“This and I think the ‘Gangster of Love’ inspired me to write ‘The Joker…'” Steve Miller of Steve Miller Band giving an introduction to “One Mint Julip”. Throughout his lengthy set of originals and covers, he gave some context and history about the music he has been playing for fans for decades. Also performing on the massive new stage at Ironstone Amphitheatre in Murphy’s on Saturday was Blues legend Buddy Guy. The pairing made for an interesting show, if only to compare the drastically different styles… Buddy Guy kicking off the night with a loud shirt and seemingly spontaneously arranged grouping of songs, using the whole stage and ultimately the vast venue itself as a stage as he unplugged and roamed the entire seated section playing to cheering fans. In contrast, once the day gave in to give thousands of fans in attendance at the beautiful vineyards a glorious sunset, Steve Miller Band came out on stage with a few of his iconic images propped up against black and darkness. Steve Miller had on his formal attire and sunglasses and was most comfortable at center mic. Both put on fantastic performances that showcases incredible music from the 50s onward. Another great event put on for Richter Entertainment Group’s summer concert series.
“I love you too, sir!” Huey Lewis of Huey Lewis and The News literally giving some love to one member of the sold out crow at Thunder Valley’s Outdoor Amphitheater on Friday night. “We first worked together about 40 years ago…” Huey Lewis, talking about Eddie Money who played the supporting set, giving a sense of how long the two have been making hit music, both with new albums in the works today. Of course, Huey Lewis and The News came armed with more hits than they had time to play, but they did manage to squeeze in a few new songs as well, introducing one by saying, “a brand new song for you… now feel free to imagine yourself owning this song on a CD sometime next year – it’s called, ‘Her Love Is Killing Me'”. Having taken their “Sports 30th Anniversary Tour” around the U.S. in 2013, they have always been a band to look both backwards and forwards, and the timelessness style of their music makes it easy for fans to embrace this approach. Shows by Huey Lewis and The News always seem to have an authentic vibe to them, as Huey reminisces about their roots in the area, even when playing to a long sold out crowd of 5,000+ fans.
Music from the 1980s continues to permeate pop culture today – it seems like every commercial break cycle includes a familiar New Wave hit song repurposed for selling something or other. In addition – and on the positive end of the spectrum – we sometimes have the opportunity to catch a multi-artist live concert with a few or a variety of 80s artists perform at the same event. One such event was held at The Karman Bar in Orange County, providing a double headlining show with Dale Bozzio from Missing Persons and Clive Farrington from When In Rome. Taking a step back, one of the most interesting things about this show is how the two principals from the two very different 80s bands collectively covered the decade in music, with Missing Persons originally together from 1980 to 1986 and When In Rome being active from 1987 to 1990. So listening to their music at this event, there was also a contrast in sound from the beginnings of that decade (with it’s more traditional rock and roll emphasis of vocals, guitar, bass and drums) to that at the end (with vocals and keyboards/synth and electronic beats at the forefront). In any event, it is of course awesome to see two key players from the era keeping their music alive and turning out fans to celebrate it.
“Remember baby, the lake may be cold, but the light at the end of the tunnel may be you…” The final words from the immortal Steven Tyler as he turned his back to the crowd and strutted topless down the ramp and into the bright lights glowing from the back of the stage, as “Bad To The Bone” played him out. Performing at Harvey’s Outdoor Arena in South Lake Tahoe as part of their Summer Concert Series two years running, the explosive live show by Aerosmith kept a sold out crowd on their feet for over two hours. In my own opinion, Aerosmith is not just the best live rock and roll band touring today, but maybe of all time. They do pretty much everything better than anyone else, and they have so many hits in their arsenal that it just builds and builds and builds all night. Steven Tyler was born to do what he does, and even at 67 years old, he does it like no one else (and last night appeared to be have more energy than any of the 7,000 people in attendance). As much as he is the ultimate front man and performer, he is absolutely beaming when “Joe Fucking Perry”, “on guitar for 40 fucking years” is beside him, bringing the familiar riffs to life in a way that seems to be equal parts passion and effortlessness. Their songs feel like they were made to be performed live, and maybe more than any other band today, they know how to put on a show that’s brilliant no matter where you are, from up close to far away in the bleachers. Even if you are not a dedicated Aerosmith fan, I would say above any other band today – if you are a fan of ANY contemporary music – you’ve got to turn out to their show at least once, just so you have a new benchmark from which to judge all other concerts. It really doesn’t get any better when you consider every critical element that goes into a live concert event. They’ve earned the title, “America’s Greatest Rock and Roll Band”.
