This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Darryl McDaniels, best known as DMC with Run-D.M.C. (he prefers to be called “D”). D was a featured guest at Sac-Con in Sacramento this past weekend, promoting his authentic foray into the comic book publishing world with his new independent publishing company DMC (Darryl Makes Comic) Comics and its first series, DMC, with his collaborator Edgardo Miranda-Rodriguez. I met up with D at his hotel following the concert to sit down to talk about his latest work, his past, accomplishments, and his thoughts on a variety of topics related to his life, work, and influence on pop culture.
“We’re female chauvinist pigs…” Jill Cunniff, one of the three members of Luscious Jackson, prefacing her invitation of a handful of men in the audience to join them on the stage to shake their booties during their song, “#1 Bum”. It was an informal kind of show for the band, who haven’t been in San Francisco for a very long time, having recently reunited for their first studio album since 1999. One of just three headlining shows for this tour (having played Los Angeles the night prior and with Boston still to come next Saturday, as well as two festival appearances), The Independent appeared sold out (or close to it) last night. They put on an electric show with material spanning their original 90s songs as well as the new album, all sounding fresh and original. They definitely still have “it”, and hopefully their efforts to reinvent themselves with their PledgeMusic campaign and new independent streak will lead to a resurgence of their special brand of rock/pop/hip hop.
Everyone knows all of the classic Christmas songs, but what about those that have emerged from the Pop and Rock music world and various subgenres (New Wave, Modern Rock, Punk, Indie, R&B, Hip Hop) from the 70s, 80s, 90s, and today? Original songs and creative covers… I think many great songs are lost to time, in that the window in which they might be heard is too small, and then many fall off of the collective pop culture radar. So this is my attempt to put together a list of some of my favorites, though I’m sure there are many others out there that I’d love that I’m not even aware of, or have forgotten about myself. So if you have any recommendations, please post a reader comment below. [Read more…]
Last night was all about old school hip hop legends, with Whodini, Kurtis Blow, and Rob Base each taking the stage during V101’s Hip Hop Halloween House Party at Pano Hall inside Thunder Valley Casino Resort in Lincoln. Pioneers in what has since become a wildly popular genre of music, it was a celebration of the artists who built the foundation of hip hop, with respect paid to many of their peers who were not part of the concert, by way of mention and covers. It made for an interesting and unpredictable night of music, with legend Kurtis Blow doing his own music, like “The Breaks” (the first gold certified rap song back in 1980) as well as some unexpected works from others that followed many years later, like House of Pain’s “Jump Around”. Hip Hop has obviously changed tremendously in the past three decades, but those in attendance last night, I think, appreciate that it was probably at its best in those early years, and it is gratifying to have seen these artists do their thing on stage last night in a relatively intimate atmosphere with a great crowd, some of whom also took to the stage throughout the show.
AM & Shawn Lee are touring their second studio album, La Musique Numerique, with release party concerts in Chicago, IL, Rochester, NY and tour dates spanning California with shows in San Francisco, San Jose, Los Angeles, and San Diego. With AM hailing from Los Angeles and Shawn Lee from London, the duo have collaborated to create a fresh sound influenced by disco, soul, R&B, funk, electronic, and other genres, with a bit of a late 70s/early 80s vibe. The track “All The Love” has earned significant acclaim. [Read more…]
Day 9 of Caprices Festival in Crans-Montana, Switzerland… it was the final one for the incredible series of a wide-ranging line-up of artist from a variety of music genres that drew thousands upon thousands to the resort area in the Swiss Alps. The themes for the final night, which drew one of the largest and most energetic crowds, was rap music and, well, a marijuana culture. I would have to rate the night near the top as far as high performance and crowd enthusiasm go, regardless of how one might feel about either of those things, as the artists collectively put out more energy than probably any other night’s show – they were each really amazing in their own ways, and gave fans what they wanted as well as probably cultivated some new ones for themselves. Really impressive stuff.
Day 8 of Caprices Festival in Crans-Montana, Switzerland… as the event approached its final two days Friday night, those in attendance seemed to have a desire to keep the party going, as Mika drew the largest crowd to date, not only filling the vast airline hanger-like space of The Moon, but overfilling the standing room only space in front of the stage. The popular British singer-songwriter drew such a crowd people were spilling out, standing watching from the hallway space in-between The Moon and The Tube, and was far and away the largest crowd pulled in thus far for the 9-day festival. The more pop-oriented line-up also included rising star Nadine Carina, local pop/folk singer Célien Schneider, and the ever versatile and classy Nelly Furtado, who put in one of my favorite shows of the past week.
Day 7 of Caprices Festival in Crans-Montana, Switzerland… Definitely one of the strongest nights for performances, if not the strongest overall, with a really unique and stellar line-up including The Heavy, Black Rebel Motorcycle Club, and Alice Cooper. The theme tonight was rock and roll (though in a variety of different packages), and it was really like a triple headliner. I also had the unique opportunity to meet with and interview two of the four bands that took to the stage at The Moon at Caprices.
Day 6 of Caprices Festival in Crans-Montana, Switzerland was unfortunately one of disappointment for all involved, as headliner The Killers were not able to make to to play their set due to weather conditions. I was really looking forward to seeing them again after their epic show in their hometown of Las Vegas that closed out 2012. The rest of the line up for the evening was present, and this included many, many acts, of which I viewed four in whole or part, including the headliner by default The Spinto Band, 2ManyDJs, SebastiAn, and March. It was a high energy night for both rock and DJ/electronic music.
Day 5 of Caprices Festival in Crans-Montana, Switzerland… wow, what a night. I’ve loved Portishead since their first album, but never had an opportunity to see them live until last night. They completely and utterly exceeded all of my expectations – brilliant performance, every aspect of it. Brilliant, brilliant, brilliant. I also saw Baxter Dury, who opened for them on The Moon stage, and they made me a fan. Late into the night, I also got to see Model 500 featuring Juan Atkins, one of the originators of techno music. Caprices has put together such a stellar line-up of entertainment, and experiencing the entire show, day by day, with it’s wide ranging collection of artists, provides a different atmosphere for music each night, and I would count last night as one of the highlights.