“I don’t know if you guys will get this song or not, being that you’re from California…” part of Margo Timmins’ introduction to the last song of the night, “Fuck, I Hate The Cold”, at Yoshi’s San Francisco last night. If music is the soundtrack to our lives, songs by the Cowboy Junkies must be intended for those more soul-searching and contemplative, raw moments. They slow things down a bit and make you feel more thoughtful and introspective. The band – a real family affair, together and producing new music and touring for more than 30 years – last year completed Volume 4 of the Nomad series… an ambitious four albums added to their catalog over a scant 18 months. The concluding work in that series, Wilderness, explored themes that included “fragility, emptiness, loneliness, beauty, chance, loss, desperation“; though timeless areas of focus, it all seems especially fitting for these times, with much of their music being a bit of post-modern Blues.
Just when you think you know what to expect from a Crystal Castles concert, a naked man casually walks on stage to tend to his drum kit (not a euphemism), part of the second of two supporting bands. But of course the real show starts with the main set… and with Crystal Castles, it’s as much about the experience surrounding the music as it is the music itself. While Alice Glass and Ethan Kath don’t really have anything to say in-between songs during their thumping (with many thumps courtesy of touring drummer Christopher Chartrand) high energy shows, they certainly know how to entertain and excite once they take the stage. With their unconventional sound, seizure-inducing lighting effects, and interactivity (by way of Alice diving into the audience), a Crystal Castles show overloads the senses… so much unfamiliar and unexpected for your eyes, ears, and brain to process. Whatever your take on their brand of experimental electronic/synthpop/synthpunk music, you certainly can’t consider their live shows to be boring or uneventful. A band born to perform live, for sure. Their studio recordings are fantastic (and their third studio album, (III) is excellent), but you really need to see them live to understand their music, and get the full Crystal Castles experience.
“I ain’t gonna waste a lot of time talking. All I’m gonna tell you is this… For the next two and a half hours, I promise to take you on a roller coaster ride you will never forget…” A pledge from the Bon Jovi front man, Jon Bon Jovi, about 15 minutes into their supporting act-free “An Evening With…” concert for their “Because We Can Tour” at the massive HP Pavilion in San Jose last night, which appeared near filled to its 17,496 capacity. Admittedly, I am not a dedicated Bon Jovi follower – I am a big fan of a handful of hits – so I don’t feel as though I was the intended audience. Having said that, I tried to imagine how I would take it all in if I were a fan, and I still find the roller coaster metaphor challenging to wrap my head around, as I found the show to be, for lack of a better description… ill-suited, and frankly boring… for such a large venue. While Richie Sambora did not make it through the tour to appear at this last date on the U.S. leg of their journey in support of the new What About Now album, I can’t imagine his being part of last night’s show would have been enough to overcome the shortcomings (and fill-in Phil X was fine). Bon Jovi seems like a genuine, appreciative, kind guy, but at least from my perspective, maybe he arrived last night and forgot to load that six string on his back.
Prince with 3rdEyeGirl (Live Out Loud Tour) at DNA Lounge | San Francisco, California | Day 2 “Early Show” 4/24/2013 (Concert Review)
“How do you like your rock ‘n roll? I don’t know about you, but I like mine funky.” Early on in Prince’s “Early Show” Wednesday night – the second evening of his two-night engagement with 3rdEyeGirl at the tiny 800-capacity DNA Lounge in San Francisco – he let us know what we were in store for over the following hour and a half. And that was the theme of the entire night… funk. Since I already gushed over how the “Late Show” the evening before was one of the best concerts I’d ever been to in my life, I was hoping for more of the same. Well, it was another epic show, but somehow was altogether different from the show the night before. This gave me a different perspective on these concerts, which as precision-driven as Prince is, the concerts overall seem very much like a ripping and spontaneous jam session. A perfect collision of the planned and the unplanned… I got the feeling that there is an overall framework, and incredible planning and timing in all of it, but within that framework is a genius at work – inspired, reacting, and making up brilliant music set pieces as he goes along. He’s not there to please any particular sensibility or set of expectations. He’s there to rock the place out. And boy did he deliver. The highlight for me was, funny enough, when he took over the bass guitar and played that thing in a way I’ve never seen or heard a bass played before. And it was all about funk, without any doubt. $250 plus fees for these shows is a high point of entry, but had I known what I was in for, I honestly would have found a way to go to all four shows in San Francisco this week, they were that amazing. The must-see show of the year, hands down. [Read more...]
