Depeche Mode’s fourteenth studio album, Spirit, is due out on March 17th, and today the band announced the dates and venues for their “Global Spirit Fall 2017 North American Tour”. The dates announced thus far run from late August through late October. The North American dates follow there European stadium tour kicking off in early May. [Read more…]
“…since we’re in San Francisco, we thought we’d do something special.” Bernard Sumner, singer and guitarist for New Order, as preface to an unexpected, second encore closer and cover of “San Francisco (Be Sure to Wear Flowers in Your Hair)” at the Bill Graham Civic Auditorium last night. One of just a half dozen dates on this North American tour, the concert showed a band that has worked to refine their live set, with updated visuals as well as a bit of tweaking and reworking of what has become their usual selection of songs. It was definitely the best I’ve heard them in the past four years, and they seemed most energized during their performance of new song, “Plastic”. The sold out crowd of around 7,000 never stopped moving and bouncing as they ripped through a sequence of favorites at the end with “True Faith”, “The Perfect Kiss”, and “Blue Monday”. As has been tradition, they closed out with an encore of a few Joy Division covers, but the Scott McKenzie cover at the very end showed that they can still surprise when they are inspired to do so.
New Wave and electronic music pioneers New Order will be returning to the United States next month for a limited number of special performances, one festival appearance, and one show in British Columbia. La Roux – with new album Trouble in Paradise due July 7 – will be supporting at the two California shows in San Francisco and Los Angeles. New Order are also working on new music, and debuted one of those new songs, “Singlularity“, at their appearance at Lollapolooza Brazil back in March. [Read more…]
When Depeche Mode announced the North American dates and cities for their Delta Machine Tour, I immediately identified the one at Pearl Concert Theater at Palms Casino Resort as the one to go to, since I was familiar with the (relatively) small and intimate venue from past shows, and it was one of just a few in the United States with a general admission standing floor area in front of the stage. Having seen them five times overseas earlier this year, I had become spoiled with standing right in front of the stage, so that has become a must for me in experiencing my favorite band. With the show last night, I certainly wasn’t disappointed, and I suspect most to all in the crowd felt the same, as Vegas is one of those rare cities that pull fans from not only all over the U.S., but all over the world. It was quite a celebration for not only the audience, but seemingly the band as well, who were quite jubilant throughout the performance, which clocked in at about two hours (there was no supporting act at this date). For me, being surrounded by friends who also traveled from California for this show, it was the perfect way to close out an amazing year of live music by the band who have in many ways impacted my life with their art, particularly in my formative years throughout the 80s. [Read more…]
Following last year’s rocking tour, Adam Ant & the Good, the Mad and Lovely Posse will be returning to the United States supporting his first new studio album in 18 years, The Blueback Hussar in Marrying the Gunner’s Daughter, which was released earlier this year. Supporting the tour (on all dates except Hawaii and Buffalo), which is kicking off next month, are Los Angeles-based group Prima Donna. [Read more…]
“I don’t know if you guys will get this song or not, being that you’re from California…” part of Margo Timmins’ introduction to the last song of the night, “Fuck, I Hate The Cold”, at Yoshi’s San Francisco last night. If music is the soundtrack to our lives, songs by the Cowboy Junkies must be intended for those more soul-searching and contemplative, raw moments. They slow things down a bit and make you feel more thoughtful and introspective. The band – a real family affair, together and producing new music and touring for more than 30 years – last year completed Volume 4 of the Nomad series… an ambitious four albums added to their catalog over a scant 18 months. The concluding work in that series, Wilderness, explored themes that included “fragility, emptiness, loneliness, beauty, chance, loss, desperation“; though timeless areas of focus, it all seems especially fitting for these times, with much of their music being a bit of post-modern Blues.
Just when you think you know what to expect from a Crystal Castles concert, a naked man casually walks on stage to tend to his drum kit (not a euphemism), part of the second of two supporting bands. But of course the real show starts with the main set… and with Crystal Castles, it’s as much about the experience surrounding the music as it is the music itself. While Alice Glass and Ethan Kath don’t really have anything to say in-between songs during their thumping (with many thumps courtesy of touring drummer Christopher Chartrand) high energy shows, they certainly know how to entertain and excite once they take the stage. With their unconventional sound, seizure-inducing lighting effects, and interactivity (by way of Alice diving into the audience), a Crystal Castles show overloads the senses… so much unfamiliar and unexpected for your eyes, ears, and brain to process. Whatever your take on their brand of experimental electronic/synthpop/synthpunk music, you certainly can’t consider their live shows to be boring or uneventful. A band born to perform live, for sure. Their studio recordings are fantastic (and their third studio album, (III) is excellent), but you really need to see them live to understand their music, and get the full Crystal Castles experience.
After a string of health-related challenges over the past 30 days, Morrissey appears to be back in the swing of things with a bit of ethics-related controversy with a Jimmy Kimmel Live! booking this week and since having played a successful show last night with an excellent set list in San Diego… with two more shows in Los Angeles in coming days, and then up to Northern California for a Mondavi Center show in Davis (rescheduled from last year), which I’ll be attending and reviewing. Additionally, tomorrow a number of new dates will go on sale, and some missed dates have been rescheduled, so this will serve as somewhat of a housekeeping announcement. [Read more…]
Last night Thunder Valley Resort & Casino played host to one of a short run of shows by music legend Crystal Gayle. The award-winning singer, best known for her 1977 hit, “Don’t It Make My Brown Eyes Blue”., put on an amazing show of her own songs as well as tributes to the works of others, with her own signature style. It was incredible to have an opportunity to enjoy the show put on by her along with her sister Peggy Sue and the five-piece band led by Jay Patten.
Going to a Marilyn Manson concert is quite an experience, and probably not understood except by those who have done the same. To draw a comparison with the art world, it is akin to going to art museums in London and stopping in at the Tate. Except not to confuse matters… not in the past two weeks during Kraftwerk’s residency. That’s something else entirely. In any event, he puts on quite the impressive show, and is maybe the modern day rock concert equivalent of circus freak sideshows, only with Manson, though his band is supporting, it is decidedly a one man attraction. Most striking is how interactive it is – not just the literal interactions with the audience (and there are many), but his ability to lock onto members of the audience with his eyes, in a kind of staring match version of “chicken”, to see if he can make it striking enough to have you look away first (benefits of being right up close). He’s a natural performer, though interestingly comes across quite different off stage (more on that later). Really an exhilarating evening and hosted courtesy of Marilyn Manson’s unique and stylish version of reality.