“Are you ready?” Paul Stanley of KISS getting the audience prepped to sing along with “Say Yeah”, a song off of their 2009 album Sonic Boom. 24 studio albums (including their four solo albums), live albums and countless other impressions on pop culture at large going back to 1974, KISS have been a rock and roll phenomenon going strong for over four decades. I am not personally a KISS “fan”, so this is written from the review of someone who has been alive as long as they’ve been together, but never before attended a KISS concert. They are one of the biggest bands of all time and real icons in rock, so I finally took an opportunity to see what they’ve always been best known for – live concerts. And now having experienced it, I can say that their reputation for putting on an amazing show is well deserved. High energy, high production, and filled with many of the innovative elements that other artists have since copied over and over, it was really something to see and hear and feel. I really could not have been more impressed and I really have a lot of respect for the band and their crew that help put it all together. If you are a member of the KISS Army, you know all of this; if you are more like me and had never seen the band before, I give my highest recommendations to go and check it out. And I am glad I was able to take in my first KISS show at Grand Sierra Resort & Casino’s Grand Theatre as it is one of the best concert venues for this type of show. Everything was top notch.
Rock legends KISS will be performing at Grand Sierra Resort & Casino’s Grand Theatre in Reno on Friday, April 21st. Along with a show at Laughlin Event Center, they are the last two U.S. dates before an extensive tour abroad as part of their “Freedom To Rock” tour, which circles back to North America again in July. The iconic band have sold over 100 million records worldwide since forming in 1973, and are members of the Rock and Roll Hall of Fame. The current line-up consists of Paul Stanley, Gene Simmons, Tommy Thayer, and Eric Singer. [Read more…]
“I guess we just wanna reinforce our message of hope and new beginnings; because anything can happen, hopefully…” Susan Ottaviano speaking on behalf of her and her bandmates and a full reunion of Book of Love as preface to “Happy Day”, one of the bright and shiny songs off of their self-titled 1986 debut album. Their music is in stark contrast to a lot of the self-perpetuating negativity permeating our culture today. The band seemed to have more of an attitude about shaping the future by painting a picture of what they wanted it to be, rather than engaging in conflict. Maybe they were onto something that might come around again someday? Optimism is powerful. And San Francisco turned out for a healthy dose of it Sunday night at a sold out show at the DNA Lounge… to be part of this special concert engagement in which all four members of Book of Love performed together, with not just the original hits but new music too, in celebration of their 30th anniversary last year. [Read more…]
Book of Love continue to celebrate their 30th anniversary with two upcoming special concert dates in San Francisco and Houston this month featuring all four members: Ted Ottaviano, Susan Ottaviano, Jade Lee and Lauren Roselli. The two “reunion shows” will be held at Numbers in Houston on February 18th and at DNA Lounge in San Francisco on February 19th. [Read more…]
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Ted Ottaviano with Book Of Love. The synth pop New Wave group continue to celebrate their 30th anniversary with the release of new music as part of 2016’s “MMXVI: The 30th Anniversary Collection (Remastered)” hits album, an upcoming 2017 EP with remixes as well as live tracks from this month’s concert dates in San Francisco and Houston.
“It’s a very special evening for us, because this is the culmination of a lot of hard work… we’re about to take a month’s vacation, so tonight’s party night!” Shirley Manson of Garbage, playing before thousands at The Masonic in San Francisco, the band’s last U.S. show on their current tour (sort of, with a special one off show in Los Angeles next month). With this tour, they are supporting 2016’s new studio album, Strange Little Birds. As a follow-up tour to last year’s “20 Years Queer Tour”, we now see the band looking to the future more than reflecting on the past, though there is still some of that too, with stories about the birth of their music in the 90s and of course they are still playing those fan favorite songs and hits.
