“I try to think about tomorrow, but I always think about the past… about the things that didn’t last… if I could go to the beginning, then for sure I would be another way… make it better for today…” Pixies (the “loud quiet loud” band) are a quiet band on stage in-between the generally quick songs, so we are left with the music, and the lyrics within, to try to figure out what is going on with them. It was less than one month ago that they released their sixth studio album – their second without founding bass player and vocalist Kim Deal – and their first with new full-time member Paz Lenchantin. The new album serves as fuel for this tour, with just four rare dates in Calif0rnia this month as prelude to many shows across Europe, England, Australia and New Zealand, keeping them busy until early next year. So it was interesting seeing them and hearing some of their new music performed at Ace of Spades in Sacramento on Wednesday night. The Pixies in Sacramento. A rare thing indeed. One of my all-time favorite bands playing in the city where I was born, and where I first saw the band way back in 1990, about a quarter of a century ago. A different time. So much has changed, but so much about the band remains the same. I’ve taken the new album, Head Carrier, for a spin and those lyrics above stuck with me. Interestingly, the vocals on that particular song are delivered by Paz, who is no Kim soundalike (on vocals or bass), though obviously the message in those lyrics is for Kim. So the Pixies in 2016 is older, mature, different… and the band is at once both old and new; looking backwards and forwards. The album sounds quite different from everything that came before (even 2014’s Indie Cindy). And I think that the sentiments expressed in that song, “All I Think About Now”, kind of sums up this new iteration of the Pixies. With this live show, the old and the new were mixed together to create a different sort of Pixies show, giving something fresh to both new and old fans alike. But there are still those songs that carry on and remain classic to those who were with it at the time, in the band’s short-lived first incarnation in the late 80s and early 90s. The concert was a tribute to that as well.
“The aim of life is to live, and to live means to be aware, joyously, drunkenly, serenely, divinely aware” – Henry Miller. Black Francis (AKA Frank Black, AKA Charles Michael Kittridge Thompson IV) had nothing really to say to the sold out crowd of about 300 lucky fans at the amazing show at Henry Miller Memorial Library in Big Sur Tuesday night, but as an artist, he’s had plenty to say with his music over the years. And 2013 and 2014 mark the big comeback for the band, with their EP-1, EP-2, and EP-3 (with four tracks a piece) collectively comprising their first new album in over 20 years. Pulled together, their latest – Indie Cindy – somehow captures the sound and vibe of their pioneering work in the late 80s and early 90s, but with a contemporary vibe (though some would argue they were decades ahead of things back in the day). Currently playing live dates with their current touring bassist, Paz Lenchantin brings great energy, warmth, and sex appeal to the band which still features original guitarist Joey Santiago and drummer David Lovering, in addition to Black Francis at the helm of things. I’ve marked Pixies as one of my favorite bands since high school, and have seen them many times going back to the late 80s, and I’d have to say that not only was the show in Big Sur this week the best I’ve seen, it will probably go down as the best Pixies concert I will ever see. A sublime mix of venue, crowd, and energy, it was nothing short of magnificent. And since the two shows I saw in Los Angeles last year and Oakland a few months ago, it would seem that the band has come into their best groove ever, going without setlists and employing some keen (though at times glitchy) psychic powers among themselves. Like what Henry Miller was getting at, this is a group that is aware on many different levels…
Black Francis (AKA Frank Black, AKA Charles Michael Kittridge Thompson IV) usually has little to say to an audience during a Pixies concert, and unless I missed it, he had nothing to say to the sold out crowd at the Fox Theater in Oakland last night. The music he crafted with his band, originating in the late 80s, still sounds ahead of it’s time, and rocks harder than most of the material put out by bands yesterday and today. Yet in true anti-rock star style, after casually coming onto the stage Friday night and giving the crowd a friendly wave hello, Black Francis realized his shoe was untied and propped his foot up on the drum kit to rectify the situation before kicking into “Bone Machine”. The band has one of the best collections of songs for a band with such a short lifespan in its original incarnation (1986-1993, more or less). I personally love every song on their five studio albums, save one or two. As most are fairly short, some are played even faster live, so a Pixies concert always feels like some kind of a race of sorts to the end, and thus the chit chat engaged in by some artists is skipped over completely with the Pixies, though they always have a surprise or two none the less. The most unexpected moment with their stop in Oakland was the apparent lack of a set list, and after a satisfying encore, the house lights came up, band still onstage with fans exiting in a hurry, only to have the quartet break into a frenetic and rocking version of “Planet of Sound”, with house lights still up throughout. Funny enough, I asked the sound and light crew at the mixing board in the back about this when the show finally (finally) came to a close, and even they were surprised. In any event, a stellar show put on by one of my favorite bands of all time, played to a fascinating mix of fans old and new (some of the latter of which weren’t even born during their first run in the late 80s and early 90s). A true celebration of some of the best music of my generation. They’ve still got it. [Read more…]
2013 is maybe the best year since the early 90s to be a Pixies fan. Interestingly, having been in attendance now at the first two of three consecutive shows this week at El Rey Theatre in Los Angeles (and a fourth coming right after at the Mayan Theatre), the crowd overall skewed very young, which really underscores my long held belief that the Pixies were way, way, way ahead of their time, and also had bad timing (maybe in an alternate universe they could have had Nirvana-sized mainstream success). In any event, as I’ve often referenced in countless articles here on the Rock Subculture Journal, the Pixies are solid in my Top Three favorite artists of all time. Before going into recent and ancient history, the big question those reading this are probably wondering is, ‘how were these shows?‘ The short answer is, absolutely phenomenal. Everything one could hope for in a Pixies concert has been present in Night 1 and Night 2. With their new touring efforts and new music (music that is on par with their classic material), it is an awesome time to be into the Pixies, whether you were around back in the day or not. A time to celebrate, and the band and the fans all brought the party to El Rey Theatre this week.
As reported recently, there has been a lot of news coming from one of my all-time favorite bands, The Pixies, who will be playing four special concert dates in Los Angeles next week at El Rey Theatre and Mayan Theater, with new bass player Kim Shattuck. Last month The Pixies released one new song (as a free MP3 download) and two versions of a music video of the same (Ver 1, Ver 2). This week The Pixies have released EP-1, a new 4-track EP with all new material written by The Pixies and recorded at Rockfield Studios in the UK almost a year ago with producer Gil Norton. They have special artwork for the EP created by Vaughan Oliver. Full details can be found here: http://newpix.es/ep1 [Read more…]
There has been a lot of news coming from one of my all-time favorite bands in the past two weeks, with the Official PIXIES Statement on founding member and bass player/vocalist Kim Deal’s departure from the band, Friday’s surprise release of a new song, “Bagboy” (with music video and free MP3 download of the track), the discovery that the backing vocals that sound like Kim Deal is actually the voice of Black Francis friend Jeremy Dubs, and tonight the announcement of Kim Deal’s replacement (Kim Shattuck from The Muffs) and a new World Tour with dates in Europe and the UK. [Read more…]