Fans of The Moody Blues got to experience the band like never before on Sunday night at Ironstone Amphitheatre. Featuring “an evening with…” style concert presentation, The Moody Blues played two full sets in front of the massive crowd in attendance, the first with various hits from their career and the second presenting a track by track playing of every songs from their groundbreaking album, Days of Future Passed, which celebrates it’s 50th anniversary this year. They looked and sounded great, and there was a lot of magic in the air as they recreated this landmark album live on stage.
“Now this next song, I must have been about 25 when I wrote this song… I don’t even know why I play it anymore other than I know you guys want to hear it, right?” John Melloncamp on stage at Ironstone Amphitheatre at Ironston Vineyards Saturday night, talking about writing his hit song from the 80s, “Jack and Diane”. The venue was packed with fans turning out to see their blue collar hero from decades past, though it is a strange kind of incongruity with what inspires the fans still today seems to be more of a thorn in the side of the man who captured their imagination with these songs for which he does not seemingly share the same sentiment himself today. Regardless, he delivered an impressive set and supporting artists Carlene Carter and Emmylou Harris did the same.
“Let’s see some hands!” Tommy DeCarlo, vocalist from Boston, getting the massive crowd at Ironstone Amphitheatre in Murphys reaching up to the sky during “Cool The Engines”. Essentially a double-header with Joan Jett & The Blackhearts performing earlier, it was a stellar night of classic rock spanning the last four or five decades. The two artists were a great choice to pair up, in that they had great crossover in fans but were also a showcase in contrasting styles and approaches to bringing their music to life on stage. Joan Jett & The Blackhearts were stripped down to just the instruments they needed to recreate their raw punk rock style as the sun set into the horizon behind the crowd while Boston had a fantastic spaceship themed backdrop across massive monitors that seemed to fuel their hard and progressive rock sounds. Early on in Richter Entertainment’s Summer Concert Series, this show set a bar for high energy and pure rock and roll for all the artists to follow.
“It’s a very special evening for us, because this is the culmination of a lot of hard work… we’re about to take a month’s vacation, so tonight’s party night!” Shirley Manson of Garbage, playing before thousands at The Masonic in San Francisco, the band’s last U.S. show on their current tour (sort of, with a special one off show in Los Angeles next month). With this tour, they are supporting 2016’s new studio album, Strange Little Birds. As a follow-up tour to last year’s “20 Years Queer Tour”, we now see the band looking to the future more than reflecting on the past, though there is still some of that too, with stories about the birth of their music in the 90s and of course they are still playing those fan favorite songs and hits.
Rock and roll legends Journey continue their massive series of shows in the U.S. as part of their “San Francisco Fest Tour”, ending appropriately enough in San Francisco in early September. Founded in San Francisco in 1973, Journey has sold over 80 million albums worldwide, recording countless top hits in their career. Neal Schon (founding member and lead guitarist), Ross Valory (original member and bassist), along with longtime members Jonathan Cain (keyboardist) and Arnel Pineda (lead singer) are joined on this tour with Steve Smith on drums – the first time he has toured with the band since 1998. Also performing on this tour are The Doobie Brothers and Dave Mason. [Read more…]
“…for those of you who haven’t been with us for twenty years, ‘welcome’. Thank you for listening, and thank you for connecting with us.” Shirley Manson of Garbage, talking about young people reaching out to the band, some of whom maybe weren’t even alive 20 years ago when they released their eponymous debut album. 20 years later, “connecting” has taken on a whole new meaning than it had in the mid-90s, as the Internet bounds us together in various forms and interfaces. This new tour is all about that landmark and somewhat counter culture album, Garbage, which came out in deluxe, remastered, reissue versions spanning three SKUs across multiple formats on October 1st. The “Super Deluxe Edition” features a whopping 62 tracks, including all of the B-Sides and remixes and demos galore. The “20 Years Queer Tour” is a celebration of that album, playing the whole thing front to back with B-sides sprinkled within, as well as a few songs from later albums and eras. The sold out show at the Fox Theater in Oakland on Wednesday night largely had a party-like atmosphere, as some