“Remember baby, the lake may be cold, but the light at the end of the tunnel may be you…” The final words from the immortal Steven Tyler as he turned his back to the crowd and strutted topless down the ramp and into the bright lights glowing from the back of the stage, as “Bad To The Bone” played him out. Performing at Harvey’s Outdoor Arena in South Lake Tahoe as part of their Summer Concert Series two years running, the explosive live show by Aerosmith kept a sold out crowd on their feet for over two hours. In my own opinion, Aerosmith is not just the best live rock and roll band touring today, but maybe of all time. They do pretty much everything better than anyone else, and they have so many hits in their arsenal that it just builds and builds and builds all night. Steven Tyler was born to do what he does, and even at 67 years old, he does it like no one else (and last night appeared to be have more energy than any of the 7,000 people in attendance). As much as he is the ultimate front man and performer, he is absolutely beaming when “Joe Fucking Perry”, “on guitar for 40 fucking years” is beside him, bringing the familiar riffs to life in a way that seems to be equal parts passion and effortlessness. Their songs feel like they were made to be performed live, and maybe more than any other band today, they know how to put on a show that’s brilliant no matter where you are, from up close to far away in the bleachers. Even if you are not a dedicated Aerosmith fan, I would say above any other band today – if you are a fan of ANY contemporary music – you’ve got to turn out to their show at least once, just so you have a new benchmark from which to judge all other concerts. It really doesn’t get any better when you consider every critical element that goes into a live concert event. They’ve earned the title, “America’s Greatest Rock and Roll Band”.
Aerosmith (Blue Army Tour 2015) at Lake Tahoe Outdoor Arena at Harvey’s | Stateline, Nevada | 7/3/2015 (Concert Review + Photos)
Live 105’s BFD 2015 at Shoreline Amphitheatre – PART TWO (MAIN STAGE) | Mountainview, California | 6/6/2015 (Concert Review + Photos)
Live 105’s BFD 2015 festival at Shoreline Amphitheatre in Mountainview, California marked the 21st time that the annual event has been held. Live 105, “The Bay Area’s Alternative”, had a well curated line-up of known and emerging acts, covering a wide range of musical genres that all fall under the “alternative” banner, including 15 local acts. All of this resulted in a quick sell out for the entire show. With a vast line-up, they managed to squeeze it all into one day, with two “Festival Stages” that alternated back and forth throughout the day (to mitigate any downtime – it was literally non-stop music) as well as a “Subsonic Tent” and “Soundcheck Local Band Stage”, which ran concurrently. It all lead up to the “Main Stage” acts within the Shoreline Amphitheatre itself, which ran back to back through the night. A fantastic show that seemed to come off without a hitch, playing to over 20,000 fans. This article features my PART TWO coverage, which focuses on the nighttime “Main Stage” artists and performances.
Live 105’s BFD 2015 at Shoreline Amphitheatre – PART ONE (FESTIVAL STAGE) | Mountainview, California | 6/6/2015 (Concert Review + Photos)
Last weekend was Live 105’s BFD 2015 festival at Shoreline Amphitheatre in Mountainview, California. Representing the 21st time that this annual event has been held, it sold out in advance of the concert date on June 6th. Live 105, “The Bay Area’s Alternative”, had a well curated line-up of known and emerging acts, covering a wide range of musical genres that all fall under the “alternative” banner, including 15 local acts. With a vast line-up, they managed to squeeze it all into one day, with two “Festival Stages” that alternated back and forth throughout the day (to mitigate any downtime – it was literally non-stop music) as well as a “Subsonic Tent” and “Soundcheck Local Band Stage”, which ran concurrently. It all lead up to the “Main Stage” acts within the Shoreline Amphitheatre itself, which ran back to back through the night. A fantastic show that seemed to come off without a hitch, playing to over 20,000 fans. This article features my PART ONE coverage, which focuses on the daytime “Festival Stage” artists and performances.
