“I must say it’s smelling awfully good out there… I’m on duty… [laughs]” Peter Frampton on stage and in front of a massive crowd at Ironstone Amphitheatre at Ironstone Vineyards in Murphys, California, part of a double-headlining show with Lynyrd Skynyrd, fittingly playing as the sun set and dusk settled in as he then went into his blazing cover of Soundgarden’s “Black Hole Sun”. Darkness took over by the time he left the stage and southern rockers Lynyrd Skynyrd closed out the night, with vocalist and front man Johnny Van Zant trying to set the clock back through sheer force of will: “Now it’s Sunday night… Sunday night… we need to make it a Saturday night… Are you guys all in or what?” There was a lot of gratitude exchanged between the two artists as each took turns holding stage, as it was the end of their joint tour together, which would appear to have been a successful pairing of two different styles of music on this Summer tour. [Read more…]
“So, basically Culture Club makes happy sad music. If you’re a Gemini, you don’t need that explained. If you’re a Libra, I can’t help you. Hands up for the Geminis! You’ve got to use two hands if you’re a Gemini, because there’s always two of you. What’s that saying? ‘Roses are red, violets are blue, I’m schizophrenic, and so am I.’ That’s the Gemini mantra. So we do these happy sad songs. Dancy rhythms, melancholy sounds, mixed together…” Boy George explaining Culture Club in a way that only he could… an interesting insight into the band and the man who proudly stood out in front of it (as well standing for many other things) throughout the first half of the 1980s. All in preface to the song, “Move Away”, which was the lead single to their fourth album, From Luxury To Heartache, an album title which nicely dovetails into what he was explaining, as well as illustrative of that early trajectory of the band in it’s first life… It all ended far too early when they broke up in 1986 following the release of that album and that lead single, which would be their final entry into the U.S. Top 40 charts. The light that burns twice as bright last half the time and all that… But life is a funny thing. Fast forward thirty years (!), and there on that stage at Thunder Valley’s Outdoor Amphitheater in front of thousands of jubilant fans on Friday night was Boy George and the original members of Culture Club – Roy Hay, Mikey Craig and Jon Moss – and I can’t imagine them being any more happy or in sync with one another musically and with their live performance. And, it would seem, the impossible journey each took to get them there made it all the more sublime. Joyfully playing those now classic songs of happy sad music. A potent chemical reaction of letting soul and reggae out to play with all manner of other music genres, bending and twisting and dancing with new wave, country, pop, funk, rock, R&B, and even church music, to create something altogether unique but unified in that wicked sort of Gemini manner… The genius of Boy George, and his bravery in always being uniquely himself and forging new paths for others to follow. Definitely one of the best tours of 2016, one of the most important New Wave bands (who helped push those loose boundaries within that broad musical movement), and a band fronted by one of the most interesting figures in pop culture in modern times. [Read more…]
“I don’t even know where we are right now…” Patrick Monahan of Train to a sold out crowd of upwards of 7,000 fans at Ironstone Amphitheatre at Ironstone Vineyards in Murphy’s California. Train certainly brought the magic to turn out such a massive number of fans to Murphys, California for a special evening under faint moonlight and brilliant lights from the stage on which they and The English Beat performed on Saturday night. Bringing a mix of hits, new songs, and covers, Train had the crowd up and out of their seats most of the night, and Monohan was on point vocally as well as engaging with fans, taking selfies with their mobile phones as well as performing one song from out in the audience. It was really a stellar show that left most satisfied but also probably thinking about doing it all again in the future. [Read more…]
“This album’s called “Doin’ Time”, because this here feels like Summertime, alright, so party with me…” Rome, of Sublime with Rome, doing an updated version of the 1997 Sublime hit, which itself was an homage more than a cover of “Summertime” by George Gershwin. Like ripples in a lake, impactful music can take on a life of its own as it moves through time. Of course, Sublime with Rome is not Sublime (original vocalist Bradley Nowell died in 1996), but this band and tour is as much about the subculture as it is the music, and seems to draw a crowd that skews younger than one might expect, given that the original Sublime was a 90s era band. But it was an evening filled out with music of several eras, with the youthful Bleeker kicking things off, with Tribal Seeds and Dirty Heads following. Each had it’s own unique genre-bending sound and style, providing an interesting kaleidoscope of music for those moved by reggae, hip hop, rock, and alternative. [Read more…]
“…sort of the college kids version of owning a winery.” John Rzeznik of The Goo Goo Dolls at Ironstone Winery, talking about when he and Robby Takac met just out of high school many decades ago and starting selling weed to their friends. Headlining a concert tour with Collective Soul and Tribe Society, this stop played to thousands at Richter Entertainment Group’s summer concert series at Ironstore Amphitheatre in Murphys, California. While both The Goo Goo Dolls and Collective Soul are most associated with the ’90s (when both bands broke out with global success), each have endured and continued to produce new music and evolve with the times. The Goo Goo Dolls’ latest album, Boxes, is in my opinion one of the best albums of the year, and worth checking out, as is this awesome live tour. [Read more…]
“Ever since I was four years old man, all I wanted to do is sing…” A grateful Darius Rucker in front of a massive crowd at the first show of Richter Entertainment Group’s summer concert series at Ironstone Amphitheatre in Murphys, California. As preface to the song, “It Won’t Be Like This For Long”, Rucker talked about touring with two of his children and said: “If God came to me and said you could be one thing, you know what I’d be? I’d be a parent.” The Grammy Award-winning singer-songwriter brought an authentic earnestness to the stage and his performance, which goes hand in hand with his style of music. Country hit makers Dan + Shay and Michael Ray filled out the entertainment for the evening with their supporting sets, all set against the beautiful backdrop of Ironstone Vineyards, with it’s seasonal amphitheater drawing a massive crowd yet somehow maintaining an intimate atmosphere. [Read more…]
