80s music icon Adam Ant is celebrating the 35th anniversary of his landmark album Kings of the Wild Frontier with a newly remastered box set release, as well as a North American tour kicking off next month in Washington DC. With this new tour, Adam Ant will play the album in its entirety and in sequence. [Read more…]
“Put your hands in the sky…” Robert Smith of The Cure dispenses with the chit chat in-between songs for the most part, but fans of the band are so into every thought expressed in every song that the subconscious grooves in the back of their mind move them to connect with the moment, as as he sang those words during “From The Edge Of The Deep Green Sea”, a majority of the sold out crowd at Shoreline Amphitheatre reached up to the blue above. Not even a “hit” song for the band, that is the power of their music among the devoted. But it wasn’t just those long-time, hardcore fans that turned out for this show, but quite a number of “casual” fans as well, as this current tour is their first major one in the U.S. in about seven years. Apparently, their absence has been felt and their return is cause for celebration. They are not touring just the U.S., but the world at large through the end of the year. With their sprawling set lists and shows running around three hours non-stop with three or four encores, one wonders how they physically keep up… yet the shows they put on are stellar and truly unique experiences. The band has been recording and performing for so long – formed four decades ago – it is something just to hear the music from such different eras all performed in the same style and sound, with Smith’s matured vocals making them better than ever. A spectacular evening of music from one of the most original and talented bands of my generation – live music events don’t really get much better than this. One of the “must see” tours of the year, hands down.
English post-punk and New Wave band, The Psychedelic Furs, will be completing the U.S. tour that kicked off last month throughout November, with a break in December, and picking back up in January of next year. With many of their hits being synonymous with 80s pop culture, the band remains one of the best known from that era to turn out for at new concert tours today. The Lemonheads are touring with the band. [Read more…]
“When it hits the fan, people usually show up for each other…” Joan Jett of Joan Jett and the Blackhearts, talking about surviving tragedy, and how real life experiences inspired their latest album, Unvarnished. It was really quite inspiring to hear the punk icon with roots in music – in her teens – going back to the 70s, today crafting music that is informed by a fascinating and full life. Yet regardless of her growth as an individual and as an artist, she still has that counter culture swagger and joy with a guitar strapped around her and a mic stand before her… she can still rock it unlike any other, and she certainly made that clear at their appearance at the California State Fair at Cal Expo last night. Whatever it is that she’s had since her formative years, that motor still drives her today. A real rock and roll legend.
Sacramento dance-punk band !!! (Chk Chk Chk) will be doing three shows this month, the first in their home town at The Assembly and then back-to-back shows at The Chapel in San Francisco. Their latest EP, R!M!X!S, came out a few months ago, following their fifth studio album, THR!!!ER, which came out earlier last year. [Read more…]
“We played the Whiskey last night for their fiftieth anniversary, and I don’t want to kiss your ass or anything, but this is way more fun…” X vocalist and bassist John Doe at The Casbah in San Diego last night, in the midst of a rocking set in the tiny club, well sold out at its 230 capacity. I had seen the band last September on the “No Principals Tour” with Blondie in San Francisco, but this was more like taking a step back in time. Depending on where you were standing, they frequently could not be seen at all, which made the illusion all the more convincing. An authentic throw back to the earlier 80s punk scene they pioneered, it was a fantastic night of music and definitely an interesting, somewhat quirky crowd, which was apparent to those on the stage as well.
