“…one of the reasons it passed so quickly for me was actually – I had a kid. He’s magic. And I’ve basically wanted to hang out with him so I’m sorry I disappeared.” Dido offering some explanation of why she’s not done a world tour for the past 15 years, and as an introduction to one of two encore songs – her very personal “Have To Stay” – in her performance at The Masonic in San Francisco on Wednesday night. I’m actually one of those people who have waited to see her for the past 15 years, so it was an amazing experience. Supporting her brilliant new album, Still On My Mind, Dido played many hits and lots of new music, and still left us all wanting more, even with a 20-song set. This was actually show #1 of 3 for me and Shelley (Mrs. Rock Subculture), as we took time to also catch the subsequent shows in both Portland and Seattle (mini reviews included below) as Dido wrapped up the U.S. leg of her tour in California and the Pacific Northwest. Hopefully it won’t be another 15 years for her to come around again, but it was well worth the wait. [Read more…]
Today, Alice Glass announced her departure from – and thus the break-up of – Crystal Castles with Ethan Kath. She made a short statement on social media, including her personal Facebook page (with her first post since July): “I am leaving Crystal Castles. My art and my self-expression in any form has always been an attempt towards sincerity, honesty, and empathy for others. For a multitude of reasons both professional and personal I no longer feel that this is possible within CC. Although this is the end of the band, I hope my fans will embrace me as a solo artist in the same way they have embraced Crystal Castles.” Crystal Castles, who I had a chance to cover and photograph at two shows (one in Seattle in 2012 and the other in Oakland in 2013), and they were as unique in live form as they were in studio recordings. I thought I’d bid farewell to the band with a pictorial showcase of photos I shot at those two concerts, some of which have never been published previously. [Read more…]
The world needs Billy Idol. The world needs cool, and it needs a bit of a rebel yell. But it also needs dreamers. And, sometimes, a crazy, impossible, outlandish dream can lead to great things. And all of this was proven on an epic night in Seattle, as a young man with hope, ambition, persistence, and ingenuity leveraged the Internet in a way that lead to rock music legend and icon Billy Idol playing his 26th birthday party at the Showbox SoDo in Seattle last night. I’ve seen Billy Idol many, many times over the years, but I can say without a doubt that last night’s special show featured the best audience I’ve ever been a part of at one of his concerts. And in these challenging times we live in, it felt like everyone left their struggles and frustrations and all other negativity at the door, and embraced the awesome music and amazing live performance of Billy Idol and his band, as the put on a scorching show. As just the second (by my count) U.S. date this year (with a third in Eugene tomorrow night), I believe it serves as evidence of the significant demand for fans to see Billy Idol play live. He is one of my all-time favorite artist, has such a fantastic catalog of songs, and is one of the best live acts performing today accompanied by a peerless band and the incomparable Steve Stevens on lead guitar. Cheers to Michael Henrichsen for having a dream and putting such effort into something that brings joy not just to himself, but everyone who loves Billy Idol who came to take part in it. Michael certainly knows how to party, and he brought it to Seattle last night, in the form of the legendary Billy Idol.
Alice Glass may dispense with the audience chit chat you might find with other artists; for her and her bandmate Ethan Kath and their gigs as Crystal Castles, it certainly doesn’t make them any less interactive… with a reputation for high energy shows, she spent a good portion of the concert diving into the audience and literally surfing the crowd at the Showbox SoDo in Seattle last night. The Canadian duo, along with drummer Christopher Chartrand, rocked their unique and experimental lo-fi electronic synthpop/synthpunk sound with synthesizers including an Atari 5200-chip modded keyboard. Their live act is definitely worth checking out, as the somewhat chaotic staging and delivery is somewhat in contrast with the electronic music, fusing raw energy with 8-bit retro sounds to bring something to life that felt and looked like raw rock and roll, but sounded like something altogether new and different.