fans spent the day waiting in line or participating in the Adventures in Wonderland add-on packages (which included swag, sound check viewing, meet and greets with the band, early entry into the venue, etc.). Having turned out for several of the band’s shows as they’ve made their comeback in recent years, they seem to kill it in concert more and more, and the trend continues with this tour, as they stand with confidence on stage, bathed in red-hued lights and performing over a sea of mostly black attire clad fans with the occasional pink feather boa as added flair. Even though they are looking backwards for this tour, they continue to move forward and it is an exciting time to be a fan of this band, who continue to reach up for their full potential. [Read more…]
“Remember baby, the lake may be cold, but the light at the end of the tunnel may be you…” The final words from the immortal Steven Tyler as he turned his back to the crowd and strutted topless down the ramp and into the bright lights glowing from the back of the stage, as “Bad To The Bone” played him out. Performing at Harvey’s Outdoor Arena in South Lake Tahoe as part of their Summer Concert Series two years running, the explosive live show by Aerosmith kept a sold out crowd on their feet for over two hours. In my own opinion, Aerosmith is not just the best live rock and roll band touring today, but maybe of all time. They do pretty much everything better than anyone else, and they have so many hits in their arsenal that it just builds and builds and builds all night. Steven Tyler was born to do what he does, and even at 67 years old, he does it like no one else (and last night appeared to be have more energy than any of the 7,000 people in attendance). As much as he is the ultimate front man and performer, he is absolutely beaming when “Joe Fucking Perry”, “on guitar for 40 fucking years” is beside him, bringing the familiar riffs to life in a way that seems to be equal parts passion and effortlessness. Their songs feel like they were made to be performed live, and maybe more than any other band today, they know how to put on a show that’s brilliant no matter where you are, from up close to far away in the bleachers. Even if you are not a dedicated Aerosmith fan, I would say above any other band today – if you are a fan of ANY contemporary music – you’ve got to turn out to their show at least once, just so you have a new benchmark from which to judge all other concerts. It really doesn’t get any better when you consider every critical element that goes into a live concert event. They’ve earned the title, “America’s Greatest Rock and Roll Band”.
Garbage is celebrating two decades since the release of their self-titled debut album with a U.S. tour coming in October. The “20 Years Queer Tour” will see the alternative band playing their first album in its entirety. That debut was released on August 15th, 1995, and included hits such as “Queer”, “Stupid Girl”, “Vow”, and “Only Happy When It Rains”. The album went on to sell more than four million copies worldwide and garnered three Grammy Award nominations. Leading up to the tour, the band will release a special remastered 20th Anniversary Edition of Garbage which will include remixes and previously unreleased versions of some of the songs. [Read more…]
“Halloween is so brilliant though, isn’t it? ‘Cause everyone can dress up; be what they want to do… nobody is like judging you at all for how you look or anything or what you’re doing or who you’re with, blah, blah, blah …” Andy Bell of Erasure on Halloween at the Pearl Concert Theater at Palms Casino Resort in Las Vegas. Certainly an interesting combination of band, date, and city to be sure. As the more extroverted of the duo, Andy came dressed in a sort of skeleton costume with accompanying face paint that has some resemblance to the cover art of their latest album; Vince Clarke, set back from the front of the stage and back to one corner, I don’t think said anything all night, and was dressed in more business-style attire (though he had the aforementioned art one his laptop lid. However the two contrasting personalities found one another for their journey into music that has gone on for nearly three decades, the magic worked in the beginning and continues to do so today. This was definitely an interesting (in a great way!) night on many levels. I had an opportunity to meet Vince Clarke and Andy Bell from Erasure via the special tickets made available through their PledgeMusic campaign for that newest latest album, The Violet Flame. The aptly named Violet Flame Tour included a number of those new songs mixed into the set, as well as a lot of their many, many hits and favorites. I got the sense that it was a different sort of show for this series of shows, and I’m happy that I got a chance to experience this new music and tour.