The real thing. Real, authentic rock artists can’t be manufactured… they are born. And standing witness to the phenomenal performance by London-based post-punk revival rock band Savages, I had a deep feeling that maybe they were born a few decades later than when they should have been, yet it makes them that much more powerful. Having been born in 1973 myself, I was too young and on the wrong continent to catch the original shows put on by pioneering artists such as Bauhaus, Sex Pistols, Siouxsie and the Banshees, and The Cure… but I had this deep sense and feeling in watching Savages at The Independent last night that maybe what I felt like experiencing their show is what it may have felt like back in the day with those iconic bands. This was the second of two sold out shows in San Francisco. It was a different sort of show – unlike any of the 75 or so others I’ve attended thus far this year, and the many more going back years prior to that… there is nothing contrived or manufactured about Savages. Nothing at all – it is just pure post-punk art at its finest, in the best format of all – a live concert performance. They have brought something new to this space that hasn’t been felt in decades – even by those original players still recording today. A true resurrection. And given the state of society and culture today, it could not be more timely.
Blondie’s spectacular show at the Nob Hill Masonic Auditorium in San Francisco Thursday night was a reminder of how seemingly effortlessly Debbie Harry and the band crossed into and innovated within so many different styles and genres of music in the late 70s and early 80s. Punk, post-punk, disco, pop, New Wave, even some rap, reggae, and infusions of some world music, they were quite the innovators, really serving as a pioneering force in music, and they continue to record new and relevant music today. The Debbie Harry-fronted East Coast post punk/pop/disco group Blondie share the bill on the “No Principals Tour” with Exene Cervenka and John Doe fronting on vocals for the West Coast, L.A. punk pioneers X, which features its original line-up. Both artists brought amazing energy to the stage, which created a frenzy within the crowd at the Masonic unlike anything I’d seen at the usually mellow venue, with fans of both bands flooding the area between the all-seated venue and the low stage. It was definitely a different sort of concert (in a great way) and celebration of music that really served as a pivotal transition from the 70s to the 80s, paving a pathway into what turned out to be fresh and new world.
“If you’re on the wall, you’re awesome…” Peter Murphy relaying what he was told pre-show, in a pretty impressive American accent, about the custom poster designed for the sold out show at The Fillmore last night, on the second American leg of his “Mr. Moonlight Tour: Celebrating 35 Years of Bauhaus”, before he critiqued the fact that it portrayed him as bald and with wings. Peter Murphy has always been a bit of an enigma to me, as you have an idea of what he might be like from listening to his music, but on stage he usually has a few funny things to say in-between songs. But for this tour in particular, fans turned out for the songs, with an all-Bauhaus setlist, with Peter Murphy and his band bringing the classics to life on stage, with great precision and style. Bauhaus were one of the most important bands during that era, with a massive influence in music at large and a catalog of music that has stood the test of time. The show in San Francisco last night definitely lived up to the billing as a celebration of that music. I would say it is the best Peter Murphy concert I’ve seen (which is saying a lot). One of the best tours of the year.
“This is a song for you young lovers out there. I was in love once. When I picked my guts up afterwards, I wrote this tiny little song, I hope you enjoy it; it’s called Wonderful.” A twisted sort of sentiment about his most mainstream song, New Wave icon and post-punk pioneer Adam Ant and The Good, The Mad & The Lovely Posse kicked on their 40-city North American tour in San Diego last night, at the classy Balboa Theatre. Adam Ant launched his first album in 18 years, Adam Ant is the Blueback Hussar in Marrying the Gunner’s Daughter, earlier this year. Somehow last night’s show felt even more spectacular than the one I caught in San Francisco last year. Adam Ant was like a rock star possessed; perhaps more confident and somehow… joyful? At one point deep into the set, he tossed his mic stand, which landed on his bass player’s effects pedals, completely shorting them all out. One of the stage crew came out and messed with it briefly, then unplugged it and plugged him directly into his amp… the relentless onslaught of music could not be stopped, or even paused due to technical difficulties… and the near sold out crowd was perhaps treated to a more raw version of what was planned. A lot of music acts continually reinvent themselves, over and over, sometimes to the point where they become a series of completely different artists. Adam Ant is different. He is today what he was more than 30 years ago, in terms of his identity, style, and sound. He has evolved, of course, but stayed true to what he was and has always been – one of those rare artists who maybe got it perfect the first time.