Just when you think you know what to expect from a Crystal Castles concert, a naked man casually walks on stage to tend to his drum kit (not a euphemism), part of the second of two supporting bands. But of course the real show starts with the main set… and with Crystal Castles, it’s as much about the experience surrounding the music as it is the music itself. While Alice Glass and Ethan Kath don’t really have anything to say in-between songs during their thumping (with many thumps courtesy of touring drummer Christopher Chartrand) high energy shows, they certainly know how to entertain and excite once they take the stage. With their unconventional sound, seizure-inducing lighting effects, and interactivity (by way of Alice diving into the audience), a Crystal Castles show overloads the senses… so much unfamiliar and unexpected for your eyes, ears, and brain to process. Whatever your take on their brand of experimental electronic/synthpop/synthpunk music, you certainly can’t consider their live shows to be boring or uneventful. A band born to perform live, for sure. Their studio recordings are fantastic (and their third studio album, (III) is excellent), but you really need to see them live to understand their music, and get the full Crystal Castles experience.
“Do you guys remember – some of you will remember – Metric shows before cell phone cameras? It’s really funny you know; that shit changed my life.” Metric’s Emily Haines, taking a moment mid-show at the Fox Theater in Oakland last night to share some candid thoughts about how advances in technology have affected her and what she shares with audiences during concerts; a bit of a lament over the way things used to be… a simpler time. Her philosophical aside was quite interesting (salted with some humor as well); to hear her unique perspective on live concert events today and the ubiquitous technology wherein everything and anything can be recorded with ease (and how bits can carry on, out of context). Funny enough, it was something I had mentioned in my coverage of the show the night prior at Mondavi Center in Davis, though some friends of mine who have been to Metric shows that I missed said it is something she has brought up in the past as well. In any event, with that and a nice chat at the end leading into their “Gimme Sympathy” closer, there seemed to be a different kind of dynamic with each audience in the past two nights (both awesome, but different). Fox Theater offered a GA floor whereas Mondavi was seated (though ended up sort of GA as it got going), but the larger Fox has the distinct separation between stage and audience, with the security pit, so the added discussion maybe bridged that literal gap to create a different sort of connection compared with Mondavi, wherein the band could reach down and literally touch the members of the audience with ease. In any event, having seen back-to-back shows over two nights, it was fun for me to compare the two. Both were stellar shows with great performances by Metric, as they tour over a dozen shows and dates between now and June. While for me on a personal level the Mondavi show was more engaging (since I was front row for the entire show), I took an opportunity with the Fox show to enjoy the set from different perspectives, and it was quite enjoyable to even move to the very back and have a better perspective with which to take in the impressive lighting effects on the stage, which is much different from seeing it all up close. All in all, another fantastic show by Metric and they have become one of my favorite bands to turn out to see live.
“If you’re here, you know I love a sing along, so don’t let me down, alright? Hook me up.” Metric’s Emily Haines, giving her introduction to the acoustic version of their classic song, “Gimme Sympathy”, which brought the intimate show at Mondavi Center to a close last night. 2013 is shaping up to be one of the best years in some time for live music concerts, and April in particular is weighted very heavy with competing and conflicting shows all over the West Coast due to Coachella and bands doing their own headlining shows in addition to that “granddaddy of U.S. festivals”. Even so, when Metric announced a little over a dozen dates running through June, I changed around my own schedule to be sure to see them twice. The only other artist I’m seeing twice this month is Prince, so I think that speaks volumes about the esteem with which I hold this band. With their show a Mondavi Center for the Performing Arts, they certainly didn’t disappoint. Pre-show, looking around the beautiful venue at the crowd, it was hard to say what kind of audience the band was going to encounter. Opener Mona delivered and got them out of their seats, and by the time Metric came on stage, they were beaming with excitement that further fueled the band. It was definitely one of the top shows I’ve been to this year, and it was one of those shows that was so good, the only negative was those fleeting thoughts that it eventually had to come to an end. In any event, it was spectacular and unforgettable, and the band is one of the must-see acts touring today.
“Because we’re sentimental folks, and we like symmetry, and we like to tie things up. And we like to make amends, and we love to give thanks. So thank you for being here tonight.“ Shirley Manson from Garbage opened up to the fans in attendance at The Pearl Concert Theater at The Palms Casino Resort in Las Vegas last night, as the concert marked their return back to where it all started one year ago, and thus the U.S. leg of their world tour came to an end last night with a mix of mutual heartfelt emotion and gratitude from the stage and from the audience as well. The band has come a long way in the past year, and comparing the show at the same venue in April 2012 to the one put on last night, they have certainly matured as a live act, but it is more than obvious the bonds between the band members as well as between them and their fans has strengthened tremendously. It was an incredible show, and for me at least, is a frontrunner for concert of the year. They will be missed, but are going back to create a new album, and I’m certain that when they return it will open up a new journey for the group that we can all then become a part of again.
Orchestral Manoeuvres in the Dark (OMD) at The Depot | Salt Lake City, Utah | 4/10/2013 (Concert Review)
“We could dance fast in those days… will you keep up?” OMD front man Andy McCluskey reminiscing about the late 70s as he introduced the final song of their encore at The Depot in Salt Lake City last night, their debut single, “Electricity”. It was a bit of personal déjà vu for me, as he closed out a show I attended way back in 1991 in much the same manner. But this was the first time I had the opportunity to see Orchestral Manoeuvres in the Dark with their full original line-up (with co-founder Paul Humphreys also on vocals and keyboards, Martin Cooper on keyboards and saxophone, and Malcolm Holmes on drums), and the energy from the stage and overall atmosphere was certainly electric. OMD put on an incredible show with songs from their new album released just this week – English Electric – as well as all those classics and favorites going back more than three decades.
