As with my 2012, 2013, 2014, 2015, 2016 and 2017 Year in Review features, this article looks back on a year of music with a summary of the highlights. This is my attempt to (subjectively) share my favorites of the year, from live shows to new songs and albums. You can also check out my Top 100 Concert Photos of 2018 in that separate article.
As with my 2012, 2013, 2014, 2015 and 2016 Year in Review features, this article looks back on a year of music with a summary of the highlights. This is my attempt to (subjectively) share my favorites of the year, from live shows to new songs and albums. You can also check out my Top 100 Concert Photos of 2017 in that separate article.
As with my 2012, 2013, 2014 and 2015 Year in Review features, this article looks back on a year of music with a summary of the highlights. This year, I attended about 35 shows, with hundreds of different sets of incredible talent and music to make sense of, not to mention trying to keep up with all of the studio releases from artists, new and old. This is my attempt to (subjectively) share my favorites of the year, from live shows to new songs and albums. You can also check out my Top 100 Concert Photos of 2016 in that separate article.
As with my 2012, 2013, and 2014 Year in Review features, this feature looks back on a year of music with a summary of the highlights. This year, I attended about 50 shows, with hundreds of different sets of incredible talent and music to make sense of, not to mention trying to keep up with all of the studio releases from artists, new and old. This is my attempt to (subjectively) share my favorites of the year, from live shows to new songs and albums. You can also check out my Top 100 Concert Photos of 2015 in that separate article.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Darryl McDaniels, best known as DMC with Run-D.M.C. (he prefers to be called “D”). D was a featured guest at Sac-Con in Sacramento this past weekend, promoting his authentic foray into the comic book publishing world with his new independent publishing company DMC (Darryl Makes Comic) Comics and its first series, DMC, with his collaborator Edgardo Miranda-Rodriguez. I met up with D at his hotel following the concert to sit down to talk about his latest work, his past, accomplishments, and his thoughts on a variety of topics related to his life, work, and influence on pop culture.
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As with my 2012 and 2013 Year in Review features, it’s always a challenge to reflect back on a year of music and summarize the highlights. Honestly, I don’t know if I will have have a year that beats 2013, which was an incredible one for me with a lot of travel as well. This year, I ended up attending 60-something shows, most with two or more artists, so hundreds of different sets of incredible talent and music. As such, I feel it is important to highlight the best of the best of the best, in an attempt to celebrate the year that was. You can also check out my Top 100 Concert Photos of 2014 in that separate article.
“Somebody’s gonna get pregnant tonight!” Headlining this year’s Summer Jam for WorldOne Presents and V101, R&B icon Keith Sweat made it clear that much of his music is meant to accompany more… romantic activities. It was fitting that by the time he took the stage at Thunder Valley’s Outdoor Amphitheater Saturday night, the sun was long gone and there was a bright moon serving as backdrop to the evening. The other artists brought more of a high energy show to the stage, with Salt-n-Pepa performing not only their own music but samples from all manner of genre of music, courtesy the founding DJ, Spinderella, while D’wayne and Amar of Tony! Toni! Toné! raced back and forth across the vast stage getting the audience going at the start of the show. The sold out crowd of 4,000 fans in Lincoln, California appeared to be thrilled by the performances of all three artists, with DJ Gino bridging each act with his ongoing DJ set.
As with last year’s 2012 Year In Review, reflecting on the many shows attended in 2013 and trying to make some sense of it all was a challenge. Having attended nearly 100 events, which usually includes at least one supporting act and a headliner, as well as one 10-day festival and many multi-artist shows, I saw literally hundreds of sets. Miraculously, I can probably count on one hand the number that were “bad”, and the majority were awesome in one or more ways. Still, I feel it is important to highlight the best of the best of the best, in an attempt to celebrate an amazing year of music. You can also check out my Top 100 Concert Photos of 2013 in that separate article.
Everyone knows all of the classic Christmas songs, but what about those that have emerged from the Pop and Rock music world and various subgenres (New Wave, Modern Rock, Punk, Indie, R&B, Hip Hop) from the 70s, 80s, 90s, and today? Original songs and creative covers… I think many great songs are lost to time, in that the window in which they might be heard is too small, and then many fall off of the collective pop culture radar. So this is my attempt to put together a list of some of my favorites, though I’m sure there are many others out there that I’d love that I’m not even aware of, or have forgotten about myself. So if you have any recommendations, please post a reader comment below. [Read more…]
Last night was all about old school hip hop legends, with Whodini, Kurtis Blow, and Rob Base each taking the stage during V101’s Hip Hop Halloween House Party at Pano Hall inside Thunder Valley Casino Resort in Lincoln. Pioneers in what has since become a wildly popular genre of music, it was a celebration of the artists who built the foundation of hip hop, with respect paid to many of their peers who were not part of the concert, by way of mention and covers. It made for an interesting and unpredictable night of music, with legend Kurtis Blow doing his own music, like “The Breaks” (the first gold certified rap song back in 1980) as well as some unexpected works from others that followed many years later, like House of Pain’s “Jump Around”. Hip Hop has obviously changed tremendously in the past three decades, but those in attendance last night, I think, appreciate that it was probably at its best in those early years, and it is gratifying to have seen these artists do their thing on stage last night in a relatively intimate atmosphere with a great crowd, some of whom also took to the stage throughout the show.