“We want to let you know that we really appreciate you… You have supported us – you have shown lots of love and dedication – for the last 58 years… That’s real special. And now it has come time, to show our appreciation. We’ve talked about it, and we agree that this song is the song that says the way we feel. So you sit back and we’re going to tell you a little story, so it’s something like this…” The original remaining two principal members of The O’Jays at a sold out show at Thunder Valley Outdoor Amphitheater on Saturday night before singing an incredible rendition of their song “Forever Mine”. Off of their 1979 album, Identify Yourself, the pioneering R&B group had the crowd on their feet throughout much of their headlining performance at World One Presents’ “Soul Fest ’17” concert, which also featured sets by Morris Day and The Time, The S.O.S. Band, and GQ. [Read more…]
“And now here we are… What are we going to do with this night, that’s the question right? It’s up to us, and it’s up to you guys… what are we going to do with this night? It’s a Monday night… I propose that we had a Monday last week, and we’ll have a Monday next week… but this is our Monday tonight. And if we don’t make the most out of it, we’re just wrong. So the only question I have is, who’s with us? Front to back, side to side, who’s with us? Alright, let’s do this…” Rob Thomas of Matchbox Twenty, bonding with the massive crowd at Ironstone Amphitheatre at Ironstone Vineyards. Touring alongside Counting Crows on their “A Brief History of Everything Tour”, it’s all about giving the fans what they wanted, and it would seem that they delivered. [Read more…]
“That was a beautiful and circular moment…” Lindsey Buckingham talking about Christine McVie coming back to the world of Fleetwood Mac in 2014 – after a 15 break from the band – and then the two of them working on a new album together. That album, Lindsey Buckingham/Christine McVie, was released to much acclaim last month. Now touring together as a duo and playing a fairly even mix of old and new, the pair put on an amazing performance at Ironstone Amphitheatre at Ironstone Vineyards on Friday night. Of all of the dozens of shows I’ve personally seen at the venue, this one might be my all-time favorite.
“Every little thing, is gonna be alright… We’re just gonna do this for fifteen minutes!” Jason Mraz & His Superband closing out the first of two sets, channeling a bit of Bob Marley. Which seemed quite appropriate, given his fun and optimistic “an evening with…” style show at Ironstone Amphitheatre on Sunday night, marking his only Northern California show on this tour. Early in the first set, he advised the audience, “you are permitted to sing… you are invited to sing… you are practically obliged to sing…” The audience accepted this challenge and most were up on their feet dancing and singing throughout the night. Mraz certainly has a distinct outlook on life that he carries with him and that is contagious with his fans (who span all ages, gender, and culture), and I’d have to say it was certainly the most joyful show I’d seen out of dozens at this beautiful venue, and that’s saying a lot.
Fans of The Moody Blues got to experience the band like never before on Sunday night at Ironstone Amphitheatre. Featuring “an evening with…” style concert presentation, The Moody Blues played two full sets in front of the massive crowd in attendance, the first with various hits from their career and the second presenting a track by track playing of every songs from their groundbreaking album, Days of Future Passed, which celebrates it’s 50th anniversary this year. They looked and sounded great, and there was a lot of magic in the air as they recreated this landmark album live on stage.
“Now this next song, I must have been about 25 when I wrote this song… I don’t even know why I play it anymore other than I know you guys want to hear it, right?” John Melloncamp on stage at Ironstone Amphitheatre at Ironston Vineyards Saturday night, talking about writing his hit song from the 80s, “Jack and Diane”. The venue was packed with fans turning out to see their blue collar hero from decades past, though it is a strange kind of incongruity with what inspires the fans still today seems to be more of a thorn in the side of the man who captured their imagination with these songs for which he does not seemingly share the same sentiment himself today. Regardless, he delivered an impressive set and supporting artists Carlene Carter and Emmylou Harris did the same.