I usually open my concert review articles with a quote from one of the artists on stage that night, though with Meg Myers at The Boardwalk on Thursday night, it would have been words in reference to asking some loudmouthed people in the venue to shut up. More on that in a moment. In spite of the ongoing source of annoyance to those who showed up to enjoy the music and the artists who came to perform, Meg and her band put on a stellar performance. I’ve been a strong supporter of Meg and her music since I first saw her open for the Pixies in Los Angeles two years ago, and she has continued to build on her works and cultivating fans who understand her and her music. Her debut album, Sorry, is due next month, and it will be interesting to see how much it fuels her career and where it will take her coming into 2016. The single, “Sorry”, has been a big hit for her. She is, in my opinion, one of the most creative and interesting (and exciting) artists active today, and her live show is definitely one not to miss.
Garbage is celebrating two decades since the release of their self-titled debut album with a U.S. tour coming in October. The “20 Years Queer Tour” will see the alternative band playing their first album in its entirety. That debut was released on August 15th, 1995, and included hits such as “Queer”, “Stupid Girl”, “Vow”, and “Only Happy When It Rains”. The album went on to sell more than four million copies worldwide and garnered three Grammy Award nominations. Leading up to the tour, the band will release a special remastered 20th Anniversary Edition of Garbage which will include remixes and previously unreleased versions of some of the songs. [Read more…]
“Holy shit! San! Fran! Cisco! Oh my God. Well, I may be really fucking tired… I danced my ass off! I have sit down so I don’t have a heart attack! … just in case you missed what we were trying to say… San Francisco, you are fucking amazing!” MisterWives’ Mandy Lee, after coming back on stage for their encore, taking a seat behind the drum kit. That encore opened with a “fucking amazing” cover of “Uptown Funk”. This is the moment where they really showed off how each member of the group is an exceptional musician, as they went through an extended jam session that really showcased their music talents and ability to intuitively wander about a song and squeeze every last bit of sonic confection out of it. I first saw the New York pop band performing as part of the KNPB television series, Cargo Live at Whitney Peak Hotel in Reno, and came away feeling that it was a band destined for a very bright future. That feeling was cemented Thursday night, as they have matured even more as a live act. Their debut album, Our Own House, has since been released, and fueled them through an hour and a half show. The theme of the night, for them, seemed to be an earnest love for The City by the Bay, with Mandy becoming choked up at the love being showered onto the band throughout the concert. They are definitely a young act with much larger stages waiting for them in the not too distant future, as long as they keep on doing what they are doing.
Louis E. Johnson Passes Away at 60: Concert Photography Tribute – Photos from Last Concert as The Brothers Johnson
Louis E. Johnson, known as Louis “Thunder Thumbs” Johnson and half of The Brothers Johnson with brother George “Lightnin’ Licks” Johnson, passed away on May 21st at age 60. Louis Johnson was a legendary bass player and one of the principal figures in Funk music, and also is famous for laying down that incredible bassline on Michael Jackson’s “Billie Jean” as well as playing on his hit, “Don’t Stop ‘Til You Get Enough”. The Brothers Johnson collaborated with Quincy Jones, and are best known for their 1977 cover of Shuggie Otis’ “Strawberry Letter 23″, their 1976 hit “I’ll Be Good to You”, and the 1980’s hit “Stomp!”. I was lucky enough to see what I think might have been the last live concert performance by The Brothers Johnson” in September 2013 as part of WorldOne Presents and their “Funk Fest” event at Thunder Valley in Lincoln, California, and did extensive photography at the show. You can see my full review and photos in my original article, but I thought I would pull out some of the Louis Johnson ones here as a tribute to the great man. [Read more…]
“I’d like to thank our two friends down here who have been down here all day; it was crazy for us to have any of you here in San Francisco all the way from London…” Ellie Rowsell’s gratitude expressed to the two Wolf Alice fans who came a long way to see the UK alternative four piece play in the U.S. I’d just seen their show at Popscene in San Francisco only three months ago, and I could not wait to catch another one of their dynamic live concerts. Having since had an opportunity to get schooled in their music released to date, I have found Wolf Alice to be one of the most exciting newer bands recording and performing today. With their debut album – My Love Is Cool – due next month, I am confident that their music will propel them to greater success and larger stages. They have a real set of gifts and talents with their songwriting and originality, and the contemporary yet timelessness of their music which features some touches and influences that span many disparate music genres and eras. They are the real deal.
