with their newly released Oceania (also the title of this tour), played front to back and in its entirety, followed by an awesome cover of Bowie’s “Space Oddity”, and well into live performances of their many, many classic hits.  I think it was more of a breath of fresh air for the fans packed onto the floor of the Bill Graham Civic Auditorium last night, who had the privilege of witnessing a true rock god at the top of his game, and in contrast to most popular music acts today: sans Auto-Tune, pre-recorded backing vocals, an army of dancers, and other artificial sweeteners.  Billy Corgan and his Smashing Pumpkins are legendary for their layered, sweeping guitar-based sound and his unique, soul-baring vocals delivering authentic, sometimes fairly dark lyrics and sentiments.  Ever the innovator, Billy Corgan continues to turn the music industry on its head, having essentially declared the album dead about four years ago, he now rebels against not the past, but the future.  A strange era in music, but the Smashing Pumpkins keep doing their own thing in spite of changes and trends, and the Oceania-based concert last night was fantastic.

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