“Two words to introduce this next song! Two words! Two words to introduce this next song! Two words to introduce this next song!” Billy Idol getting the sold out crowd of nearly 3,000 screaming, fist pumping fans shouting “Rebel Yell” at the opening night of Grand Sierra Resort’s new Grand Theatre. I can’t imagine a better way to launch a high end new concert venue than having none other than Billy Idol kicking off a new tour of his own on the vast stage built on the $10 million dollar renovation of the live music space. Billy Idol has been building on his own career and accomplishments of late, with 2014’s awesome new album Kings & Queens of the Underground (the first in nine years) and bestselling Dancing With Myself autobiography. In the midst of a resurgent mainstream interest in all things Billy Idol, he seems to be as popular as ever. Alongside his incredible band, they’ve put together probably their best live show ever with this tour. It also clocked in as the longest show I’ve seen, at around two hours. I’ve always noted this band as one of my all-time favorite live shows, and I’d have to say that this was the best I’d ever seen them. I’ve always complimented Idol on his boundless and limitless energy and he seems to have reached a new high with this show and tour. He is at once an icon and an enigma, as he continues to evolve his style while retraining his trademark lip curl and tongue in cheek uncensored gestures, looks, and poses. And one can’t neglect to mention Mr. Steve Stevens on lead guitar, who could put the audience in a trance even if he stood alone on the stage – one of the best guitarists performing today, if not the very best. If you haven’t been to a Billy Idol concert lately, you haven’t seen him and his band at all, as they are better than they’ve ever been, and that is saying a lot.
Depeche Mode has been my favorite band since Black Celebration came out, so when I came across the new of this special DJ set show at SOhO Restaurant & Music Club in Santa Barbara, I was excited for an opportunity to see the man behind some of my all-time favorite songs express himself in a completely different setting. Part of SOhO’s 20th Anniversary Fundraising Show Series, it did not disappoint. Martin Gore played his unique style of live music for around two hours. It was amazing to see the man at work, and being close enough to see his own facial expressions reacting to his own music.
Garbage is celebrating two decades since the release of their self-titled debut album with a U.S. tour coming in October. The “20 Years Queer Tour” will see the alternative band playing their first album in its entirety. That debut was released on August 15th, 1995, and included hits such as “Queer”, “Stupid Girl”, “Vow”, and “Only Happy When It Rains”. The album went on to sell more than four million copies worldwide and garnered three Grammy Award nominations. Leading up to the tour, the band will release a special remastered 20th Anniversary Edition of Garbage which will include remixes and previously unreleased versions of some of the songs. [Read more…]
Heavy metal rock star and filmmaker Rob Zombie is offering fans a chance to bid on original movie props and costumes from his films, including Halloween 2 and Lords of Salem. There is a minimum bid of only $300 on each lot. In addition to authentic movie memorabilia are other opportunities, such as meet and greets during his upcoming tour and autographs. The crowdfunding campaign is scheduled to end on May 10th at midnight. Proceeds will go toward funding his next film, 31. [Read more…]
“Halloween is so brilliant though, isn’t it? ‘Cause everyone can dress up; be what they want to do… nobody is like judging you at all for how you look or anything or what you’re doing or who you’re with, blah, blah, blah …” Andy Bell of Erasure on Halloween at the Pearl Concert Theater at Palms Casino Resort in Las Vegas. Certainly an interesting combination of band, date, and city to be sure. As the more extroverted of the duo, Andy came dressed in a sort of skeleton costume with accompanying face paint that has some resemblance to the cover art of their latest album; Vince Clarke, set back from the front of the stage and back to one corner, I don’t think said anything all night, and was dressed in more business-style attire (though he had the aforementioned art one his laptop lid. However the two contrasting personalities found one another for their journey into music that has gone on for nearly three decades, the magic worked in the beginning and continues to do so today. This was definitely an interesting (in a great way!) night on many levels. I had an opportunity to meet Vince Clarke and Andy Bell from Erasure via the special tickets made available through their PledgeMusic campaign for that newest latest album, The Violet Flame. The aptly named Violet Flame Tour included a number of those new songs mixed into the set, as well as a lot of their many, many hits and favorites. I got the sense that it was a different sort of show for this series of shows, and I’m happy that I got a chance to experience this new music and tour.
