“Lyrics is everything to me…” The very thoughtful and contemplative Howard Jones, during his intimate solo show (“The Songs, The Piano, and The Stories) at City Winery Napa on Friday night, leading into his heartfelt hit song, “Life In One Day”. The lengthy set was split between his solo performance and stories about each song, delivered with warmth, honesty, and wit, in an authentic, humble manner. The format proved to be an amazing way in which to begin to get to know (funny enough) the man behind the music, which is something I always approach with a little trepidation (at least one favorite 80s icon proved to be a disappointment a few years ago – I wish I could “unexperience” that show). But Howard Jones proved to be a man the audience liked to get to know well… Mr. Jones is really not just an incredible artist, but an incredible man and I really appreciate his efforts to openly share about his fascinating life as well as pass along some life lessons. He does this in his traditional electric shows as well, but it’s not quite the same as him settling into his seat behind his keyboard with the mic volume set for discussion as well as playing, with an equally relaxed audience sitting around him. If you’ve ever seen one of Howard Jones’ electric live shows, I would highly recommend checking out one of these solo shows as well, as it is a totally different experience and maybe even more gratifying and entertaining. I loved every second of it, and plan to go to another one the next time the opportunity arises. My highest recommendation.
“You gotta keep believing in what you wanna do; don’t give up…” Howard Jones on stage at Harlow’s Restaurant & Nightclub in Sacramento on Wednesday night, playing to a sold out crowd in an intimate space holding about 450 fans. He was reflecting back on when he was working in a factory as a very young man, and writing “New Song”. His debut single – released in 1983 – is all about optimism… and that is in my estimation what the man is still about today, some three decades later. Throughout his performance, he was beaming with joy and fun between each song, chatting with fans and tossing out anecdotes and familiar lyrics that can still be instructive today (“try and enjoy the here and now… the future will take care of itself somehow!”). But it’s not just the classic tunes that had people moving. Having released his 11th studio album this year – Engage – he is as creative and relevant as ever, with fresh new songs. My own feeling is that in all this time since the 80s have come and gone, he best represents not just the style of music but the feelings of that era, and it is awesome that he continues to spread his work and message in live shows like this one. Things can only get better, indeed.
“…since we’re in San Francisco, we thought we’d do something special.” Bernard Sumner, singer and guitarist for New Order, as preface to an unexpected, second encore closer and cover of “San Francisco (Be Sure to Wear Flowers in Your Hair)” at the Bill Graham Civic Auditorium last night. One of just a half dozen dates on this North American tour, the concert showed a band that has worked to refine their live set, with updated visuals as well as a bit of tweaking and reworking of what has become their usual selection of songs. It was definitely the best I’ve heard them in the past four years, and they seemed most energized during their performance of new song, “Plastic”. The sold out crowd of around 7,000 never stopped moving and bouncing as they ripped through a sequence of favorites at the end with “True Faith”, “The Perfect Kiss”, and “Blue Monday”. As has been tradition, they closed out with an encore of a few Joy Division covers, but the Scott McKenzie cover at the very end showed that they can still surprise when they are inspired to do so.
“It’s a happy and a sad occasion…” Thomas Dolby talking about his last stop at Creat Theatre in Sacramento last night, in his preface to “performing” his very personal documentary film, The Invisible Lighthouse Tour. Really a film unlike any I’ve ever experienced, it was just that – an experience. Dolby has been a pioneer in pop culture from his very beginnings, well known for his 1982 New Wave hit, “She Blinded Me With Science” among a number of other accomplishments in and out of music. Dolby’s partner on the stage, Blake Leyh, produced some amazing “analog”, impressionistic sound effects during the film, which Dolby scored and narrated, which made it clear that each performance of his film has been quite unique and different. A real pioneer in the arts, Dolby certainly has consistently blazed his own path, and after hearing his candid thoughts throughout the event, it would seem that he operates in a bit of a pop culture bubble, and looks to technology to find new ways in which to create meaningful art and vehicles for expression, and currently he is inspired by the ability today to make powerful films, sans Hollywood budgets and crews. The result is something that literally has to be experienced in a theater, and hopefully this event is truly not the last for The Invisible Lighthouse.
Below you can listen to the all new Rasadon Return remix of Jack Littman’s “The Leaving” by DJ Rasadon. The original studio version of “The Leaving” can be found on Jack Littman’s EP, The Remedy, Vol. 1, which was released earlier this year. DJ Rasadon is formerly part of the Grammy Award-winning hip hop group Arrested Development. [Read more…]
As noted yesterday, Not So Silent Night (NSSN) is Live 105’s “Annual Holiday Rock Show”, with 2012 being the first year it spans two consecutive nights. This second night featured headliner The Killers, along with M83, Passion Pit, Tegan and Sara, GROUPLOVE, and Imagine Dragons. Again, I was very, very impressed at how extremely well managed this multi-artist event was on both nights. Oracle Arena again served as host to six amazing acts in about seven hours time, with very brief breaks in-between. I found the two night show to be such a great event to attend, to have an opportunity to see so many great bands back to back, with a stellar closing set by The Killers.
Not So Silent Night (NSSN) is Live 105’s “Annual Holiday Rock Show”, with 2012 being the first year it spans two consecutive nights. This first night featured headliner Jack White, along with The Shins, Metric, Of Monsters and Men, The Gaslight Anthem, Two Door Cinema Club, and Our Vinyl Vows. I’ve never been a fan of traditional, outdoor festivals (for a variety of reasons), but this was an extremely well organized multi-artist event that can serve as a model for how to do them right, and comprised an excellent line-up of artists. The packed Oracle Arena was treated to seven great acts in under seven hours. It was a really fantastic evening celebrating the work of some really great bands, with Jack White closing things out with a really amazing performance.