I had an opportunity to spend a couple of days with Clive Farrington, to see what is going on with the former front man and lead singer of the popular 80s band, When In Rome. On the itinerary was sitting in on a rehearsal with his new band prepping for 2015, checking out the New Wave Bar & Restaurant in Bellflower for Danny Sanchez’s birthday (“70s Disco Night”), and a few days later attending their special charity concert at Hogue Barmichael’s in Newport Beach, which benefited the Orangewood Children’s Foundation.
Clive Farrington, former lead singer of When In Rome at Hogue Barmichael’s | Newport Beach | 12/6/2014 (Rehearsals & Concert Review + Photos + New Wave Bar)
Peter Hook & The Light Performing New Order’s “Low-Life” and “Brotherhood” (with Moby) at The Fonda Theatre | Hollywood, California | 11/22/2014 (Concert Review + Photos)
“And that’s how you play The Perfect Kiss!” An emphatic Peter Hook, currently touring as Peter Hook & The Light (formerly of Joy Division and New Order) – rock and roll’s greatest bass player – is apparently a skilled mind reader as well, as he pulled that quote right out of my head to shout back through his microphone after playing the best rendition of the classic song that I’d ever heard. Hooky and his band are in 2014 touring New Order’s third and fourth albums (Low-Life and Brotherhood, respectively) in their entirety, having done the same in 2013 with the first two (Movement and Power, Corruption & Lies). As an added bonus with each of these outings, they open for themselves as Slaves of Venues with dedicated Joy Division sets, which collectively makes for quite a substantive and lengthy set of shows each night. At The Fonda Theatre in Hollywood Saturday night, the dedicated fans in attendance were also treated to a surprise guest appearance on stage for the encore, with none other than Moby coming out to perform vocals for the first two songs of that set to close out the evening. All and all, with a show kicking off around 9:30 PM and going until 12:30 AM, it was three solid hours of celebration for fans of Joy Division and New Order. It was certainly one of those special shows were the venue, artist, and fans all clicked perfectly to make for a very memorable experience and a blazing hot and awesome show by a legendary artist and performer, who in my opinion is the heart and soul of New Order keeping the most authentic live performance of their music alive for old and new fans.
Watch Original Prop Blog’s Exclusive Interviews with Colin Cantwell on Star Wars Prototypes/Concept Art in 1974/75, The Apollo XI Moon Landing, 2001: A Space Odyssey, Close Encounters of the Third Kind, WarGames, and More
As readers may or may not know, I own and operate the sister site to the Rock Subculture Journal, the Original Prop Blog. Founded and launched in 2007, my Original Prop Blog site is all about film and television and important pop culture artifacts – finding them, authenticating them, preserving them, and everything that goes on in that specialized art market. Today I have published a world exclusive feature that shares my video interviews with Colin Cantwell, who worked on many important movies and TV shows like Star Wars: A New Hope, 2001: A Space Odyssey, Close Encounters of the Third Kind, WarGames, Battlestar Galactica, and Buck Rogers in the 25th Century. He is well known as the creator of the key ships and vehicles from Star Wars (like the X-Wing Fighter, the Y-Wing Fighter, the Tie Fighter, the Star Destroyer, the Death Star, the Landspeeder, the Sandcrawler, the Millennium Falcon, and the T-16 Skyhopper) by way of the prototype models he created for George Lucas back in 1974/1975. But no one has really talked with him about his work since, so he has until now remained somewhat of a mystery to fans. As it ends up, prior to doing those prototype models, he created concept art that has been lost to the “public record” for the film series until now… [Read more…]
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Peter Hook. Peter Hook is a founding member of Joy Division and New Order, and next week embarks on his latest tour as Peter Hook & The Light, covering the third and forth New Order albums, Lowlife (1985) and Brotherhood (1986), in full. Last year, he and his band covered the first two New Order albums and my review of that tour can be found in a separate article (see: “Peter Hook & The Light Performing New Order’s “Movement” and “Power, Corruption & Lies”…).
Kitten, Jessica Hernandez & The Deltas, Bomba Estéreo at Cargo at the Whitney Peak Hotel | Reno, Nevada | 9/4/2014 (Concert Review + Photos)
“I wanted to give a shout out to the other bands that played tonight; weren’t they all so hot? I was like, ‘damn, I got some work to do tonight – those bitches were hot!’” Kitten’s Chloe Chaidez giving props to the other two amazing bands sharing the stage with her at Cargo at the Whitney Peak Hotel Thursday night, which also featured Jessica Hernandez & The Deltas and Bomba Estéreo. Kind of a triple headliner show, each act put on incredible sets with tons of energy, with the awesome lighting and sound at the Cargo giving them a lot to work with to showcase their unique approaches to their music. As this was all filmed by PBS member station’s KNPB, each set will be an episode of the upcoming television series, Cargo Live at Whitney Peak Hotel, due to start airing early next year.
