Having seen Florence + The Machine at the Mondavi Center back in April – which still remains as one of the best (of many, many) concerts I’ve been to this year, I was committed as I walked out of that venue that I would see them again soon, hopefully before the close of the year. That dream became a reality last night at the historic Hollywood Bowl in Los Angeles. It was one of those circumstances in which you feel that you’ve already seen the best possible concert for a particular artist, and wonder if it is a good idea to see them again when it would be impossible to measure up to the experience that you already had. Somehow, Florence + The Machine defied all of my expectations and put on a somewhat different show, but one that at least measured up to the first experience I had seeing them months ago. They are an unbelievable band, and the most fascinating thing is that listening to the studio albums, you couldn’t know how amazing that it all translates into live music. I already gave them my highest recommendation in my first review. Whatever you might think of their music, whatever preconceived notions you may have about the live experience, I can’t imagine someone seeing this band live and not being blown away. Even one of the venue staffers I was talking with before the show was won over by them with their first of two performances at the Hollywood Bowl the night before – and let’s just say he’s not someone you would guess is a Florence + The Machine fan by any stretch of the imagination – and even he thought that they were one of the best bands he’s ever seen, and he’s in the business of working tons of shows every year. They are that fantastic, and in my opinion, one of the very top acts touring today.
New Order at The Greek Theatre | Los Angeles, California | 10/7/2012 (Concert Review)
Last night was the second show of New Order’s 10-date North American tour (spanning the U.S., Canada, and Mexico). One of the most important bands of my lifetime, they played classic New Order and Joy Division songs at the Greek Theatre in Los Angeles, which had a stage that dwarfed the one that they played last December at their concert at Troxy in London, which I was fortunate enough to have attended. Having been front row center for both shows, it was a bit surreal for me to see them from the exact same vantage point at such different venues and in different countries – both in their own country (which, at the time, was their first date there in five years) and now here in the United States. As the band is among my all-time favorite groups, I feel a bit challenged to evaluate the night, as the band and their music means more to me than I can put into words. It was really a stellar show, and it of course leaves me wondering, in a hopeful way, about the future of this legendary band.
Metric at The House of Blues Las Vegas | Las Vegas, Nevada | 10/6/2012 (Concert Review)
In a perfect world, Metric would represent the future of music. But we don’t live in a perfect world, of course, but all the same, we have Metric and their music, and with my first experience seeing them live, it reaffirms my belief that there is tremendous talent in the music industry among some relatively newer bands (though Metric is five studio albums in, they still feel relatively fresh and new). Metric’s latest album, Synthetica, is one of my favorite new albums of the year, and most of it was played at the House of Blues Las Vegas last night. They make brilliant music that wants to be free – that wants to be played live – and they delivered with the fans in attendance last night, though talking with them, they came from not only all over the U.S. but outside of it as well. People who have discovered this band a really dedicated to experiencing their live shows, and having been to one now myself, I can understand why.
Peter Gabriel at PH Live at Planet Hollywood Resort & Casino | Las Vegas, Nevada | 10/5/2012 (Concert Review)
So. A classic album with heart and soul. Last night Peter Gabriel played the PH Live at Planet Hollywood Resort & Casino in Las Vegas to the nearly filled 7,000 seat venue as part of his ‘Back to Front’ tour, which celebrates the 25th anniversary of his classic album, So. In fact, the full So album was played as the third part of a concert running well over two hours, with the first two parts comprising music from other works. It was definitely a dream concert for fans of the legendary artist, and he did not disappoint; his voice, to my ears, sounded better than ever. In this day and age when albums as a musical framework unfortunately means less and less, it was something special to be part of this show celebrating the album that gave Mr. Gabriel his real mainstream success and identity as an innovative and ground-breaking solo artist.
GROUPLOVE at The Boulevard Pool at The Cosmopolitan | Las Vegas, Nevada | 10/4/2012 (Concert Review)
GROUPLOVE is one of those bands that, I think, will take a bit of hindsight to figure out… maybe a decade from now, in that their talent, earnestness, and originality seems boundless. They are definitely doing their own thing, and in these somewhat darker times with people facing a lot of struggles and challenges, their unique and incredibly upbeat music is truly a breath of fresh, sweet air. While they appear quite Earthy and friendly in appearance, and those familiar with the hits they’ve generated that have gotten the most airplay and attention may expect them to be a bit more quiet and acoustic-driven, by the end of their hour and a half long set atop a rooftop along the Las Vegas strip, they were completely rocking The Boulevard Pool at The Cosmopolitan. Though only formed a couple of years ago, this band is going places, and it is definitely a journey on which their growing fans are happy to accompany them.
