“It’s not my instrument; for the last time…” Not very talkative during a concert, a funny line blurted out by Robert Smith, front man for The Cure, after returning a cowbell to the side of the stage, during a sprawling set that ran continuous for nearly four hours, with no less than three full encores. The second of two nights playing to benefit Teenage Cancer Trust, The Cure played sans opener, coming on a about 7:30 and performing 29 songs… then the came back for a six song encore… then another seven song encore…. and finally a last three song encore. The sound was amazing, and the band was brilliant. An amazing evening with a stellar crowd, at a historic venue, all for a very worthy cause – it doesn’t get much better than this show…
Phantogram at Fox Theater | Oakland, California | 2/20/2014 (Concert Review + Photos)
“We love you so much… you’re so beautiful! We’ve been playing San Francisco for years and years and years, and every time we come back here, you’re so fucking great and it’s so fucking fun…” Sarah Barthel, standing beside long time collaborator Josh Carter, both of whom seemed moved at times by the enthusiastic crowd that sold out the Fox Theater in Oakland for Phantogram’s debut show touring their latest album, Voices, which hit the streets earlier this week. Joined on stage by Chris Carhart on drums and Nick Shelestak on keyboards, the band put on an amazing show with a fantastic ability to recreate their unique studio sound live on stage, which was itself bathed in a pulsating light show that suited their songs well. This is definitely one of the must see tours of the year – really brilliant performance of their incredibly unique music and fantastic new album.
The Pack A.D. at Brick & Mortar Music Hall | San Francisco, California | 2/5/2014 (Concert Review + Photos)
“It started off really nice today, and then just went to rain, and that is a Vancouver day as well, so I feel like I’m at home…”, In-between songs, The Pack A.D.’s Maya Miller, drummer and chattier of the Canadian garage rock duo just before singer/guitarist Becky Black threw down the familiar opening guitar riff for “Big Shot” off of their stellar new album, Do Not Engage. The pair played through quite an extensive setlist at Brick & Mortar Music Hall Wednesday night, but they play their songs probably twice as fast at the typical band, so the blazing set was over sooner than all in attendance might have hoped. The dimly lit venue was truly electrified by their blazing music, and they are armed with fantastic songs that seem crafted to be played live. I just discovered this band last month with the release of their fourth studio album, and absolutely love Do Not Engage. Now, having seen them play live, they have made me a fan. Amazing show, and I’d personally seek them out if they roll into a town near you…
Frankie Rose at Rickshaw Stop | San Francisco, California | 2/4/2014 (Concert Review + Photos)
You know you are at interesting show when the singer asks, in-between songs, for the audience to shout out their favorite taquería on the count of three. Frankie Rose, singer-songwriter of the band of the same name, has roots in San Francisco, and packed Rickshaw Stop on Tuesday night with her special retroesque mix of fuzzy guitar and synth dream pop. Supporting her latest album, Herein Wild, the set included a mix of old and new, which illustrated the evolution of her sound. All in all an excellent show…
Little Boots with MNDR at The Independent | San Francisco, California | 9/24/2013 (Concert Review)
“Are you up for a rave? Do you have raves in San Francisco on a Tuesday?” Victoria Christina Hesketh, AKA Little Boots, leading into “Broken Record”, the thumping lead single from her highly acclaimed second studio album Nocturnes, which was released in May. A natural performer, Little Boots certainly brought a special mix of charisma and energy to the stage to power her amazing music, building on Amanda Warner of MDNR’s blazing opening set within the intimate setting of The Independent. Definitely a great night of contemporary electronic synthpop as Little Boots kicks off her world tour running through the end of the year.
