“Thank you so much for having us back; this is the first night of the “High As Hope Tour”. This next song is from… oh you guys flustered me! This next song is from High As Hope and I wrote it about the place that I was born which is south London, which has a lot less trees than this…” Florence Welch of Florence + the Machine at Harvey’s Outdoor Arena in South Lake Tahoe on Thursday night, kicking off her latest tour in support of her amazing new album. “I’m with you… I’m with you like… at the moment my heart, it hurts a lot of the time and I just want to say I want you all to hold hands because I really believe in you and I believe in the power of change. And I believe in love and I want you to hold hands for this song because if we connect, I really think amazing things can happen”. A lot of performing artists say things about connecting with their audience, and say those things from the stage, and the audience watch from below as they perform. With Florence, it is not just words. Toward the end of her set, into the song “Delilah”, Florence came off of the stage and ran deep into the audience while she sang, literally connecting with fans in the crowd. Then she actually came running across (barefoot of course) the seat in the row I was in, and I got to witness first hand something unlike anything I’d ever seen at a concert. Florence was engaging with fans one at a time, one on one. In many instances she was grabbing their faces and pressing her forehead against theirs, as if she was forming a mystical bond with them. She was right in front of me for a good length of time, and it was kind of surreal to hear her voice singing directly from her, not just through the sound system. It’s actually been years since I uploaded concert footage to my YouTube channel, but it was such an incredible experience, I thought this would be the best reason ever to share a snippet of this amazing concert moment (iPhone quality, unedited): LINK Really, it takes a lot to put me at a loss for words, but this concert really transcended what anyone might expect from a live show. For some fans, I think it was a near religious experience. Currently tied for my favorite concert of the year. Definitely the best tour of 2018 I am guessing. And since this was the first show on this tour, everyone has time to try to get out to make one of the upcoming dates.
“How we doing out there?” Ellie Rowsell with Wolf Alice at a rare appearance in Sacramento at Ace of Spades Saturday night, a few shows into their massive schedule taking them all over the world in 2018. In addition to their own headlining shows, they are playing gigs in support of Queens of the Stone Age as well as shows across the festival circuit. I’ve been following the band since 2015, and now with two studio albums under their belt (sophomore effort Visions of a Life came out late last year), they are better than ever, with a massive amount of killer songs to fill up their sets. I’ve always seen them as a band made to play live, and they did not disappoint. This concert will certainly rank among the top at the end of the year for me personally, so I can’t recommend enough getting out to one of their shows if they stop in at a city near you. [Read more…]
This is the first of my two 2017 “Year In Review” articles. As with my articles in 2012, 2013, and 2014, 2015 and 2016, I reviewed a sampling of my concert photos from 2017 and compiled some of my favorites and stopped when I hit around 100 photos in total. Please also check out my companion 2017 Year in Review article, which covers my Top 5 Concerts, Top 5 Albums, Top 50 Songs and more. [Read more…]
This is the first of my 2016 “Year In Review” articles. As with my articles in 2012, 2013, and 2014 and 2015, I reviewed a sampling of my concert photos from 2016 and compiled some of my favorites and stopped when I hit 100 photos in total. Please also check out my companion 2016 Year in Review article, which covers my Top 5 Albums, Top 50 Songs, Top 10 Concerts and more. [Read more…]
“It’s been quite a while since we’ve played here…” Lauren Mayberry of CHVRCHES at the first of two back-to-back sold out shows at the Fox Theater in Oakland on Monday night. With the incredible Wolf Alice supporting, it was a stellar evening of music from two bands in the midst of a huge upswing in both talent and popularity. Late last year, both bands put out new albums, CHVRCHES with their Every Open Eye (their second) and Wolf Alice bowed their debut LP, My Love Is Cool. I had opportunity to see Wolf Alice at all three of their Bay Area shows last year and CHVRCHES with their “Not So Silent Night” appearance in December, so it has been fascinating to see them evolve and grow with both their studio recordings and their live shows. All in all, an evening that offered a look at the future of music… Wolf Alice with their alternative rock and roll and CHVRCHES with their synth pop. [Read more…]
