Fans of The Moody Blues got to experience the band like never before on Sunday night at Ironstone Amphitheatre. Featuring “an evening with…” style concert presentation, The Moody Blues played two full sets in front of the massive crowd in attendance, the first with various hits from their career and the second presenting a track by track playing of every songs from their groundbreaking album, Days of Future Passed, which celebrates it’s 50th anniversary this year. They looked and sounded great, and there was a lot of magic in the air as they recreated this landmark album live on stage.
“Now this next song, I must have been about 25 when I wrote this song… I don’t even know why I play it anymore other than I know you guys want to hear it, right?” John Melloncamp on stage at Ironstone Amphitheatre at Ironston Vineyards Saturday night, talking about writing his hit song from the 80s, “Jack and Diane”. The venue was packed with fans turning out to see their blue collar hero from decades past, though it is a strange kind of incongruity with what inspires the fans still today seems to be more of a thorn in the side of the man who captured their imagination with these songs for which he does not seemingly share the same sentiment himself today. Regardless, he delivered an impressive set and supporting artists Carlene Carter and Emmylou Harris did the same.
“Let’s see some hands!” Tommy DeCarlo, vocalist from Boston, getting the massive crowd at Ironstone Amphitheatre in Murphys reaching up to the sky during “Cool The Engines”. Essentially a double-header with Joan Jett & The Blackhearts performing earlier, it was a stellar night of classic rock spanning the last four or five decades. The two artists were a great choice to pair up, in that they had great crossover in fans but were also a showcase in contrasting styles and approaches to bringing their music to life on stage. Joan Jett & The Blackhearts were stripped down to just the instruments they needed to recreate their raw punk rock style as the sun set into the horizon behind the crowd while Boston had a fantastic spaceship themed backdrop across massive monitors that seemed to fuel their hard and progressive rock sounds. Early on in Richter Entertainment’s Summer Concert Series, this show set a bar for high energy and pure rock and roll for all the artists to follow.
“You never know who you’re saving; you never know what future you’re making possible…” Kelly Corrigan speaking to a packed Fox Theater in Oakland, with 1,615 people in attendance on Saturday night for the 8th annual Notes & Words: Benefit For UCSF Benioff Children’s Hospital. As per their format, entertainment included both writers and musicians on stage. This year featured musicians Daveed Diggs, The Head and the Heart, and Vocal Rush and writers Michael Lewis, Calvin Trillin, and writer (and event host) Kelly Corrigan. The Oakland School for the Arts Chamber Choir also performed. Notes & Words is an annual benefit concert created to support the UCSF Benioff Children’s Hospital Oakland; the Children’s Hospital & Research Center Oakland provides the highest quality medical care to children throughout California. An intimate show, it shared many personal stories and perspectives by way of the personalities on stage as well as video presentations offering real context by showcasing some of the patients of the Children’s Hospital.
“Are you ready?” Paul Stanley of KISS getting the audience prepped to sing along with “Say Yeah”, a song off of their 2009 album Sonic Boom. 24 studio albums (including their four solo albums), live albums and countless other impressions on pop culture at large going back to 1974, KISS have been a rock and roll phenomenon going strong for over four decades. I am not personally a KISS “fan”, so this is written from the review of someone who has been alive as long as they’ve been together, but never before attended a KISS concert. They are one of the biggest bands of all time and real icons in rock, so I finally took an opportunity to see what they’ve always been best known for – live concerts. And now having experienced it, I can say that their reputation for putting on an amazing show is well deserved. High energy, high production, and filled with many of the innovative elements that other artists have since copied over and over, it was really something to see and hear and feel. I really could not have been more impressed and I really have a lot of respect for the band and their crew that help put it all together. If you are a member of the KISS Army, you know all of this; if you are more like me and had never seen the band before, I give my highest recommendations to go and check it out. And I am glad I was able to take in my first KISS show at Grand Sierra Resort & Casino’s Grand Theatre as it is one of the best concert venues for this type of show. Everything was top notch.