Early on during his “Finding My Dance” one man show, I got the sense that Colin Hay is often the smartest person in the room, no matter how large or small the venue. More than a musician (and a great one at that), he is a philosopher, comedian, and genuinely kind man. He is very funny, and not just prepared and rehearsed funny, but quick witted as well, and I’ve always operated under the idea that really funny people have to be highly intelligent in the most fundamental of ways, as you must have real keen self awareness and highly complex and contemplative observational abilities, as well as emotional depth and empathy. I picked up on all of this with Colin Hay from my front row vantage point at The Center for the Arts in Grass Valley where he put on his amazing show for the sold out crowd. That show – a hybrid of music and storytelling – was over two hours long and really captivating in every sense as he took us on both a narrative and musical journey of his life. He talked about having an understanding of his place in the universe, and those who might expect him to be nothing more than the former front man of 80s band Men At Work are truly missing out at what he has to offer not just in terms of music and entertainment, but the wisdom (in the form of stories and anecdotes) from someone who has had experiences that none of us ever could. He is a great musician but a wonderful storyteller as well, and I can’t imagine a more fitting venue with which to enjoy it.
Rihanna is an artist that is one of the hardest working in music today (on and off stage), and her only real problem with her show at HP Pavilion in San Jose last night was that she has so many hit songs – even at just 25 years old – she could not fit them all into a sprawling, nearly two-hour non-stop concert event. A prolific artist, Talk That Talk came out in 2011, just as she was wrapping up her Loud Tour (named after the studio album before that), she’s since release 2012′s Unapologetic, and tickets for this tour actually went on sale late last year as well. The show in the massive HP Pavilion was sold out and filled to its 14,500 capacity, and it was one of the best giant arena audiences I’ve seen. Rihanna did not disappoint, as the place was bouncing and euphoric before she ever took the stage, and things only cranked up from there. She put on her usual top class show fueled with energy and heartfelt emotion and gratitude, as I experienced at the O2 show in London in late 2011 as her last tour came to a close. This is definitely one of the must-see tours of the year, with both figurative and literal pyrotechnics.
“Are you ready? Are you really, really, really ready?” The English Beat front man and voice of the band, Dave Wakeling, is one of those music artists that is completely tuned into his audience, particularly in an intimate venue such as The Center for the Arts in Grass Valley, California, where he performed last night. The part seated, part standing 360-capacity venue was packed and from the moment the band stepped onto the stage, the majority was on the dance floor moving to the very unique blending of 2 tone ska/punk/new wave/reggae hits from the band known simply as The Beat in their home of the UK, though also on offer were as some tunes from General Public, the subsequent musical efforts by Dave Wakeling and Ranking Roger following the original break-up of The Beat (Ranking Roger currently performs in the UK version of the band back in England). The band dispensed with having an opening band on the bill, and instead performed two full sets of their own on either side of a short intermission. It was a true live music experience that made great use of the excellent sound system and acoustics of the charming venue as they played song after song for the energetic crowd.
Thomas Mars, vocalist for French alternative rock band Phoenix, was a man of few words in-between songs at their Coachella headlining warm up gig at Freeborn Hall at U.C. Davis last night, but the show was extremely interactive. By the second song of their approximately hour and a half set, he was already at the edge of the stage, leaning into the audience. By the time the high energy show came to an end, he’d sung one song on the front rail of the all standing/GA venue, made his way deep into the crowd sometime thereafter, and eventually crowd surfed atop the sold out capacity crowd. It was among their first live shows in several years, and they played a lot of material from their highly anticipated forthcoming fifth studio album, Bankrupt!, due April 22nd.
Caprices Festival 2013 in Crans-Montana, Switzerland: 9-Day Music Artist Live Concert Event Review & Recap
Since this was a pretty special experience and International music event, I thought I would share some thoughts and photos in summary here, mostly in an effort to genuinely promote and recommend this event to those who might not have heard of it or ever considering attending themselves. The 9-day event took place in Crans-Montana, Switzerland, a coming together of twin ski/resort towns to put on Caprices Festival, hosting dozens of musical artists spanning many different genres and styles. I actually only ran into a couple of Americans during the nine days of concerts (both had come out from New York for Tori Amos), so I think spreading some more information about the event on a U.S.-based site might bring out more people from the United States for future incarnations of this annual event, which celebrated it’s 10th anniversary this year, which also happened to mark some big changes and growth in size and line-up. [Read more...]
“To give is the reason I live”… a Frankie Valli lyric and a comment made by Morrissey on stage well into his set at Mondavi Center at U.C. Davis in Davis, California. Morrissey has long been a fundamental part of my favorite music artists of all-time, and more than all of them, his music has always moved me – those special moments where the words and the sound connects with me, that chill down my spine and adrenaline rush… as part of the soundtrack of my life, Morrissey and his work add texture, substance, and color unlike any other artist. And his live appearances have become increasingly rare, so any opportunity I have to experience it “for real”, in person, I am there, as the live experience just magnifies it all. And the show last night at Mondavi Center was a spectacular celebration among a special group of fans. [Read more...]
Last night Thunder Valley Resort & Casino played host to one of a short run of shows by music legend Crystal Gayle. The award-winning singer, best known for her 1977 hit, “Don’t It Make My Brown Eyes Blue”., put on an amazing show of her own songs as well as tributes to the works of others, with her own signature style. It was incredible to have an opportunity to enjoy the show put on by her along with her sister Peggy Sue and the five-piece band led by Jay Patten.