“It’s so wonderful to be back in San Francisco. It’s wonderful to be back in America, because actually the title of the record – How Big How Blue How Beautiful – was inspired by the American sky. It was actually, in a text message… I sent – I don’t want to break the mystery of it – but I sent to someone I really cared about a lot. And this song was written about that time. And about just how everything seemed endless, and beautiful, and that the world was a magical place. And then if you hear the rest of the record, you may be able to tell that things got a bit… muh… but still, I feel like you come back to this feeling, always.” Florence Welch of Florence + The Machine, providing an introduction to the title song of the upcoming album due out in June. Playing two back-to-back shows at The Masonic in San Francisco, it was not only a set of concerts with new music, but seemingly a Florence with a bit of a different feeling. I was lucky enough to catch two of their shows in 2012 (at the Mondavi Center in Davis and at the Hollywood Bowl), and the Florence I saw performing this week encompassed what I came to expect (an intense and phenomenal performer), but with flourishes of more joy than I’ve seen previously. It made for even more captivating shows, as her and her incredible group of artists truly put on a masterful performance, with a mix of familiar and new. I obviously attend a lot of concerts every year, but Florence + The Machine is one of the very few that can give me that adrenaline rush and tingle down my spine throughout – a real feat. Being fortunate enough to attend both shows this week, while the set list was the same, the shows each had there own character, energy, and vibe. With the preview of the new album, and the quality of the songs, it would appear that the band hasn’t hit any ceilings yet in terms of their gifts, talents and abilities, and I expect them to continue to soar in that big blue sky that Ms. Welch is so fond of… in studio or on stage, they remain one of the top musical artists active today. [Read more…]
“Oh, somebody wants to hear, “What’s On Your Mind?”. Peer pressure him into letting it go… Dude. Or is he telling us to hurry the fuck up?” Kurt Harland, singer and front man for Information Society, displaying a mix of confidence and humor at their concert at Thunder Valley Casino Resort on Saturday night. Live shows from the New Wave/synthpop band are very rare these days, and the guy shouting out the name of the song that made them very famous with the masses circa 1988 didn’t have the same appreciation for the full spectacle and show they put on as the rest of the crowd, who couldn’t seem to get enough of their unique style of music, whether it was old favorites from the 80s and 90s or new songs from the newly released (and excellent) _hello World, which came out late last year. This concert event promoted by WorldOne Presents was marketed as “80’s Rewind Fest Presents: PURE ENERGY”, and it was a special winter edition of their “80’s Rewind Fest” series. This concert boasted additional special guests Book of Love as well as local opener, Self.Same. Though the three founding members of Information Society have gone off to create lives and careers outside of their band, you wouldn’t know if from this concert. They brought a ton of excitement and style on stage. Given their amazing new studio album and their ability to put on a fantastic live show, hopefully it represents more InSoc coming in our future.
“Okay, you all know this song and you need to sing along, because we don’t know what fucking hours of music were going to play tonight we’re going to keep going, so you guys sing along with this one…” Jules De Martino providing an intro into one of The Ting Ting’s biggest hits, “That’s Not My Name”, just before Katie White throws down with the vocals and gets the audience into a frenzy at their sold out show at Harlow’s Restaurant and Nightclub in Sacramento on Saturday night. As mentioned in my review of their show for Popscene at Rickshaw Stop in San Francisco the night before, The Ting Tings haven’t passed through on a tour since supporting their sophomore album, Songs from Nowheresville, in 2012 (see my review of that show at The Fillmore). Their newly released third studio album, Super Critical, just came out late last year via their successful PledgeMusic campaign. Co-produced by original Duran Duran guitarist Andy Taylor, the album pivots them into a different direction, though with their trademark infectious and experimental sound and energy. I thought the show Friday night was amazing, and illustrated how the band puts a lot of thought and attention into creating a live show that refashions their music a bit with each outing, keeping it all fresh and exciting for the crowds they turn out… Somehow, the Sacramento show was even better, and will definitely be in my Top Ten shows of 2015 at the end of the year, and has set the bar high for all of the other shows I’ll be seeing in the next 11 months.
“San!!! Fran!!! Cisco!!!” A city turned into a three-word chant by Jules De Martino, he and the other half of The Ting Tings duo Katie White aren’t the type to chit chat too much in-between songs at their live shows, but they certainly know how to get a place jumping. And that’s just what they did at the sold out show at Popscene at Rickshaw Stop on Friday night. The Ting Tings haven’t passed through on a tour since supporting their sophomore album, Songs from Nowheresville, in 2012 (see my review of that show at The Fillmore), and this latest gig was even more of a special occasion since they aren’t hitting but a handful of cities on this front end of touring in 2015 (and the dates in play are predominantly in California). Their newly released third studio album, Super Critical, just came out late last year via their successful PledgeMusic campaign. Co-produced by original Duran Duran guitarist Andy Taylor, the album pivots them into a different direction, though with their trademark infectious and experimental sound and energy. The show Friday night was amazing, and illustrated how the band puts a lot of thought and attention into creating a live show that refashions their music a bit with each outing, keeping it all fresh and exciting for the crowds they turn out. I loved every second of it, and while it was a full set, they left me wanting more, but I’ll get that at their follow-up show in Sacramento… one of those rare bands who inspire me to follow them around a bit.
As with my 2012 and 2013 Year in Review features, it’s always a challenge to reflect back on a year of music and summarize the highlights. Honestly, I don’t know if I will have have a year that beats 2013, which was an incredible one for me with a lot of travel as well. This year, I ended up attending 60-something shows, most with two or more artists, so hundreds of different sets of incredible talent and music. As such, I feel it is important to highlight the best of the best of the best, in an attempt to celebrate the year that was. You can also check out my Top 100 Concert Photos of 2014 in that separate article.
This is the first of my 2014 “Year In Review” articles. As with my articles in 2013 and 2012, I reviewed a sampling of my concert photos from 2014 and compiled some of my favorites and stopped when I hit 100 photos in total. Please also check out my companion 2014 Year in Review article, which covers my Top 10 Albums, Top 10 Songs, Top 10 Concerts and more. [Read more…]