Prince with 3rdEyeGirl (Live Out Loud Tour) at DNA Lounge | San Francisco, California | Day 1 “Late Show” 4/23/2013 (Concert Review)
I’ve been to a lot of concerts in my life, and for a variety of reasons had never been to a Prince show before last night (as much as I rate him among my favorite artists). I can say, hands down, he is truly the most brilliant performer I’ve ever seen. It is all so effortless and mind-blowing that I can’t really put it all into words (or pictures – no photos were permitted, even from cell phones). Prince and his new all-girl band 3rdEyeGirl literally sucked all of the oxygen out of the 800 capacity DNA Lounge in San Francisco for his second and final show on Day 1 of his two-day engagement. The only negative was the idea that it was all at some point going to end, but thankfully, I am going to get a second chance for this once in a lifetime experience tonight for the early show on Day 2 at the same fantastic venue, that almost felt as if it was designed to host these very special shows. Not only one of the best concerts of the year, one of the best concerts I’ve ever been to… ever.
Sixto Díaz Rodríguez (“Searching for Sugar Man”) at The Warfield | San Francisco, California | 4/23/2013 (Concert Review)
“I’m not gettin’ old. I’m gettin’ dead.” Sixto Díaz Rodríguez, at age 70, standing before an enthusiastic, sold out crowd at The Warfield in San Francisco last night. He took time away from his set of late 60s folk protest rock and some surprising covers to engage the audience, often with humor (and some of it lighthearted and self deprecating) and incredible charm. I don’t know about the rest of the crowd, but if I could have one wish granted at the show, it would probably be to go up and give him a hug. He seems to be quite a sweet character, and beaming with happiness, which was not quite what I expected having his work on rotation for the 2.5 hour drive into the city. With boots, leather pants, black shirt and coat, and his trademark hat and glasses, he stood before us like some kind of elder statesman rock star… long lost and forgotten, that he was there at all playing on stage was as much unlikely as it seemed to be a part of his destiny. Truly an incredible opportunity to experience his music live and in person, I can’t imagine anyone in the room went away anything less that ecstatic with the show.
“Do you guys remember – some of you will remember – Metric shows before cell phone cameras? It’s really funny you know; that shit changed my life.” Metric’s Emily Haines, taking a moment mid-show at the Fox Theater in Oakland last night to share some candid thoughts about how advances in technology have affected her and what she shares with audiences during concerts; a bit of a lament over the way things used to be… a simpler time. Her philosophical aside was quite interesting (salted with some humor as well); to hear her unique perspective on live concert events today and the ubiquitous technology wherein everything and anything can be recorded with ease (and how bits can carry on, out of context). Funny enough, it was something I had mentioned in my coverage of the show the night prior at Mondavi Center in Davis, though some friends of mine who have been to Metric shows that I missed said it is something she has brought up in the past as well. In any event, with that and a nice chat at the end leading into their “Gimme Sympathy” closer, there seemed to be a different kind of dynamic with each audience in the past two nights (both awesome, but different). Fox Theater offered a GA floor whereas Mondavi was seated (though ended up sort of GA as it got going), but the larger Fox has the distinct separation between stage and audience, with the security pit, so the added discussion maybe bridged that literal gap to create a different sort of connection compared with Mondavi, wherein the band could reach down and literally touch the members of the audience with ease. In any event, having seen back-to-back shows over two nights, it was fun for me to compare the two. Both were stellar shows with great performances by Metric, as they tour over a dozen shows and dates between now and June. While for me on a personal level the Mondavi show was more engaging (since I was front row for the entire show), I took an opportunity with the Fox show to enjoy the set from different perspectives, and it was quite enjoyable to even move to the very back and have a better perspective with which to take in the impressive lighting effects on the stage, which is much different from seeing it all up close. All in all, another fantastic show by Metric and they have become one of my favorite bands to turn out to see live.