2014 and 2015 are shaping up to be epic for fans of Billy Idol, starting with the Dancing With Myself autobiography, hitting stores and online retailers tomorrow. Today is the last day to pre-order for an entry into the Dancing With Myself Sweepstakes, and today is the first day of a limited number of book signings in the United States and the United Kingdom throughout October. In just a few weeks, on October 21st, the first new Billy Idol studio album in some time, Kings & Queens Of The Underground, will drop. The new single, “Can’t Break Me Down”, is already available. While UK and European concert dates were announced for November some time ago, today North American dates were announced for January and February 2015, including special meet and greet tickets. [Read more…]
“In the spirit of toasting, here’s a song by Paul McCartney…” Nancy Wilson of Heart giving an appropriate intro to their cover of the Wings song, “Let Me Roll It”, from 1974, with her sister Ann sharing the stage in the wonderful atmosphere at Mountain Winery in Saratoga last night. This was one of several cover songs performed, though the rest were Led Zeppelin songs for their encore. I’ve saw Heart twice last year, and they always deliver with stunning performances and are truly as great as they’ve ever been. In addition to their own vast and growing (with last year’s Fanatic) catalog, they’ve also in some way become the caretakers of keeping Led Zeppelin songs alive and well (in addition to Jason Bonham’s own Led Zeppelin Experience, which toured with them last year). Who else but Ann Wilson can give epic delivery of those vocals, and yet with her own trademark style? But of course fans turn out to hear Heart songs first and foremost, though they only played one song off the new album, “Mashallah” (which Ann said drives her into the stratosphere). Each time I see them, the familiar songs sound a bit different, as though they find new and innovative ways to translate them into a live experience. In any event, they put on a fantastic show in a gorgeous venue, so it was a wonderful celebration of them and their great music (as well as a tribute to some other greats in music).
It was one year ago to the day that I saw Pet Shop Boys and their Electric Tour in San Diego… and while the “show” was mostly the same on this 2014 tour, kicking off at Fox Theater in Oakland, my own personal experience was worlds apart. The actual concert itself was the same as last year’s, with the exception of I think just one change to the setlist, but that is actually a good thing – why mess with near perfection? While there are a few favorites of mine I would have loved to have heard, the highly prolific duo have been making hits for over three decades now, so there will always be some songs that aren’t going to make the cut for every tour. As with last year, the avant-garde stage production is of the highest order, with credit also due to Stuart Price with his music production and programming, Creative Director/Designer Es Devlin and Stage Director/Choreographer Lynne Page, the two colorful dancers (Merry Holden and Tom Herron) with their interesting costumes and stage presence, and many others behind the scenes. This show was their first of 2014, and at one point Neil even confessed to having some nerves in coming back on the stage, but his voice and delivery was spot on, and the blending of old and new music maybe even works better the second time around. It was one of my favorite shows last year, and it was great to revisit it as well as share it with someone very special in my life this time around – it is a concert that I will never forget (more on that later)!
“…I thought, ‘you know, there’s no better translator of Black American Blues than a middle-class, 16 year old Australian white child’.” Part of Rick Springfield’s storytelling in-between songs, it was apparent early on that not only has he led an interesting life, but he has real depth as well as a self-deprecating sense of humor. Though he is best known for that one big 80s hit (“Jessie’s Girl”) and acting on General Hospital as Dr. Noah Drake, he is a great storyteller and certainly a real artist with some great music and a knack for bringing it alive in a special way in an intimate venue. The highlight of the night for me was his very personal rendition of “My Father’s Chair”, a song about the loss of his dad many years ago. It’s rare to see an artist connect with such a powerful song on stage, and present such vulnerability to an audience. This set of solo shows is definitely well worth checking out, and in many ways more compelling than the traditional, full band rock show, as Rick Springfield has a lot of storytelling in him, in both personal accounts from his life as well as his music.
“It’s a happy and a sad occasion…” Thomas Dolby talking about his last stop at Creat Theatre in Sacramento last night, in his preface to “performing” his very personal documentary film, The Invisible Lighthouse Tour. Really a film unlike any I’ve ever experienced, it was just that – an experience. Dolby has been a pioneer in pop culture from his very beginnings, well known for his 1982 New Wave hit, “She Blinded Me With Science” among a number of other accomplishments in and out of music. Dolby’s partner on the stage, Blake Leyh, produced some amazing “analog”, impressionistic sound effects during the film, which Dolby scored and narrated, which made it clear that each performance of his film has been quite unique and different. A real pioneer in the arts, Dolby certainly has consistently blazed his own path, and after hearing his candid thoughts throughout the event, it would seem that he operates in a bit of a pop culture bubble, and looks to technology to find new ways in which to create meaningful art and vehicles for expression, and currently he is inspired by the ability today to make powerful films, sans Hollywood budgets and crews. The result is something that literally has to be experienced in a theater, and hopefully this event is truly not the last for The Invisible Lighthouse.