“…for those of you who haven’t been with us for twenty years, ‘welcome’. Thank you for listening, and thank you for connecting with us.” Shirley Manson of Garbage, talking about young people reaching out to the band, some of whom maybe weren’t even alive 20 years ago when they released their eponymous debut album. 20 years later, “connecting” has taken on a whole new meaning than it had in the mid-90s, as the Internet bounds us together in various forms and interfaces. This new tour is all about that landmark and somewhat counter culture album, Garbage, which came out in deluxe, remastered, reissue versions spanning three SKUs across multiple formats on October 1st. The “Super Deluxe Edition” features a whopping 62 tracks, including all of the B-Sides and remixes and demos galore. The “20 Years Queer Tour” is a celebration of that album, playing the whole thing front to back with B-sides sprinkled within, as well as a few songs from later albums and eras. The sold out show at the Fox Theater in Oakland on Wednesday night largely had a party-like atmosphere, as some fans spent the day waiting in line or participating in the Adventures in Wonderland add-on packages (which included swag, sound check viewing, meet and greets with the band, early entry into the venue, etc.). Having turned out for several of the band’s shows as they’ve made their comeback in recent years, they seem to kill it in concert more and more, and the trend continues with this tour, as they stand with confidence on stage, bathed in red-hued lights and performing over a sea of mostly black attire clad fans with the occasional pink feather boa as added flair. Even though they are looking backwards for this tour, they continue to move forward and it is an exciting time to be a fan of this band, who continue to reach up for their full potential. [Read more…]
“Oakland, I want to see you go fuckin’ crazy!” One of a set of similar sentiments shouted by Charli XCX throughout her high energy performance at the Fox Theater in Oakland on Thursday night, along with co-headliner Bleachers in their “Charli and Jack Do America” tour, though the latter had already whipped the crowd into a frenzy before she even had a chance to take the stage. At only 22 years only, Charli XCX has had a remarkably long and prolific career thus far, and in her ongoing evolution of her unique and varied brand of music, she has veered solidly into the pop diva lane of the genre highway. It was an interesting pairing of artists, with New Jersey-born Jack Antonoff from Bleachers building and building their own set with anthem-driven pop/rock songs that are catchy and captivating (even on first listen), contrasted against England’s Charli XCX pushing sexually-fused tunes with saccharine pop choruses. As a dual headlining show, each artist seemed to bring out a different crowd, though all skewed younger. Most certain is that each artist – though having respectively accomplished much already – will certainly continue to grow and evolve in the coming years. [Read more…]
Garbage is celebrating two decades since the release of their self-titled debut album with a U.S. tour coming in October. The “20 Years Queer Tour” will see the alternative band playing their first album in its entirety. That debut was released on August 15th, 1995, and included hits such as “Queer”, “Stupid Girl”, “Vow”, and “Only Happy When It Rains”. The album went on to sell more than four million copies worldwide and garnered three Grammy Award nominations. Leading up to the tour, the band will release a special remastered 20th Anniversary Edition of Garbage which will include remixes and previously unreleased versions of some of the songs. [Read more…]
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Darryl McDaniels, best known as DMC with Run-D.M.C. (he prefers to be called “D”). D was a featured guest at Sac-Con in Sacramento this past weekend, promoting his authentic foray into the comic book publishing world with his new independent publishing company DMC (Darryl Makes Comic) Comics and its first series, DMC, with his collaborator Edgardo Miranda-Rodriguez. I met up with D at his hotel following the concert to sit down to talk about his latest work, his past, accomplishments, and his thoughts on a variety of topics related to his life, work, and influence on pop culture.
I am humbled to be the cover feature of the latest issue of the Monterey County Weekly. I gave them an interview in conjunction with my concert photography exhibition at The Press Club in Monterey this month. The exhibition opening and grand opening of The Press Club will be held Friday, January 16th, and also feature a live performance from Down and Outlaws, who recently performed with Reignwolf. [Read more…]
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. The first guest for 2015 is Dick Dale, a legend in music, regarded as both “The King of the Surf Guitar” and the “Father of Heavy Metal”. Now 77 years old, Mr. Dale is well known to younger generations for his 1962 song, “Misirlou”, which was used by Quentin Tarantino as the title track in his film, Pulp Fiction.
I had an opportunity to spend a couple of days with Clive Farrington, to see what is going on with the former front man and lead singer of the popular 80s band, When In Rome. On the itinerary was sitting in on a rehearsal with his new band prepping for 2015, checking out the New Wave Bar & Restaurant in Bellflower for Danny Sanchez’s birthday (“70s Disco Night”), and a few days later attending their special charity concert at Hogue Barmichael’s in Newport Beach, which benefited the Orangewood Children’s Foundation.
“And that’s how you play The Perfect Kiss!” An emphatic Peter Hook, currently touring as Peter Hook & The Light (formerly of Joy Division and New Order) – rock and roll’s greatest bass player – is apparently a skilled mind reader as well, as he pulled that quote right out of my head to shout back through his microphone after playing the best rendition of the classic song that I’d ever heard. Hooky and his band are in 2014 touring New Order’s third and fourth albums (Low-Life and Brotherhood, respectively) in their entirety, having done the same in 2013 with the first two (Movement and Power, Corruption & Lies). As an added bonus with each of these outings, they open for themselves as Slaves of Venues with dedicated Joy Division sets, which collectively makes for quite a substantive and lengthy set of shows each night. At The Fonda Theatre in Hollywood Saturday night, the dedicated fans in attendance were also treated to a surprise guest appearance on stage for the encore, with none other than Moby coming out to perform vocals for the first two songs of that set to close out the evening. All and all, with a show kicking off around 9:30 PM and going until 12:30 AM, it was three solid hours of celebration for fans of Joy Division and New Order. It was certainly one of those special shows were the venue, artist, and fans all clicked perfectly to make for a very memorable experience and a blazing hot and awesome show by a legendary artist and performer, who in my opinion is the heart and soul of New Order keeping the most authentic live performance of their music alive for old and new fans.
As readers may or may not know, I own and operate the sister site to the Rock Subculture Journal, the Original Prop Blog. Founded and launched in 2007, my Original Prop Blog site is all about film and television and important pop culture artifacts – finding them, authenticating them, preserving them, and everything that goes on in that specialized art market. Today I have published a world exclusive feature that shares my video interviews with Colin Cantwell, who worked on many important movies and TV shows like Star Wars: A New Hope, 2001: A Space Odyssey, Close Encounters of the Third Kind, WarGames, Battlestar Galactica, and Buck Rogers in the 25th Century. He is well known as the creator of the key ships and vehicles from Star Wars (like the X-Wing Fighter, the Y-Wing Fighter, the Tie Fighter, the Star Destroyer, the Death Star, the Landspeeder, the Sandcrawler, the Millennium Falcon, and the T-16 Skyhopper) by way of the prototype models he created for George Lucas back in 1974/1975. But no one has really talked with him about his work since, so he has until now remained somewhat of a mystery to fans. As it ends up, prior to doing those prototype models, he created concept art that has been lost to the “public record” for the film series until now… [Read more…]
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Peter Hook. Peter Hook is a founding member of Joy Division and New Order, and next week embarks on his latest tour as Peter Hook & The Light, covering the third and forth New Order albums, Lowlife (1985) and Brotherhood (1986), in full. Last year, he and his band covered the first two New Order albums and my review of that tour can be found in a separate article (see: “Peter Hook & The Light Performing New Order’s “Movement” and “Power, Corruption & Lies”…).