“If you’re here, you know I love a sing along, so don’t let me down, alright? Hook me up.” Metric’s Emily Haines, giving her introduction to the acoustic version of their classic song, “Gimme Sympathy”, which brought the intimate show at Mondavi Center to a close last night. 2013 is shaping up to be one of the best years in some time for live music concerts, and April in particular is weighted very heavy with competing and conflicting shows all over the West Coast due to Coachella and bands doing their own headlining shows in addition to that “granddaddy of U.S. festivals”. Even so, when Metric announced a little over a dozen dates running through June, I changed around my own schedule to be sure to see them twice. The only other artist I’m seeing twice this month is Prince, so I think that speaks volumes about the esteem with which I hold this band. With their show a Mondavi Center for the Performing Arts, they certainly didn’t disappoint. Pre-show, looking around the beautiful venue at the crowd, it was hard to say what kind of audience the band was going to encounter. Opener Mona delivered and got them out of their seats, and by the time Metric came on stage, they were beaming with excitement that further fueled the band. It was definitely one of the top shows I’ve been to this year, and it was one of those shows that was so good, the only negative was those fleeting thoughts that it eventually had to come to an end. In any event, it was spectacular and unforgettable, and the band is one of the must-see acts touring today.
“Because we’re sentimental folks, and we like symmetry, and we like to tie things up. And we like to make amends, and we love to give thanks. So thank you for being here tonight.“ Shirley Manson from Garbage opened up to the fans in attendance at The Pearl Concert Theater at The Palms Casino Resort in Las Vegas last night, as the concert marked their return back to where it all started one year ago, and thus the U.S. leg of their world tour came to an end last night with a mix of mutual heartfelt emotion and gratitude from the stage and from the audience as well. The band has come a long way in the past year, and comparing the show at the same venue in April 2012 to the one put on last night, they have certainly matured as a live act, but it is more than obvious the bonds between the band members as well as between them and their fans has strengthened tremendously. It was an incredible show, and for me at least, is a frontrunner for concert of the year. They will be missed, but are going back to create a new album, and I’m certain that when they return it will open up a new journey for the group that we can all then become a part of again.
Live Nation has provided Rock Subculture Journal with a pair of tickets to Killing Joke’s April 19th concert at Irving Plaza in New York City to give away to one of my readers. The show in New York is their first U.S. date and one of just a handful of shows announced for this tour. One winner will be selected at random to receive two (2) general admission tickets to the show, which is part of their world tour currently underway. [Read more...]
Early on during his “Finding My Dance” one man show, I got the sense that Colin Hay is often the smartest person in the room, no matter how large or small the venue. More than a musician (and a great one at that), he is a philosopher, comedian, and genuinely kind man. He is very funny, and not just prepared and rehearsed funny, but quick witted as well, and I’ve always operated under the idea that really funny people have to be highly intelligent in the most fundamental of ways, as you must have real keen self awareness and highly complex and contemplative observational abilities, as well as emotional depth and empathy. I picked up on all of this with Colin Hay from my front row vantage point at The Center for the Arts in Grass Valley where he put on his amazing show for the sold out crowd. That show – a hybrid of music and storytelling – was over two hours long and really captivating in every sense as he took us on both a narrative and musical journey of his life. He talked about having an understanding of his place in the universe, and those who might expect him to be nothing more than the former front man of 80s band Men At Work are truly missing out at what he has to offer not just in terms of music and entertainment, but the wisdom (in the form of stories and anecdotes) from someone who has had experiences that none of us ever could. He is a great musician but a wonderful storyteller as well, and I can’t imagine a more fitting venue with which to enjoy it.
“Are you ready? Are you really, really, really ready?” The English Beat front man and voice of the band, Dave Wakeling, is one of those music artists that is completely tuned into his audience, particularly in an intimate venue such as The Center for the Arts in Grass Valley, California, where he performed last night. The part seated, part standing 360-capacity venue was packed and from the moment the band stepped onto the stage, the majority was on the dance floor moving to the very unique blending of 2 tone ska/punk/new wave/reggae hits from the band known simply as The Beat in their home of the UK, though also on offer were as some tunes from General Public, the subsequent musical efforts by Dave Wakeling and Ranking Roger following the original break-up of The Beat (Ranking Roger currently performs in the UK version of the band back in England). The band dispensed with having an opening band on the bill, and instead performed two full sets of their own on either side of a short intermission. It was a true live music experience that made great use of the excellent sound system and acoustics of the charming venue as they played song after song for the energetic crowd.