“This next song I’ve been singing since I first came to the USA many years ago… it still means a great deal to me. It’s called Kings of the Wild Frontier.” Adam Ant with his amazing band, in front of an enthusiastic crowd at Silver Legacy Resort Casino’s Grande Exposition Hall in Reno, Nevada. Performing artists say things like that all the time, and a jaded concert-goer might consider it mere banter in-between songs. Not so, with Adam Ant. After performing that song on Saturday night – originally released early in the New Wave era way back in 1980 – Adam Ant paused for a moment as the heartfelt accolades of the fans in the room showered over him. For some reason, I happened to capture the moment in video on my iPhone from the video screen off to the side (iPhone video snippet here), and at the time and in review again going through my notes and videos I took another look and Adam Ant has so much emotion and gratitude on his face at that moment that it’s genuinely moving to, well, feel him “feel”. He brings so much to the stage with his concert and presumably touring in general these days that I felt so fortunate to just be part of this incredible show that brings his latest North American tour to an end. It’s definitely may favorite show of 2018 thus far, and I can’t imagine anything besting the experience. Truly an icon of music and pop culture for my generation, and I firmly believe his live shows today are the best he’s ever given his fans.
“So we’re really at the very beginning of a tour that will probably go on for a year and a half… and we’re just starting to kind of realize the kind of appetite and love that is out in the world for Duran Duran… It hasn’t always been like this; you know we’ve been around for 35 years… We have a great job that we love doing…” Simon Le Bon of Duran Duran at The Grand Theatre at Grand Sierra Resort and Casino in Reno, Nevada on Friday night… taking a moment to express some gratitude to the sold out crowd before performing one of their most popular songs (not from the 80s), “Ordinary World”. Supporting their 14th studio album, Paper Gods, which Warner Bros. Music released this month, the setlist for this tour is a good representation of the phenomenal music Duran Duran have released over the past four decades. But with less than two hours to perform, the show only scratches the surface of their brilliant catalog of music. With founding members Nick Rhodes on keyboards and John Taylor on bass, along with Roger Taylor on drums and Simon on vocals, the group have ties working with one another that goes back to the start, and they still make up the core of the band, with each contributing greatly to their signature sound. A lot of bands who have been around for a long time and have a strong association with a certain period or era become resentful of that, and some view their most popular songs with disdain – as if those hits are anchors holding them down rather than stepping stones that helped to propel them forward into world. Some other bands even refuse to perform their most popular hits live for their fans (see: Radiohead). Duran Duran are the opposite. Not only are they mindful of their own history and cognizant of what fans love to celebrate, but they appear happy to celebrate it right along with those of us in the audience. Duran Duran has always been about the past, the now, and the future, somehow all at the same time. I guess it goes back to that “great job” that they “love doing”, which is quite a modest take on creating some of the songs that are included in the soundtracks to the lives of people of my generation. As far as their concert tours go, they always bring some of that “new” with them with each tour, and this one is no different. From a healthy sampling of the new songs as well as new takes on older ones, they remind us all that they are accomplished artists with the ability to not only recreate that sublime studio sound, but also breathe vibrancy into it for how it all comes together on stage, in both sound and visuals. And somehow the guys appear timeless themselves, as they seem to defy the gods (paper or otherwise) and never appear to age year to year… the principals all look 10 to 20 years younger than they should, which contributes to the feeling of being part of an event that could be happening in the past, present, or future. At certain points during their live set, you could squint a little and travel back in time to the 00s, 90s, and 80s.
“Two words to introduce this next song! Two words! Two words to introduce this next song! Two words to introduce this next song!” Billy Idol getting the sold out crowd of nearly 3,000 screaming, fist pumping fans shouting “Rebel Yell” at the opening night of Grand Sierra Resort’s new Grand Theatre. I can’t imagine a better way to launch a high end new concert venue than having none other than Billy Idol kicking off a new tour of his own on the vast stage built on the $10 million dollar renovation of the live music space. Billy Idol has been building on his own career and accomplishments of late, with 2014’s awesome new album Kings & Queens of the Underground (the first in nine years) and bestselling Dancing With Myself autobiography. In the midst of a resurgent mainstream interest in all things Billy Idol, he seems to be as popular as ever. Alongside his incredible band, they’ve put together probably their best live show ever with this tour. It also clocked in as the longest show I’ve seen, at around two hours. I’ve always noted this band as one of my all-time favorite live shows, and I’d have to say that this was the best I’d ever seen them. I’ve always complimented Idol on his boundless and limitless energy and he seems to have reached a new high with this show and tour. He is at once an icon and an enigma, as he continues to evolve his style while retraining his trademark lip curl and tongue in cheek uncensored gestures, looks, and poses. And one can’t neglect to mention Mr. Steve Stevens on lead guitar, who could put the audience in a trance even if he stood alone on the stage – one of the best guitarists performing today, if not the very best. If you haven’t been to a Billy Idol concert lately, you haven’t seen him and his band at all, as they are better than they’ve ever been, and that is saying a lot.