KFOG held their Concert for Kids concert at The Masonic in San Francisco on December 8th, boasting a stellar musical line-up of Band of Horses, Blind Pilot and The Revivalists. The popular venue was packed with fans coming out for a great concert and also in support of UCSF Benioff Children’s Hospital Oakland and the Marines Toys for Tots program. [Read more…]
“Tonight’s secret code is: Trump shifters of the world unite…” Morrissey, opening his appearance at Grand Theatre at Grand Sierra Resort & Casino in Reno by giving preface to a slightly modified rendition of The Smiths’ classic “Shoplifters of The World Unite”. On the heels of the recent presidential election in the United States, it wasn’t too surprising for some kind of comment or commentary, in that when I saw him live in concert around this time last year, his band was wearing “Morrissey for President” t-shirts. Always one to bring a theme to each show, on Friday night the band wore shirts with “Don’t Eat My Peeps; Go Veg” emblazoned across the front over cartoon graphics of baby chickens. While the night was peppered with some political content, the concert included a variety of songs spanning Morrissey’s career, from 1985’s Meat Is Murder through to his latest solo album, 2014’s World Peace Is None of Your Business. As always, Morrissey and his band put on a stellar show, and he seemed to be in a great mood and as comfortable on stage as ever. [Read more…]
“I try to think about tomorrow, but I always think about the past… about the things that didn’t last… if I could go to the beginning, then for sure I would be another way… make it better for today…” Pixies (the “loud quiet loud” band) are a quiet band on stage in-between the generally quick songs, so we are left with the music, and the lyrics within, to try to figure out what is going on with them. It was less than one month ago that they released their sixth studio album – their second without founding bass player and vocalist Kim Deal – and their first with new full-time member Paz Lenchantin. The new album serves as fuel for this tour, with just four rare dates in Calif0rnia this month as prelude to many shows across Europe, England, Australia and New Zealand, keeping them busy until early next year. So it was interesting seeing them and hearing some of their new music performed at Ace of Spades in Sacramento on Wednesday night. The Pixies in Sacramento. A rare thing indeed. One of my all-time favorite bands playing in the city where I was born, and where I first saw the band way back in 1990, about a quarter of a century ago. A different time. So much has changed, but so much about the band remains the same. I’ve taken the new album, Head Carrier, for a spin and those lyrics above stuck with me. Interestingly, the vocals on that particular song are delivered by Paz, who is no Kim soundalike (on vocals or bass), though obviously the message in those lyrics is for Kim. So the Pixies in 2016 is older, mature, different… and the band is at once both old and new; looking backwards and forwards. The album sounds quite different from everything that came before (even 2014’s Indie Cindy). And I think that the sentiments expressed in that song, “All I Think About Now”, kind of sums up this new iteration of the Pixies. With this live show, the old and the new were mixed together to create a different sort of Pixies show, giving something fresh to both new and old fans alike. But there are still those songs that carry on and remain classic to those who were with it at the time, in the band’s short-lived first incarnation in the late 80s and early 90s. The concert was a tribute to that as well.
“Wow, it’s amazing to be back here at Humphrey’s, or as we like to call it, ‘free concert for boats!’ [pointing to the water] You were the guy who wrote the review! [mocking imitation] ‘Didn’t sound any good from my boat…’ Buy a fucking ticket!” Roland Orzabal of Tears for Fears, bringing not just amazing music but laughs too, carrying on a funny faux dialogue in-between songs with an unseen concert reviewer from their last appearance at Humphrey’s Concerts By The Bay in beautiful San Diego. Alongside Curt Smith, the pair added to the casual atmosphere of the venue with their playful quips and anecdotes throughout the evening, making the entire affair feel somewhat like a private gig among friends. But then there is that music… song after song that added significant color and style to the soundtrack of our lives, for many of us in attendance who found the band in our formative years. Which isn’t to say that they are exclusively “an 80’s band”, but that is the decade that they helped to craft and shape not just in music, but pop culture at large. And many of those songs are as “alive” today as ever, with younger artists creating their own versions of some of the songs, as well as the music still giving life to new works in other mediums (like Donnie Darko). Tears for Fears is one of my favorite bands to see live, because they always deliver with a top notch group of fellow musicians on stage and recreate those familiar songs in new and substantive ways. They are still relevant, and they’ve still got “it”. [Read more…]
“Oakland, San Francisco, how the hell you doing tonight? We played here almost six years ago opening up for somebody… Who here was there? Was anybody there at the show? I’m just sayin’, I do see a lot of people who have been with us all six years, and for all of you who have come to all these shows, all these years, thank you so much!” Andrew Wessen, guitarist of Grouplove, a band who always has their gratitude and appreciation on display. They played a scorcher at a packed Fox Theater on Friday night, supporting their third studio album, Big Mess. Just one date into their new U.S. tour running through the end of the year (followed by dates in Australia), they sounded and performed better than ever. One of my favorite live acts, they put on a high energy show that had the crowd bouncing throughout, embracing the excellent new songs as much as the favorites. Definitely a must see tour. The latest album, produced by Captain Cuts (Grouplove’s Ryan Rabin) and Phil Ek is characterized by their signature sound and style, and may be their best yet. With their “Big Mess World Tour”, one dollar for every ticket sold will be donated to the organization charity: water to help fund water projects like drilled wells, spring protections, and BioSand filters that help provide clean water to communities around the world. [Read more…]