“Do you want more?” Mette Lindberg at Bimbo’s 365 Club in San Francisco Friday night, to a crowd mesmerized by the amazing show put on by The Asteroids Galaxy Tour. Kicking off a new headlining tour, following a summer of festival appearances and the debut of Bring Us Together, their third studio album last month, the group, as she put it at one point during the hour and a half set, got to play a lot of their new songs. This was my first time seeing the band live (I was always traveling in past opportunities), and I have to say it definitely ranks I think within the top five of my favorite concerts so far in 2014. Incredible music to be sure, but they bring it to life in a concert setting in a way that truly surprised and impressed me. Mette’s vocals were just spot on, and the sound was dialed in perfectly, and the band has a way of bringing their brilliant sound to life on stage that has to be seen and heard to truly appreciate. I came away from the show a much bigger fan to be sure, and will definitely turn out for any future show that I can to experience it all over again. One of the best newer bands active today.
The Asteroids Galaxy Tour at Bimbo’s 365 Club | San Francisco, California | 10/17/2014 (Concert Review + Photos)
(the) Melvins at Assembly Music Hall | Sacramento, California | 10/15/2014 (Concert Review + Photos)
I usually open my reviews with a quote from the headlining artist, but the Melvins were pretty much all business at Assembly Music Hall on Wednesday night, kicking off their “Hold It In” tour in Sacramento. Quite the prolific band, they released their album Hold It In the day before, a collaboration with Buzz Osborne and Dale Crover, with Butthole Surfers members Paul Leary and Jeff Pinkus. On stage last night were all but Paul Leary. With a democratic stage set up, featuring Dale Crover at center on drums with King Buzzo and Jeff Pinkus flanking either side, they are one of those interesting collaborations that seems to lack ego. Just as their music is balanced by the contributions of each player – though with a lot of variety and variation song to song – each seems to hold their own with their live show, and the sonic spotlight seems to shift around as called for by moments and breaks in each song. The star of the band is really the music, and it’s eclectic style that doesn’t really fit into any particular genre (though there are strong foundations of both metal and punk at the heart of it). Truly an important band, in a historical sense, though that wouldn’t matter as much if they didn’t make compelling music or put on a killer live show, and in their case, they do both. Definitely a tour with catching as 2014 races to conclusion.
Crystal Castles Comes To An End As Alice Glass Announces Break-Up; Special Exclusive Concert Tour Photography Showcase from 2012 & 2013
Today, Alice Glass announced her departure from – and thus the break-up of – Crystal Castles with Ethan Kath. She made a short statement on social media, including her personal Facebook page (with her first post since July): “I am leaving Crystal Castles. My art and my self-expression in any form has always been an attempt towards sincerity, honesty, and empathy for others. For a multitude of reasons both professional and personal I no longer feel that this is possible within CC. Although this is the end of the band, I hope my fans will embrace me as a solo artist in the same way they have embraced Crystal Castles.” Crystal Castles, who I had a chance to cover and photograph at two shows (one in Seattle in 2012 and the other in Oakland in 2013), and they were as unique in live form as they were in studio recordings. I thought I’d bid farewell to the band with a pictorial showcase of photos I shot at those two concerts, some of which have never been published previously. [Read more...]
“Is that the new iPhone 6?” Roland Orzabal, early on in the show, as he and Curt Smith looked out over the sea of cell phones in the air, held by an exuberant sold out crowd at the historic Wiltern in Los Angeles last night. Tears for Fears, best known for their collection of timeless and classic New Wave hits from the 80s, do not tour very often, and when they do, the tours are usually not too many dates and cities. So there was a bit of an “event” feeling in the air, and based on some of their comments later in the show, they both seem to have quite an affinity for the City of Angels. As such, it seemed to be one of those special sort of shows, that unfold in a different sort of way. About halfway through the show, Curt even gave a shout out to Richard Blade, who was at the front of the GA crowd in the pit… if you didn’t know him by his own lifetime in music, you would think he was the band’s biggest fan (and maybe he is). Perhaps the development that represented the biggest point of fan service, prefaced by Roland with “nothing like changing it up for L.A.; obviously this is a special place for us…” was the surprise encore opener, a song that “we haven’t done for many, many years”. He said that this version will be included in their deluxe reissue of Songs From the Big Chair in November. He said it has been impossible for them to do live “until now”, and then proceeded to play “The Working Hour”. Definitely a special show by a fantastic band, and the place was certainly buzzing when it all came to a close after upwards of a two hour show.