GROUPLOVE “Seesaw Tour” (Night 1 “Heavy”) at The Independent & (Night 2 “Light”) at The Chapel | San Francisco, California | 9/14/2013 & 9/15/2013 (Concert Review)
“We do it for love, sweet love…” Fittingly, the final words sung on stage both Saturday and Sunday night in San Francisco by GROUPLOVE, from their hit song, “Colours”. Playing back-to-back shows as part of their special run of their “Seesaw Tour”, performing at two small venues in select cities, doing one traditional show and one acoustic-style show, each night featured a different kind of show, almost as if seen, heard, and felt through a kaleidoscope that shifted not just night to night, but within each show. GROUPLOVE is a band with probably the best energy of anyone playing today – such joy and positivity beaming not just from the speakers at the venues, but from the artists themselves – their expressions and jumping around, and interactions with the audience. The funny thing is that the audiences and shows kind of played counter to expectations, with the “heavy” night at The Independent skewing older and more mellow and the “light” night at The Chapel being much more youthful and boundless, which seemed to fuel the band into rocking their acoustic instruments on the tiny stage, which could barely contain them. Two incredible shows that delivered well beyond expectations.
The Cure “The Great Circle Tour” at Neal S. Blaisdell Arena | Honolulu, Oahu in Hawaii | 7/30/2013 (Concert Review)
Playing on stage for nearly three and a half hours, with just two 2-minute breaks and almost no in-between song chit chat, The Cure was all about songs and performance at the Neal S. Blaisdell Arena in Honolulu, Oahu last night, making the legendary band’s first ever concert in Hawaii maybe one of the best for those lucky enough to score tickets at the sold out arena. Last night’s rocking show was all about fan service, from the sprawling 38-song set list to the special meet and greet opportunity for those who were able to get one of the coveted front row seats on the floor; the decades old group that is impossible to categorize played a dream set of many of their seemingly endless catalog of hits, spanning their entire career. Though they’ve been one of my own favorite bands since the 80s, I haven’t seen them live since their Wish Tour in the early 90s. I’ve been to over 60 concerts so far this year and with that probably have seen sets by well over 100 artists, and I would definitely rank this as one of my Top Three shows so far in 2013. Having traveled special to the islands for this special concert event – part of their “The Great Circle Tour” – it was definitely more than worth it as it was an unforgettable experience.
Daryl Hall and John Oates at Mountain Winery | Saratoga, California | 9/18/2012 (Concert Review)
An ongoing personal tradition of mine, I have made a commitment to try to see Daryl Hall and John Oates perform live every year, preferably at my favorite venue – Mountain Winery in Saratoga – and am happy to have been a part of that event again last night. As readers of the Rock Subculture Journal would likely surmise, music from the 80s is the foundation for my love of popular music, and among all those wonderful artists that were highly prolific in those times, I would personally rate Hall and Oates among the very top. Billboard Magazine rates them as the number one duo of all time for very good reason – they are simply brilliant songwriters, and have published seemingly endless hits, and their live shows are some of the best I’ve experienced. Last night I had a great vantage point from which to take it all in.
Styx at Thunder Valley Resort and Casino | Lincoln, California | 9/6/2012 (Concert Review)
Last night I had an opportunity to see Styx perform at Thunder Valley Resort and Casino in Lincoln, California. Really quite the performance… it’s rare these days when a band comes onto the stage, sans opening act, and just let’s it rip, and has the audience from the first riff. Given that the band, born in Chicago, has been around since the 70s, they obviously have a stellar catalog of work to choose from, and the set tonight spanned everything from their more anthemic rock to popular hits on the ballad side, showing a real versatility in their musical style as well as an unusually democratic (small “d”) sharing of their various talents, and (quite literally) the spotlight. It is obvious that these guys love to perform, feed off their audience, and seem to play together well, and really appear to enjoy their music and playing it live – together – to an enthusiastic crowd. And given some back and forth, and my interview with Lawrence Gowan leading up to the show, and, well, just looking around within the amphitheater (which at least appeared to be completely sold out), their audience today very much spans many, many generations, with old and new fans alike just soaking in some genuine rock and roll. Styx really delivered, and it was an awesome performance, from beginning to end. [Read more…]
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