“Let’s see some hands!” Tommy DeCarlo, vocalist from Boston, getting the massive crowd at Ironstone Amphitheatre in Murphys reaching up to the sky during “Cool The Engines”. Essentially a double-header with Joan Jett & The Blackhearts performing earlier, it was a stellar night of classic rock spanning the last four or five decades. The two artists were a great choice to pair up, in that they had great crossover in fans but were also a showcase in contrasting styles and approaches to bringing their music to life on stage. Joan Jett & The Blackhearts were stripped down to just the instruments they needed to recreate their raw punk rock style as the sun set into the horizon behind the crowd while Boston had a fantastic spaceship themed backdrop across massive monitors that seemed to fuel their hard and progressive rock sounds. Early on in Richter Entertainment’s Summer Concert Series, this show set a bar for high energy and pure rock and roll for all the artists to follow.
2017 is a big year for Depeche Mode. The band has released their 14th studio album, Spirit, and they embarking on their latest world tour this year. However, DM are doing something really interesting this year – inviting fans to apply for an opportunity to takeover their official Facebook page for one day, with plans to do this for one full year with a different fan featured each day. Well, I was surprised to learn I was selected to do this, so I thought I would publish this supplemental feature for fans who make their way over to my Rock Subculture website… [Read more…]
“I try to think about tomorrow, but I always think about the past… about the things that didn’t last… if I could go to the beginning, then for sure I would be another way… make it better for today…” Pixies (the “loud quiet loud” band) are a quiet band on stage in-between the generally quick songs, so we are left with the music, and the lyrics within, to try to figure out what is going on with them. It was less than one month ago that they released their sixth studio album – their second without founding bass player and vocalist Kim Deal – and their first with new full-time member Paz Lenchantin. The new album serves as fuel for this tour, with just four rare dates in Calif0rnia this month as prelude to many shows across Europe, England, Australia and New Zealand, keeping them busy until early next year. So it was interesting seeing them and hearing some of their new music performed at Ace of Spades in Sacramento on Wednesday night. The Pixies in Sacramento. A rare thing indeed. One of my all-time favorite bands playing in the city where I was born, and where I first saw the band way back in 1990, about a quarter of a century ago. A different time. So much has changed, but so much about the band remains the same. I’ve taken the new album, Head Carrier, for a spin and those lyrics above stuck with me. Interestingly, the vocals on that particular song are delivered by Paz, who is no Kim soundalike (on vocals or bass), though obviously the message in those lyrics is for Kim. So the Pixies in 2016 is older, mature, different… and the band is at once both old and new; looking backwards and forwards. The album sounds quite different from everything that came before (even 2014’s Indie Cindy). And I think that the sentiments expressed in that song, “All I Think About Now”, kind of sums up this new iteration of the Pixies. With this live show, the old and the new were mixed together to create a different sort of Pixies show, giving something fresh to both new and old fans alike. But there are still those songs that carry on and remain classic to those who were with it at the time, in the band’s short-lived first incarnation in the late 80s and early 90s. The concert was a tribute to that as well.
“Wow, it’s amazing to be back here at Humphrey’s, or as we like to call it, ‘free concert for boats!’ [pointing to the water] You were the guy who wrote the review! [mocking imitation] ‘Didn’t sound any good from my boat…’ Buy a fucking ticket!” Roland Orzabal of Tears for Fears, bringing not just amazing music but laughs too, carrying on a funny faux dialogue in-between songs with an unseen concert reviewer from their last appearance at Humphrey’s Concerts By The Bay in beautiful San Diego. Alongside Curt Smith, the pair added to the casual atmosphere of the venue with their playful quips and anecdotes throughout the evening, making the entire affair feel somewhat like a private gig among friends. But then there is that music… song after song that added significant color and style to the soundtrack of our lives, for many of us in attendance who found the band in our formative years. Which isn’t to say that they are exclusively “an 80’s band”, but that is the decade that they helped to craft and shape not just in music, but pop culture at large. And many of those songs are as “alive” today as ever, with younger artists creating their own versions of some of the songs, as well as the music still giving life to new works in other mediums (like Donnie Darko). Tears for Fears is one of my favorite bands to see live, because they always deliver with a top notch group of fellow musicians on stage and recreate those familiar songs in new and substantive ways. They are still relevant, and they’ve still got “it”. [Read more…]