This is the first of my 2015 “Year In Review” articles. As with my articles in 2012, 2013, and 2014, I reviewed a sampling of my concert photos from 2015 and compiled some of my favorites and stopped when I hit 100 photos in total. Please also check out my companion 2015 Year in Review article, which covers my Top 10 Albums, Top 10 Songs, Top 10 Concerts and more. [Read more…]
“We’re going to play a few songs now that you might know. You’ve been very patient; thank you very much. You also might not know them as well…” Dave Gahan, bridging the main set of Soulsavers material and their encore, which featured two songs from his first two solo records and two from Depeche Mode’s Songs of Faith and Devotion. Making his debut performance with Soulsavers, they previewed the newly recorded material from Angels & Ghosts, which will be released on Friday. Dave Gahan has reunited for a second album as Dave Gahan & Soulsavers, as well as announced a very limited set of concerts with a 10-piece band at very small and intimate venues in the U.S. and Europe, with this first one happening at The Theatre at Ace Hotel in Los Angeles on Monday night. The album, Angels & Ghosts, is his second collaboration with producer Rich Machin and the tour takes them to New York, London, Berlin, Paris, and Milan. It all creates a framework to showcase Mr. Gahan’s ability to transcend the work of Depeche Mode into territory that allows him to reveal his own unique gifts, artistry, and vision. A peek into the soul of a man who is very complex, as well as a foundation with which to truly hear his voice soar to new heights and lyrics that provide real vulnerability. Decidedly not “a Depeche Mode show”, but a rare experience for fans to see another side of one of the most talented artists of our generation. Unforgettable.
I usually start off my reviews with a quote, but Wolf Alice don’t spend too much time talking on stage, and their concert at The Chapel in San Francisco Thursday night was a bit too chaotic and kinetic for chit chat; they let the music speak for itself. I’ve been fortunate enough to catch all three of their San Francisco shows in 2015 (their debut at Popscene at Rickshaw Stop in March and follow-up at The Independent in May), but their most recent show – fueled by the June release of their debut album My Love Is Cool – was their best yet. They are, in my opinion, the most exciting new band recording and performing today. They continue to develop their many gifts and talents with their songwriting and originality, and their live concerts serve as a showcase for how amazing they are at recreating their rich and complex, multi-layered sound on stage. But back to that album… for me personally, it is the Album of the Year. Truly, the best album of the past several years. Every song is a gem. They are THE band to watch.
Music from the 1980s continues to permeate pop culture today – it seems like every commercial break cycle includes a familiar New Wave hit song repurposed for selling something or other. In addition – and on the positive end of the spectrum – we sometimes have the opportunity to catch a multi-artist live concert with a few or a variety of 80s artists perform at the same event. One such event was held at The Karman Bar in Orange County, providing a double headlining show with Dale Bozzio from Missing Persons and Clive Farrington from When In Rome. Taking a step back, one of the most interesting things about this show is how the two principals from the two very different 80s bands collectively covered the decade in music, with Missing Persons originally together from 1980 to 1986 and When In Rome being active from 1987 to 1990. So listening to their music at this event, there was also a contrast in sound from the beginnings of that decade (with it’s more traditional rock and roll emphasis of vocals, guitar, bass and drums) to that at the end (with vocals and keyboards/synth and electronic beats at the forefront). In any event, it is of course awesome to see two key players from the era keeping their music alive and turning out fans to celebrate it.
Depeche Mode has been my favorite band since Black Celebration came out, so when I came across the new of this special DJ set show at SOhO Restaurant & Music Club in Santa Barbara, I was excited for an opportunity to see the man behind some of my all-time favorite songs express himself in a completely different setting. Part of SOhO’s 20th Anniversary Fundraising Show Series, it did not disappoint. Martin Gore played his unique style of live music for around two hours. It was amazing to see the man at work, and being close enough to see his own facial expressions reacting to his own music.