“It’s a very special evening for us, because this is the culmination of a lot of hard work… we’re about to take a month’s vacation, so tonight’s party night!” Shirley Manson of Garbage, playing before thousands at The Masonic in San Francisco, the band’s last U.S. show on their current tour (sort of, with a special one off show in Los Angeles next month). With this tour, they are supporting 2016’s new studio album, Strange Little Birds. As a follow-up tour to last year’s “20 Years Queer Tour”, we now see the band looking to the future more than reflecting on the past, though there is still some of that too, with stories about the birth of their music in the 90s and of course they are still playing those fan favorite songs and hits.
“…for those of you who haven’t been with us for twenty years, ‘welcome’. Thank you for listening, and thank you for connecting with us.” Shirley Manson of Garbage, talking about young people reaching out to the band, some of whom maybe weren’t even alive 20 years ago when they released their eponymous debut album. 20 years later, “connecting” has taken on a whole new meaning than it had in the mid-90s, as the Internet bounds us together in various forms and interfaces. This new tour is all about that landmark and somewhat counter culture album, Garbage, which came out in deluxe, remastered, reissue versions spanning three SKUs across multiple formats on October 1st. The “Super Deluxe Edition” features a whopping 62 tracks, including all of the B-Sides and remixes and demos galore. The “20 Years Queer Tour” is a celebration of that album, playing the whole thing front to back with B-sides sprinkled within, as well as a few songs from later albums and eras. The sold out show at the Fox Theater in Oakland on Wednesday night largely had a party-like atmosphere, as some fans spent the day waiting in line or participating in the Adventures in Wonderland add-on packages (which included swag, sound check viewing, meet and greets with the band, early entry into the venue, etc.). Having turned out for several of the band’s shows as they’ve made their comeback in recent years, they seem to kill it in concert more and more, and the trend continues with this tour, as they stand with confidence on stage, bathed in red-hued lights and performing over a sea of mostly black attire clad fans with the occasional pink feather boa as added flair. Even though they are looking backwards for this tour, they continue to move forward and it is an exciting time to be a fan of this band, who continue to reach up for their full potential. [Read more…]
Garbage is celebrating two decades since the release of their self-titled debut album with a U.S. tour coming in October. The “20 Years Queer Tour” will see the alternative band playing their first album in its entirety. That debut was released on August 15th, 1995, and included hits such as “Queer”, “Stupid Girl”, “Vow”, and “Only Happy When It Rains”. The album went on to sell more than four million copies worldwide and garnered three Grammy Award nominations. Leading up to the tour, the band will release a special remastered 20th Anniversary Edition of Garbage which will include remixes and previously unreleased versions of some of the songs. [Read more…]
“Halloween is so brilliant though, isn’t it? ‘Cause everyone can dress up; be what they want to do… nobody is like judging you at all for how you look or anything or what you’re doing or who you’re with, blah, blah, blah …” Andy Bell of Erasure on Halloween at the Pearl Concert Theater at Palms Casino Resort in Las Vegas. Certainly an interesting combination of band, date, and city to be sure. As the more extroverted of the duo, Andy came dressed in a sort of skeleton costume with accompanying face paint that has some resemblance to the cover art of their latest album; Vince Clarke, set back from the front of the stage and back to one corner, I don’t think said anything all night, and was dressed in more business-style attire (though he had the aforementioned art one his laptop lid. However the two contrasting personalities found one another for their journey into music that has gone on for nearly three decades, the magic worked in the beginning and continues to do so today. This was definitely an interesting (in a great way!) night on many levels. I had an opportunity to meet Vince Clarke and Andy Bell from Erasure via the special tickets made available through their PledgeMusic campaign for that newest latest album, The Violet Flame. The aptly named Violet Flame Tour included a number of those new songs mixed into the set, as well as a lot of their many, many hits and favorites. I got the sense that it was a different sort of show for this series of shows, and I’m happy that I got a chance to experience this new music and tour.
“We don’t do this one often… this is awful fast; it’s awful hard…” Huey Lewis of Huey Lewis and The News giving an intro and tribute to a song they rarely play live in concert, “Hip To Be Square”. He went on to explain to the crowd at Mountain Winery in Saratoga on Saturday night that San Francisco 49ers players Joe Montana and Ronnie Lott contributed backing vocals to the song, so were performing it to support their team. Having come off of their “Sports 30th Anniversary Tour” in 2013, they are still drawing large crowds with a mix of old and new material, which seems to change show to show. Whatever the setlist, they seem to have a lot of contagious fun, and their shows always have a family affair sort of vibe. As Huey introduced his band, he mentioned that he and drummer Bill Gibson even went to middle school together. I think the spirit of all that shines through in their music (recorded and live), and it’s pretty remarkable that those relationships can endure in the music industry, when I’ve seen it completely tear other bands apart (even blood family members). They always put on an amazing concert, and Mountain Winery always serves as an awesome host, overlooking the night lights of San Jose and Silicon Valley.
I usually open my reviews with a quote from the headlining artist at a show… and I generally don’t care for audience sing-a-longs (I come to hear the artist, not drunk people that don’t know the lyrics). But Saturday night was a different, special sort of show with the perfect fans in attendance. Tom Bailey from the Thompson Twins hasn’t played live for over 25 years, and came out of retirement for the newly rebranded Retro Futura tour (which was previously operating as Regeneration Tour). I cannot emphasize enough how much I loved the Thompson Twins and their music growing up, and that I never imaged I would have an opportunity to see them perform live. So at Saturday night’s stop at Mountain Winery in Saratoga, following the awesome sets by Howard Jones, Midge Ure (of Ultravox) and Katrina Leskanich (Ex Katrina and the Waves), Tom Bailey and his fantastic new backing band absolutely blew away every expectation I had. It was as if, as a performer, he was in hibernation for the past quarter of a century and came out the same as he was in his prime to play this show. It was quite surreal. So getting back to that sing-a-long… the final song of the night was Thompson Twins’ “Hold Me Now” (which a friend of mine captured on video from the audience) and everyone in attendance was so elated to see that man performing in front of them. As the song came to an end, the entire audience was on their feet, singing the chorus. Tom looked moved by the whole thing, stopped singing in mic, pulled out his ear monitors, motioned for his band to join him at the end of the stage, and it all came to a close acapella. A beautiful thing, and I think a way for us fans to let him know that we still love him, love his music, and want him to stay. A perfect ending, and maybe new beginning. “Hold me now, warm my heart… stay with me, let loving start, let loving start…”