Howard Jones at Harlow’s Restaurant & Nightclub | Sacramento, California | 5/13/2015 (Concert Review + Photos)
“You gotta keep believing in what you wanna do; don’t give up…” Howard Jones on stage at Harlow’s Restaurant & Nightclub in Sacramento on Wednesday night, playing to a sold out crowd in an intimate space holding about 450 fans. He was reflecting back on when he was working in a factory as a very young man, and writing “New Song”. His debut single – released in 1983 – is all about optimism… and that is in my estimation what the man is still about today, some three decades later. Throughout his performance, he was beaming with joy and fun between each song, chatting with fans and tossing out anecdotes and familiar lyrics that can still be instructive today (“try and enjoy the here and now… the future will take care of itself somehow!”). But it’s not just the classic tunes that had people moving. Having released his 11th studio album this year – Engage – he is as creative and relevant as ever, with fresh new songs. My own feeling is that in all this time since the 80s have come and gone, he best represents not just the style of music but the feelings of that era, and it is awesome that he continues to spread his work and message in live shows like this one. Things can only get better, indeed.
Music legend B.B. King passes away at age 89 today. The “King of Blues” was born in Mississippi, and not only was witness to nearly nine decades of history, but was a key participant in it as well. [Read more…]
“My only birthday wish is to fucking bring the house down……” MS MR playing Popscene at Rickshaw Stop on Thursday night, being a traditional Popscene show that runs late into the night, it literally became Lizzy Plapinger’s birthday at some point during the show. When, exactly, was anybody’s guess, as she and her partner, Max Hershenow, blasted through hit songs and songs yet to be released at the sold out show in San Francisco. Keeping with the duality of their performing and recording name, the old and the new songs split the exactly hour long set in about in half, giving fans a preview of the upcoming sophomore album, due out in July on Columbia Records. MS MR easily sold out two shows at the much larger Fillmore last year (see past review), so it was special seeing them playing a smaller, intimate venue. The new music is fantastic, and shows a lot of growth for the duo as the expand their musical horizons. I ranked their debut, Secondhand Rapture, as my favorite album of 2013, so I really look forward to seeing how the studio versions of the full album measure up to the brilliant Popscene show this past week.
Florence + The Machine at The Masonic | San Francisco, California | 4/8/2015 & 4/9/2015 (Concert Review + Photos)
“It’s so wonderful to be back in San Francisco. It’s wonderful to be back in America, because actually the title of the record – How Big How Blue How Beautiful – was inspired by the American sky. It was actually, in a text message… I sent – I don’t want to break the mystery of it – but I sent to someone I really cared about a lot. And this song was written about that time. And about just how everything seemed endless, and beautiful, and that the world was a magical place. And then if you hear the rest of the record, you may be able to tell that things got a bit… muh… but still, I feel like you come back to this feeling, always.” Florence Welch of Florence + The Machine, providing an introduction to the title song of the upcoming album due out in June. Playing two back-to-back shows at The Masonic in San Francisco, it was not only a set of concerts with new music, but seemingly a Florence with a bit of a different feeling. I was lucky enough to catch two of their shows in 2012 (at the Mondavi Center in Davis and at the Hollywood Bowl), and the Florence I saw performing this week encompassed what I came to expect (an intense and phenomenal performer), but with flourishes of more joy than I’ve seen previously. It made for even more captivating shows, as her and her incredible group of artists truly put on a masterful performance, with a mix of familiar and new. I obviously attend a lot of concerts every year, but Florence + The Machine is one of the very few that can give me that adrenaline rush and tingle down my spine throughout – a real feat. Being fortunate enough to attend both shows this week, while the set list was the same, the shows each had there own character, energy, and vibe. With the preview of the new album, and the quality of the songs, it would appear that the band hasn’t hit any ceilings yet in terms of their gifts, talents and abilities, and I expect them to continue to soar in that big blue sky that Ms. Welch is so fond of… in studio or on stage, they remain one of the top musical artists active today. [Read more…]