Better Than Ezra at House of Blues Anaheim | Anaheim, California | 9/21/2014 (Concert Review + Photos)
“Michael, I want you to take this crowd – this hardened crowd of entertainment junkies – on a percussion journey…” Kevin Griffin of singer and guitarist for Better Than Ezra, along with co-founding member Tom Drummond on bass, setting the stage for the most blazing cow bell drum solo ever, by their drummer, Michael Jerome. This was my first time seeing Better Than Ezra live in concert, and I came away with my expectations far exceeded… and maybe a bit sad that they didn’t become bigger back in the day; big enough to carry them forward in a way that was, for lack of a better explanation, more successful. They are talented songwriters, and it all manifests itself on stage in a unique way. Everything is framed in a bit of irreverence… not quite on the scale of, say, They Might Be Giants, but let’s just say that Griffin doesn’t take himself too seriously and makes the show fun for him, and in turn, the band’s mix of audience. An audience that I couldn’t really begin to stereotype, as it seemed to be made of people of all ages, genders, and walks of life. They certainly captivated and entertained the crowd, and there is a real sense of expecting the unexpected throughout their set. I really recommend checking out their live show if you have a chance, and either way, I think the new album released this month, All Together Now, is certainly worth a listen.
“In the spirit of toasting, here’s a song by Paul McCartney…” Nancy Wilson of Heart giving an appropriate intro to their cover of the Wings song, “Let Me Roll It”, from 1974, with her sister Ann sharing the stage in the wonderful atmosphere at Mountain Winery in Saratoga last night. This was one of several cover songs performed, though the rest were Led Zeppelin songs for their encore. I’ve saw Heart twice last year, and they always deliver with stunning performances and are truly as great as they’ve ever been. In addition to their own vast and growing (with last year’s Fanatic) catalog, they’ve also in some way become the caretakers of keeping Led Zeppelin songs alive and well (in addition to Jason Bonham’s own Led Zeppelin Experience, which toured with them last year). Who else but Ann Wilson can give epic delivery of those vocals, and yet with her own trademark style? But of course fans turn out to hear Heart songs first and foremost, though they only played one song off the new album, “Mashallah” (which Ann said drives her into the stratosphere). Each time I see them, the familiar songs sound a bit different, as though they find new and innovative ways to translate them into a live experience. In any event, they put on a fantastic show in a gorgeous venue, so it was a wonderful celebration of them and their great music (as well as a tribute to some other greats in music).
“Big Block Party” with Morris Day & The Time (The Original 7ven), Sheila E., Guy, and Doug E. Fresh at Thunder Valley Casino Resort | Lincoln, California | 9/13/2014 (Concert Review + Photos)
“Sacramento… you may notice a bit of moisture forming on my forehead… falling down my face… I know what you’re thinking. You’re thinking, ‘Morris has lost it.’ You may even be thinking, ‘Morris is not cool anymore.’ But let me fix that shit for you, Sacramento. Just like you take a cool bottle of champagne out of the refrigerator, and you set it on the counter… what does it begin to do? See, it sounds like you all don’t know. See, it begins to condensate, Sacramento. Because that’s what you do when you’re cool from the inside out… So please understand, Morris is not sweatin’. I’m condensatin’. And, hell yes, Morris Day is still cool!” Words from the legendary Morris Day from Morris Day & The Time (now The Original 7ven), headlining the Big Block Party by WorldOne Presents at Thunder Valley Casino Resort Saturday night. Having come on stage after the sun dropped out of view, which hit a high of 100 degrees, it left me wondering if the sweat rolling off everyone in the sold out concert venue was from the heat of the day, or the heat coming off the stage from the outrageous funk band, who followed the incredible line-up of Sheila E., Guy, and Doug E. Fresh.
“Ladies and gentlemen, tonight we are going on a journey together…” Graham Russell giving a bit of a preface to an amazing concert, along with his songwriting partner Russel Hitchcock, the duo that comprise Air Supply have “been on tour” now for 39 years, though this is the first time I’d ever seen them live. Playing to a sold out crowd of around 1,300 or so at the Montbleu Resort Casino & Spa in Lake Tahoe, from the vantage point of the front row, eyes on the stage, it felt like they could have been playing to a vast sports arena. Hands down, I would have to say that Air Supply gave me the biggest surprise of the year in terms of my expectations against the actual performance – they were spectacular. Playing over 100 shows a year, unless there was something different about this concert (and I have no reason to believe that there was), these guys know how to put on a stunning show with a variety of music, up tempo and slowed down, and in many cases rocking, and they have a brilliant band backing them up. I cannot stress enough my recommendation to check them out if you get the opportunity – these guys put on a stellar live show.