“…I learned so much that year, about the difference between dreaming and pretending. Dreaming is so important for all of us and helps us live our aspirations… but pretending is really just fooling yourself, lying to yourself so you don’t see the truth. So here’s to truth, and here’s to growing up.” Jewel, the folk/pop/country signer-songwriter, producer, poet, novelist and actress… sharing one of many life lessons she has discovered in her remarkable journey, wherein the deeply personal has at times collided with her career and success. Creating an intimate atmosphere to a sold out crowd in Grass Valley, in the unique way only Jewel can, she had everyone captivated with not only her musical gifts but her insights based on a lifetime of experiences and challenges. It was a remarkable show, and she always seems to drive each performance as though it might be her last… Not only one of our most original songwriters, but one of our most talented and gifted vocalists, performing unique renditions of her songs, new and old, that at times left the crowd stunned. Jewel put on a showcase of storytelling in the personal and captivating way in which she has built her reputation over decades now. Those timeless songs and stories and poetry readings… Jewel lives her life authentically, one moment out loud and the next softly… but real in all it’s various forms and emotions. [Read more…]
“…for those of you who haven’t been with us for twenty years, ‘welcome’. Thank you for listening, and thank you for connecting with us.” Shirley Manson of Garbage, talking about young people reaching out to the band, some of whom maybe weren’t even alive 20 years ago when they released their eponymous debut album. 20 years later, “connecting” has taken on a whole new meaning than it had in the mid-90s, as the Internet bounds us together in various forms and interfaces. This new tour is all about that landmark and somewhat counter culture album, Garbage, which came out in deluxe, remastered, reissue versions spanning three SKUs across multiple formats on October 1st. The “Super Deluxe Edition” features a whopping 62 tracks, including all of the B-Sides and remixes and demos galore. The “20 Years Queer Tour” is a celebration of that album, playing the whole thing front to back with B-sides sprinkled within, as well as a few songs from later albums and eras. The sold out show at the Fox Theater in Oakland on Wednesday night largely had a party-like atmosphere, as some fans spent the day waiting in line or participating in the Adventures in Wonderland add-on packages (which included swag, sound check viewing, meet and greets with the band, early entry into the venue, etc.). Having turned out for several of the band’s shows as they’ve made their comeback in recent years, they seem to kill it in concert more and more, and the trend continues with this tour, as they stand with confidence on stage, bathed in red-hued lights and performing over a sea of mostly black attire clad fans with the occasional pink feather boa as added flair. Even though they are looking backwards for this tour, they continue to move forward and it is an exciting time to be a fan of this band, who continue to reach up for their full potential. [Read more…]
“Two words to introduce this next song! Two words! Two words to introduce this next song! Two words to introduce this next song!” Billy Idol getting the sold out crowd of nearly 3,000 screaming, fist pumping fans shouting “Rebel Yell” at the opening night of Grand Sierra Resort’s new Grand Theatre. I can’t imagine a better way to launch a high end new concert venue than having none other than Billy Idol kicking off a new tour of his own on the vast stage built on the $10 million dollar renovation of the live music space. Billy Idol has been building on his own career and accomplishments of late, with 2014’s awesome new album Kings & Queens of the Underground (the first in nine years) and bestselling Dancing With Myself autobiography. In the midst of a resurgent mainstream interest in all things Billy Idol, he seems to be as popular as ever. Alongside his incredible band, they’ve put together probably their best live show ever with this tour. It also clocked in as the longest show I’ve seen, at around two hours. I’ve always noted this band as one of my all-time favorite live shows, and I’d have to say that this was the best I’d ever seen them. I’ve always complimented Idol on his boundless and limitless energy and he seems to have reached a new high with this show and tour. He is at once an icon and an enigma, as he continues to evolve his style while retraining his trademark lip curl and tongue in cheek uncensored gestures, looks, and poses. And one can’t neglect to mention Mr. Steve Stevens on lead guitar, who could put the audience in a trance even if he stood alone on the stage – one of the best guitarists performing today, if not the very best. If you haven’t been to a Billy Idol concert lately, you haven’t seen him and his band at all, as they are better than they’ve ever been, and that is saying a lot.
Depeche Mode has been my favorite band since Black Celebration came out, so when I came across the new of this special DJ set show at SOhO Restaurant & Music Club in Santa Barbara, I was excited for an opportunity to see the man behind some of my all-time favorite songs express himself in a completely different setting. Part of SOhO’s 20th Anniversary Fundraising Show Series, it did not disappoint. Martin Gore played his unique style of live music for around two hours. It was amazing to see the man at work, and being close enough to see his own facial expressions reacting to his own music.