“Remember baby, the lake may be cold, but the light at the end of the tunnel may be you…” The final words from the immortal Steven Tyler as he turned his back to the crowd and strutted topless down the ramp and into the bright lights glowing from the back of the stage, as “Bad To The Bone” played him out. Performing at Harvey’s Outdoor Arena in South Lake Tahoe as part of their Summer Concert Series two years running, the explosive live show by Aerosmith kept a sold out crowd on their feet for over two hours. In my own opinion, Aerosmith is not just the best live rock and roll band touring today, but maybe of all time. They do pretty much everything better than anyone else, and they have so many hits in their arsenal that it just builds and builds and builds all night. Steven Tyler was born to do what he does, and even at 67 years old, he does it like no one else (and last night appeared to be have more energy than any of the 7,000 people in attendance). As much as he is the ultimate front man and performer, he is absolutely beaming when “Joe Fucking Perry”, “on guitar for 40 fucking years” is beside him, bringing the familiar riffs to life in a way that seems to be equal parts passion and effortlessness. Their songs feel like they were made to be performed live, and maybe more than any other band today, they know how to put on a show that’s brilliant no matter where you are, from up close to far away in the bleachers. Even if you are not a dedicated Aerosmith fan, I would say above any other band today – if you are a fan of ANY contemporary music – you’ve got to turn out to their show at least once, just so you have a new benchmark from which to judge all other concerts. It really doesn’t get any better when you consider every critical element that goes into a live concert event. They’ve earned the title, “America’s Greatest Rock and Roll Band”.
This is part of a continuing series of my impressions and experiences staying at various hotels and resorts while traveling to attend concerts worldwide. This review is for the MontBleu Resort Casino & Spa – for a stay in September 2014. [Read more…]
“Those guys really rocked their faces off, so it was an honor to share the stage with those incredible bands.” Mandy Lee of MisterWives, talking about the three awesome bands that took the stage leading up to their set: Crash Kings, The Soft White Sixties, and Moondog Matinee. A quadruple headliner show, each act served as unique showcases of up and coming artists, with each being featured early next year in their own respective episodes of the PBS member station’s KNPB television series, Cargo Live at Whitney Peak Hotel, due to start airing early next year. This concert, which ran for about five hours Friday night at Cargo in Reno, Nevada, boasted a fantastic collective of artists and the venue provided a great setting for really exciting and electric shows.
L.A. band Warpaint will be finishing the bulk of their U.S. tour this month, closing out October at Cargo at the Whitney Peak Hotel in Reno next Tuesday, then play a special show at Red Bull Sound Select in L.A. early next month, and then continue on to play throughout Europe and then the UK to close out 2014. The Flood-produced, eponymous second studio album was released early this year. Lolawolf will be supporting at the Cargo show in Reno next week, having just released their debut album, Calm Down, this week. [Read more…]
“KNPB Presents Cargo Live” will tape it’s final show on Friday night, with a line-up featuring MisterWives, Crash Kings, Soft White Sixties, and Moondog Matinee. The music showcase will be hosted by Cargo at the Whitney Peak Hotel in Reno, Nevada. [Read more…]
“Ladies and gentlemen, tonight we are going on a journey together…” Graham Russell giving a bit of a preface to an amazing concert, along with his songwriting partner Russell Hitchcock, the duo that comprise Air Supply have “been on tour” now for 39 years, though this is the first time I’d ever seen them live. Playing to a sold out crowd of around 1,300 or so at the Montbleu Resort Casino & Spa in Lake Tahoe, from the vantage point of the front row, eyes on the stage, it felt like they could have been playing to a vast sports arena. Hands down, I would have to say that Air Supply gave me the biggest surprise of the year in terms of my expectations against the actual performance – they were spectacular. Playing over 100 shows a year, unless there was something different about this concert (and I have no reason to believe that there was), these guys know how to put on a stunning show with a variety of music, up tempo and slowed down, and in many cases rocking, and they have a brilliant band backing them up. I cannot stress enough my recommendation to check them out if you get the opportunity – these guys put on a stellar live show.
“I wanted to give a shout out to the other bands that played tonight; weren’t they all so hot? I was like, ‘damn, I got some work to do tonight – those bitches were hot!’” Kitten’s Chloe Chaidez giving props to the other two amazing bands sharing the stage with her at Cargo at the Whitney Peak Hotel Thursday night, which also featured Jessica Hernandez & The Deltas and Bomba Estéreo. Kind of a triple headliner show, each act put on incredible sets with tons of energy, with the awesome lighting and sound at the Cargo giving them a lot to work with to showcase their unique approaches to their music. As this was all filmed by PBS member station’s KNPB, each set will be an episode of the upcoming television series, Cargo Live at Whitney Peak Hotel, due to start airing early next year.