Huey Lewis and The News at Mountain Winery | Saratoga, California | 9/6/2014 (Concert Review + Photos)
“We don’t do this one often… this is awful fast; it’s awful hard…” Huey Lewis of Huey Lewis and The News giving an intro and tribute to a song they rarely play live in concert, “Hip To Be Square”. He went on to explain to the crowd at Mountain Winery in Saratoga on Saturday night that San Francisco 49ers players Joe Montana and Ronnie Lott contributed backing vocals to the song, so were performing it to support their team. Having come off of their “Sports 30th Anniversary Tour” in 2013, they are still drawing large crowds with a mix of old and new material, which seems to change show to show. Whatever the setlist, they seem to have a lot of contagious fun, and their shows always have a family affair sort of vibe. As Huey introduced his band, he mentioned that he and drummer Bill Gibson even went to middle school together. I think the spirit of all that shines through in their music (recorded and live), and it’s pretty remarkable that those relationships can endure in the music industry, when I’ve seen it completely tear other bands apart (even blood family members). They always put on an amazing concert, and Mountain Winery always serves as an awesome host, overlooking the night lights of San Jose and Silicon Valley.
Kitten, Jessica Hernandez & The Deltas, Bomba Estéreo at Cargo at the Whitney Peak Hotel | Reno, Nevada | 9/4/2014 (Concert Review + Photos)
“I wanted to give a shout out to the other bands that played tonight; weren’t they all so hot? I was like, ‘damn, I got some work to do tonight – those bitches were hot!’” Kitten’s Chloe Chaidez giving props to the other two amazing bands sharing the stage with her at Cargo at the Whitney Peak Hotel Thursday night, which also featured Jessica Hernandez & The Deltas and Bomba Estéreo. Kind of a triple headliner show, each act put on incredible sets with tons of energy, with the awesome lighting and sound at the Cargo giving them a lot to work with to showcase their unique approaches to their music. As this was all filmed by PBS member station’s KNPB, each set will be an episode of the upcoming television series, Cargo Live at Whitney Peak Hotel, due to start airing early next year.
80s Rewind Music Fest 2014 / Retro Futura Tour (Thompson Twins’ Tom Bailey, Howard Jones, The English Beat, Katrina) at Thunder Valley Casino Resort | Lincoln, California | 8/31/2014 (Concert Review + Photos)
The show at Thunder Valley Casino Resort’s Outdoor Amphitheater Sunday night was continuing on in WorldOne Presents’ tradition of their annual “80s Rewind Festival Music Fest”, and arrived in Lincoln, California with it’s own unique line-up and variation on the newly christened Retro Futura Tour 2014 (formerly Regeneration Tour). With this event, the same co-headliners – Thompson Twins’ Tom Bailey and Howard Jones – shared the bill, as did Katrina Leskanich (formerly of Katrina and The Waves. But in place of Midge Ure and China Crisis was the incredible English Beat featuring Dave Wakeling. As usual, the show took on a character all it’s own, playing out to a large and enthusiastic crowd. I think the Katrina/English Beat/Howard Jones/Tom Bailey line-up featured artists that all have one thing in common: authentic optimism driving their music. Of course, the modern day ’10s are not the classic ’80s, and though the music played came from the past, it could also serve as a beacon of hope for the future. And, as with the show at Mountain Winery the night before, there seemed to be quite a reception for Tom Bailey, who stopped touring and performing live as Thompson Twins way back in 1987. It was another exceptional performance by all of the artists, and both shows are certainly on the short list for top concerts of the year for me personally.
Retro Futura Tour 2014 (Thompson Twins’ Tom Bailey, Howard Jones, Midge Ure, Katrina) at Mountain Winery | Saratoga, California | 8/30/2014 (Concert Review + Photos)
I usually open my reviews with a quote from the headlining artist at a show… and I generally don’t care for audience sing-a-longs (I come to hear the artist, not drunk people that don’t know the lyrics). But Saturday night was a different, special sort of show with the perfect fans in attendance. Tom Bailey from the Thompson Twins hasn’t played live for over 25 years, and came out of retirement for the newly rebranded Retro Futura tour (which was previously operating as Regeneration Tour). I cannot emphasize enough how much I loved the Thompson Twins and their music growing up, and that I never imaged I would have an opportunity to see them perform live. So at Saturday night’s stop at Mountain Winery in Saratoga, following the awesome sets by Howard Jones, Midge Ure (of Ultravox) and Katrina Leskanich (Ex Katrina and the Waves), Tom Bailey and his fantastic new backing band absolutely blew away every expectation I had. It was as if, as a performer, he was in hibernation for the past quarter of a century and came out the same as he was in his prime to play this show. It was quite surreal. So getting back to that sing-a-long… the final song of the night was Thompson Twins’ “Hold Me Now” (which a friend of mine captured on video from the audience) and everyone in attendance was so elated to see that man performing in front of them. As the song came to an end, the entire audience was on their feet, singing the chorus. Tom looked moved by the whole thing, stopped singing in mic, pulled out his ear monitors, motioned for his band to join him at the end of the stage, and it all came to a close acapella. A beautiful thing, and I think a way for us fans to let him know that we still love him, love his music, and want him to stay. A perfect ending, and maybe new beginning. “Hold me now, warm my heart… stay with me, let loving start, let loving start…”