Garbage at The Warfield | San Francisco, California | 10/1/12 (Concert Review)
Last night at The Warfield was my second time seeing Garbage this year, having seen them back in April in Las Vegas. I was astounded at how much the band has evolved in this short time, having just been resurrected earlier this year, now completely transformed into one of the most kick ass bands touring in 2012. This group – that completely defies genre – burst onto the stage and played a tight and rearranged set, including many songs off their incredible new album for upwards of two hours. They also brought out one of the best audiences I’ve been a part of all year (and yes, audiences do matter!), who could not get enough of this band that comes across as beings from another, much more interesting planet. All in all, I think the fact that Garbage isn’t currently selling out huge stadiums is a tribute to the fact that the 90s was, as a decade, mostly filled with crap music (compared to the decades that preceded and followed), and somehow this band never received the recognition nor massive following that it deserved. People in the 90’s generally had no taste in music and it was a weak era in pop culture, and Garbage is, in my estimation, one of the most outstanding group of artists born of that time, and the fact that they somehow got back together to make music and perform live better than ever is nothing short of remarkable. Hopefully at some point the masses will catch up to what they are missing, as the concerts this band puts on are among the best live shows from any band today.
The Go-Go’s and The Psychedelic Furs at Mountain Winery | Saratoga, California | 9/30/2012 (Concert Review)
The Go-Go’s and the Psychedelic Furs closed out my own personally selected Summer concert series at the always awesome Mountain Winery last night and I can’t imagine a better send off, with two classic and important 80s bands in top form playing their many hits, back to back. A bit of a contrast in styles (though both bands, in their own ways, were a result of and reaction to the 70s punk movement), it was very much a celebration of the wide ranging and innovation music born during my favorite decade. The Furs opened with what I would characterize as the best live performance I’ve seen from them, and the Go-Go’s closed it out with a fun and energetic set that felt very warm and personalized for the audience. A great night hosted by two stellar bands, and I feel fortunate to have had a chance to be part of it.
Huey Lewis and The News at Mountain Winery | Saratoga, California | 9/28/2012 (Concert Review)
“I am not perfect. But I’m perfect for you.” This was a sentiment expressed by Huey Lewis early on in his performance with Huey Lewis and the News at Mountain Winery last night, which was a reference to the fact that this was a make-up show for one that was canceled about a month ago. A Bay Area native, the band certainly put in a lot of “heart and soul” into producing a very special concert last night, playing through many of their hits and going the extra mile to bring their special brand of rock and roll to the stage. It was a great show put on by this classic band that helped to define the 80s while mostly defying the sound of their peers with a musical identity all their own. As one might expect, they put on a classy, positive, high energy show in Saratoga last night.
Daryl Hall and John Oates at Mountain Winery | Saratoga, California | 9/18/2012 (Concert Review)
An ongoing personal tradition of mine, I have made a commitment to try to see Daryl Hall and John Oates perform live every year, preferably at my favorite venue – Mountain Winery in Saratoga – and am happy to have been a part of that event again last night. As readers of the Rock Subculture Journal would likely surmise, music from the 80s is the foundation for my love of popular music, and among all those wonderful artists that were highly prolific in those times, I would personally rate Hall and Oates among the very top. Billboard Magazine rates them as the number one duo of all time for very good reason – they are simply brilliant songwriters, and have published seemingly endless hits, and their live shows are some of the best I’ve experienced. Last night I had a great vantage point from which to take it all in.
Roxette at Nob Hill Masonic Auditorium | San Francisco, California | 9/14/2012 (Concert Review)
Roxette played the Masonic Auditorium in San Francisco last night, and more than delivered with their unique brand of rock infused pop to an eager audience, the majority of which appeared to be made up of truly hardcore fans of the Swedish band front by the duo of Marie Fredriksson and Per Gessle. High energy, enthusiasm, and joy emanated from the stage as the band played through a set framed by their many international hits, having sold over 60 million records worldwide. The fact that they were able to break out so big back in 1989 is a testament to their incredible songwriting skills, and having had four number one hits in the U.S. and nineteen Top 40 hits in the UK illustrates their ability to craft really catchy and hooky tunes that appeal to fans of music the world over. More impressive is that they were able to break out globally back when artists were completely reliant on record labels and radio stations to be heard, long predating the ubiquitous nature of the Internet and all the opportunity it has brought to the masses since those days. All that aside, they are a band that really need to be experienced live to fully appreciate their music, as their performance was stellar.
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