“My only birthday wish is to fucking bring the house down……” MS MR playing Popscene at Rickshaw Stop on Thursday night, being a traditional Popscene show that runs late into the night, it literally became Lizzy Plapinger’s birthday at some point during the show. When, exactly, was anybody’s guess, as she and her partner, Max Hershenow, blasted through hit songs and songs yet to be released at the sold out show in San Francisco. Keeping with the duality of their performing and recording name, the old and the new songs split the exactly hour long set in about in half, giving fans a preview of the upcoming sophomore album, due out in July on Columbia Records. MS MR easily sold out two shows at the much larger Fillmore last year (see past review), so it was special seeing them playing a smaller, intimate venue. The new music is fantastic, and shows a lot of growth for the duo as the expand their musical horizons. I ranked their debut, Secondhand Rapture, as my favorite album of 2013, so I really look forward to seeing how the studio versions of the full album measure up to the brilliant Popscene show this past week.
“We’ve got a couple more for you… party on, Friday night!” Ellie Rowsell’s preface leading into Wolf Alice’s encore at the sold out show at Popscene at Rickshaw Stop on Friday night in San Francisco. The alternative band from London put on a blazing show at a rare headlining stop in the U.S. on their way to SXSW. A relatively newer band, their debut album, My Love Is Cool, is due in June, and already they seemed destined for much bigger venues. I would be surprised to see them on a steep upward trajectory over 2015. While the four members skew quite young, they exude maturity and confidence in their music, and as great as their EPs released thus far sound, their music seems fashioned to excel in a live setting even more than the studio recordings. Even though they didn’t move around too much on the stage during their set, their music moved the crowd and they are one of the most exciting bands to come along in recent years. Definitely ones to watch, and to catch live if you get the opportunity.
“Is that the only pair of panties we’re going to get tonight?” Lisa Light, remarking on the underwear tossed at her co-vocalist and guitarist Scott Blonde of The Lovemakers at Popscene at Rickshaw Stop in San Francisco Friday night, as part of their “My Bloody Valentine’s Day Party on Friday the 13th of February”. The band seem to have a special relationship with the annual romantic holiday, though looking around it seemed to have turned out more singles looking for fulfillment than happily coupled couples. Building on their 2014 reunion, the band seems at it’s best live and on stage, literally pouring water on their hot and sultry style of retro pop and dance music. The Lovemakers were supported with a blazing set by Beginners, who came up from their home in Los Angeles. Filling in with fantastic DJ sets were Popscene’s Aaron Axelsen and Omar.
“Okay, you all know this song and you need to sing along, because we don’t know what fucking hours of music were going to play tonight we’re going to keep going, so you guys sing along with this one…” Jules De Martino providing an intro into one of The Ting Ting’s biggest hits, “That’s Not My Name”, just before Katie White throws down with the vocals and gets the audience into a frenzy at their sold out show at Harlow’s Restaurant and Nightclub in Sacramento on Saturday night. As mentioned in my review of their show for Popscene at Rickshaw Stop in San Francisco the night before, The Ting Tings haven’t passed through on a tour since supporting their sophomore album, Songs from Nowheresville, in 2012 (see my review of that show at The Fillmore). Their newly released third studio album, Super Critical, just came out late last year via their successful PledgeMusic campaign. Co-produced by original Duran Duran guitarist Andy Taylor, the album pivots them into a different direction, though with their trademark infectious and experimental sound and energy. I thought the show Friday night was amazing, and illustrated how the band puts a lot of thought and attention into creating a live show that refashions their music a bit with each outing, keeping it all fresh and exciting for the crowds they turn out… Somehow, the Sacramento show was even better, and will definitely be in my Top Ten shows of 2015 at the end of the year, and has set the bar high for all of the other shows I’ll be seeing in the next 11 months.
“San!!! Fran!!! Cisco!!!” A city turned into a three-word chant by Jules De Martino, he and the other half of The Ting Tings duo Katie White aren’t the type to chit chat too much in-between songs at their live shows, but they certainly know how to get a place jumping. And that’s just what they did at the sold out show at Popscene at Rickshaw Stop on Friday night. The Ting Tings haven’t passed through on a tour since supporting their sophomore album, Songs from Nowheresville, in 2012 (see my review of that show at The Fillmore), and this latest gig was even more of a special occasion since they aren’t hitting but a handful of cities on this front end of touring in 2015 (and the dates in play are predominantly in California). Their newly released third studio album, Super Critical, just came out late last year via their successful PledgeMusic campaign. Co-produced by original Duran Duran guitarist Andy Taylor, the album pivots them into a different direction, though with their trademark infectious and experimental sound and energy. The show Friday night was amazing, and illustrated how the band puts a lot of thought and attention into creating a live show that refashions their music a bit with each outing, keeping it all fresh and exciting for the crowds they turn out. I loved every second of it, and while it was a full set, they left me wanting more, but I’ll get that at their follow-up show in Sacramento… one of those rare bands who inspire me to follow them around a bit.
“Are you ready, San Francisco?” Scott Blonde of The Lovemakers, on guitar on the front end of a blazing set at Popscene at Rickshaw Stop last night, sometime around midnight. With co-vocalist Lisa Light holding down the opposite corner on bass, it was am impressive onslaught of thumping and catchy 80s-inspired synth pop for the on and off again band that is maybe the best thing those outside of San Francisco are missing of late, as they have amazing songs and an incredible live show. Following on a fantastic opening set by The Trims and framed by cutting-edge DJ sets by Aaron Axelsen and Omar, it was another unique evening with Popscene.
The Popscene concert at Rickshaw Stop on Tuesday night was one of those rare shows that was very surprising (in a good way). Danish singer-songwriter MØ (Karen Marie Ørsted) headlined the night that featured Swedish singer-songwriter Erik Hassle supporting, and both put on stellar performances, with awesome bookend DJ sets by Aaron Axelsen. Candidly, I was not familiar with either of these young artists until recently, and I would mark the night as one of the best concerts I’ve attended so far in 2014. MØ and Erik Hassle should be on the pop culture watch list as ones to expect big things from in the future.
“We’ve got a few more songs here for you here… if you fucking want them!” Tim Wheeler, vocalist and guitarist for Northern Ireland’s alternative band Ash, which was born in the early 90s, yet seems to bring the best of that vibe forward in their music today. An enthusiastic crowd of fans packed Popscene at Rickshaw Stop in San Francisco last night, and they certainly wanted those few more songs that finished out a pretty lengthy and extremely impressive and rocking set. For a loud, ripping show, the sound was absolutely phenomenal, and these music veterans of the alternative music scene certainly are masters at the live show. It really exceeded my expectations, and was just a fantastic concert showcasing their unique brand of rock and roll. As one of their first shows on the West Coast of the U.S. in 9 years, they certainly came back to make a statement.