“…I learned so much that year, about the difference between dreaming and pretending. Dreaming is so important for all of us and helps us live our aspirations… but pretending is really just fooling yourself, lying to yourself so you don’t see the truth. So here’s to truth, and here’s to growing up.” Jewel, the folk/pop/country signer-songwriter, producer, poet, novelist and actress… sharing one of many life lessons she has discovered in her remarkable journey, wherein the deeply personal has at times collided with her career and success. Creating an intimate atmosphere to a sold out crowd in Grass Valley, in the unique way only Jewel can, she had everyone captivated with not only her musical gifts but her insights based on a lifetime of experiences and challenges. It was a remarkable show, and she always seems to drive each performance as though it might be her last… Not only one of our most original songwriters, but one of our most talented and gifted vocalists, performing unique renditions of her songs, new and old, that at times left the crowd stunned. Jewel put on a showcase of storytelling in the personal and captivating way in which she has built her reputation over decades now. Those timeless songs and stories and poetry readings… Jewel lives her life authentically, one moment out loud and the next softly… but real in all it’s various forms and emotions. [Read more…]
“Right now we’re going to do one that we haven’t done probably in about ten years… it’s a fan favorite. It’s not necessarily a happy song…” James “J.Y.” Young of Styx, leading into their controversial 1981 song “Snowblind”, which was claimed to have been “Satanistic” by some anti-rock activists at the time (as well as claiming that it was one of the songs that contained hidden messages – only heard if played backwards!). Styx has recorded and performed music now for over four decades (with some break-ups along the way), and given the energy and enthusiasm coming from the stage at Bob Hope Theatre in Stockton on Sunday night, it is quite amazing how well the band has endured over the years as they continue to bring their unique style of music to fans, old and new. Judging by their interactions while on stage, they seem like they really enjoy working and playing together these days, which is very rare in the music world. Playing “an evening with…” style of show with no supporting or opening artists, they split their own set in two (with a short intermission) and played a solid 90 minutes of not only their own songs but some surprise covers and tributes as well. An excellent show and the kind of band worth seeing again and again, as they seem to have unique elements to their concerts to keep things fresh and exciting. An earnest and authentic group of guys, there was no pretense or arrogance… they seemed to acknowledge that their legacy is locked within those songs and albums and were eager to celebrate their music with the sold out crowd.
“So what’s up Oakland? I’m the one who’s up? Oh baby, you just made my day. Thank you. I’m up, we’re all up tonight. Well, far be it from me to state the obvious, but it’s incredible being here tonight. It’s such a privilege to be able to play for you; to sing for you. Every day I wake up and I have the to opportunity to do this, this thing that we love, I kiss the ground. You’ve got a lot going on in your great city this weekend. Well, apart from me; but thank you very much. One of the reasons we’re up here… to have fun. Which is essentially the message I want to give to everyone tonight, whether you’re in the back, whether you’re in the middle, whether you’re right at the end, I want you to have fun and understand that I see you. I feel you.” The multi-Grammy Award winning singer-songwriter, Seal, taking a moment to express his feelings to a packed Fox Theater in Oakland on the eve of Super Bowl weekend. Having met the incredible vocalist years ago – that last bit about seeing and feeling the audience – that could not be more true. Seal has been prolific since his splash in music with “Crazy” back in 1991, with his own original work as well as fantastic covers of classic songs, particularly in the soul genre. With this one off show this past week, the focus was on his latest (ninth) studio album, 7, released by Warner Bros. last year, with a compelling set list framed by some of his biggest hits. One of the most earnest and talented live performers in music today, he did not disappoint with an engaging show that left me revisiting his catalog and dreaming about seeing him in concert again soon. [Read more…]
“We’re going to play a few songs now that you might know. You’ve been very patient; thank you very much. You also might not know them as well…” Dave Gahan, bridging the main set of Soulsavers material and their encore, which featured two songs from his first two solo records and two from Depeche Mode’s Songs of Faith and Devotion. Making his debut performance with Soulsavers, they previewed the newly recorded material from Angels & Ghosts, which will be released on Friday. Dave Gahan has reunited for a second album as Dave Gahan & Soulsavers, as well as announced a very limited set of concerts with a 10-piece band at very small and intimate venues in the U.S. and Europe, with this first one happening at The Theatre at Ace Hotel in Los Angeles on Monday night. The album, Angels & Ghosts, is his second collaboration with producer Rich Machin and the tour takes them to New York, London, Berlin, Paris, and Milan. It all creates a framework to showcase Mr. Gahan’s ability to transcend the work of Depeche Mode into territory that allows him to reveal his own unique gifts, artistry, and vision. A peek into the soul of a man who is very complex, as well as a foundation with which to truly hear his voice soar to new heights and lyrics that provide real vulnerability. Decidedly not “a Depeche Mode show”, but a rare experience for fans to see another side of one of the most talented artists of our generation. Unforgettable.