MØ with Erik Hassle at Popscene at Rickshaw Stop | San Francisco, California | 6/3/2014 (Concert Review + Photos)
The Popscene concert at Rickshaw Stop on Tuesday night was one of those rare shows that was very surprising (in a good way). Danish singer-songwriter MØ (Karen Marie Ørsted) headlined the night that featured Swedish singer-songwriter Erik Hassle supporting, and both put on stellar performances, with awesome bookend DJ sets by Aaron Axelsen. Candidly, I was not familiar with either of these young artists until recently, and I would mark the night as one of the best concerts I’ve attended so far in 2014. MØ and Erik Hassle should be on the pop culture watch list as ones to expect big things from in the future.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Erik Hassle. He released his latest work as an EP, Somebody’s Party, which debuted earlier this year. He is also one of the songwriters for the current single, co-featuring Rihanna, “Can’t Remember to Forget You“. Erik is just finishing up his U.S. tour with MØ, and took time before his concert at Popscene at Rickshaw Stop last night to participate in this interview. The full concert review with photos from the live show can be found in my separate article (see: “MØ with Erik Hassle at Popscene at Rickshaw Stop | San Francisco, California | 6/3/2014″).
The Invisible Lighthouse – A Film and Live Performance by Thomas Dolby at Crest Theatre | Sacramento, California | 11/23/2013 (Concert Review)
“It’s a happy and a sad occasion…” Thomas Dolby talking about his last stop at Creat Theatre in Sacramento last night, in his preface to “performing” his very personal documentary film, The Invisible Lighthouse Tour. Really a film unlike any I’ve ever experienced, it was just that – an experience. Dolby has been a pioneer in pop culture from his very beginnings, well known for his 1982 New Wave hit, “She Blinded Me With Science” among a number of other accomplishments in and out of music. Dolby’s partner on the stage, Blake Leyh, produced some amazing “analog”, impressionistic sound effects during the film, which Dolby scored and narrated, which made it clear that each performance of his film has been quite unique and different. A real pioneer in the arts, Dolby certainly has consistently blazed his own path, and after hearing his candid thoughts throughout the event, it would seem that he operates in a bit of a pop culture bubble, and looks to technology to find new ways in which to create meaningful art and vehicles for expression, and currently he is inspired by the ability today to make powerful films, sans Hollywood budgets and crews. The result is something that literally has to be experienced in a theater, and hopefully this event is truly not the last for The Invisible Lighthouse.
Charli XCX’s first U.S. headlining tour kicked off this past week, making an early stop in San Francisco at Slim’s last night to a dedicated and enthusiastic young crowd. The high energy evening kicked off with opening sets by LIZ and Kitten, providing a showcase of music with three young women fronting acts with three different styles of music. While Charli has been making music and performing going back several years, she broke much wider into the pop culture consciousness in the past year with Icona Pop’s “I Love It”, which she wrote and also provided vocals to in the hit pop song. Her own music, off her debut album True Romance, is a bit more experimental and darker by contrast, which is why she gave the song to the synthpop Swedish duo for their own album. Charli has had a productive time since I last saw her opening for Santigold in the Summer of 2012, having toured with Coldplay, Paramore, Marina and the Diamonds, as well as put out a lot of new music and music videos like the recently released “SuperLove“. She is definitely one to continue to watch as she forges her own unique path through the music industry. She put on a great show last night and really seems to have grown into having a real command on the stage (with new band in tow) and has inspired and sparked the imagination of a generation of fans.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Charli XCX. She released her first studio album, True Romance, earlier this year, and is embarking on her first headlining tour of the U.S. this month. This month she also released a new song and music video for SuperLove, with plans to release a second studio album in the Spring. She took the time to call in from Stockholm this morning to participate in this interview.
“This is actually the first song we ever wrote… do you remember your first time?” Susan Ottaviano, vocalist for Book of Love, providing her introduction to “It’s in Your Eyes” halfway through their set at DNA Lounge in San Francisco last night, one stop in a handful of California dates this month. The New Wave synthpop band from Philadelphia, which was formed more than 30 years ago, have started working together and recording together again, and these special concerts are a part of that rebirth for the group. Based on the packed nightclub and enthusiasm of the crowd, they are not forgotten, and there was a large fan base in attendance, many of whom traveled special for the relatively intimate show. As the style of music that they helped to develop back in the 80s gains in popularity today, it is exciting to see the band active and killing it on stage as if they’ve been active all along, rather than reuniting. Hopefully it will mark the start of more to come.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Chloe Chaidez of Kitten. Chloe is the singer and driving force in the very young band that has been blowing up the music industry with their high energy live shows and interesting blend of musical genres. They will be supporting the upcoming Charli XCX tour, which has recently been rescheduled. Kitten just released their new EP, Like A Stranger.