“How we doing out there?” Ellie Rowsell with Wolf Alice at a rare appearance in Sacramento at Ace of Spades Saturday night, a few shows into their massive schedule taking them all over the world in 2018. In addition to their own headlining shows, they are playing gigs in support of Queens of the Stone Age as well as shows across the festival circuit. I’ve been following the band since 2015, and now with two studio albums under their belt (sophomore effort Visions of a Life came out late last year), they are better than ever, with a massive amount of killer songs to fill up their sets. I’ve always seen them as a band made to play live, and they did not disappoint. This concert will certainly rank among the top at the end of the year for me personally, so I can’t recommend enough getting out to one of their shows if they stop in at a city near you. [Read more…]
Wolf Alice, the alternative band from London, will be playing all over the U.S. in the next few months, in both headlining shows and in support of Queens of the Stone Age, as well as dates overseas, including shows with Foo Fighters and many festival appearances. The group’s sophomore album, Visions of a Life, was released late last year. [Read more…]
80s music icon Adam Ant is celebrating the 35th anniversary of his landmark album Kings of the Wild Frontier with a newly remastered box set release, as well as a North American tour kicking off next month in Washington DC. With this new tour, Adam Ant will play the album in its entirety and in sequence. [Read more…]
“Wow, it’s amazing to be back here at Humphrey’s, or as we like to call it, ‘free concert for boats!’ [pointing to the water] You were the guy who wrote the review! [mocking imitation] ‘Didn’t sound any good from my boat…’ Buy a fucking ticket!” Roland Orzabal of Tears for Fears, bringing not just amazing music but laughs too, carrying on a funny faux dialogue in-between songs with an unseen concert reviewer from their last appearance at Humphrey’s Concerts By The Bay in beautiful San Diego. Alongside Curt Smith, the pair added to the casual atmosphere of the venue with their playful quips and anecdotes throughout the evening, making the entire affair feel somewhat like a private gig among friends. But then there is that music… song after song that added significant color and style to the soundtrack of our lives, for many of us in attendance who found the band in our formative years. Which isn’t to say that they are exclusively “an 80’s band”, but that is the decade that they helped to craft and shape not just in music, but pop culture at large. And many of those songs are as “alive” today as ever, with younger artists creating their own versions of some of the songs, as well as the music still giving life to new works in other mediums (like Donnie Darko). Tears for Fears is one of my favorite bands to see live, because they always deliver with a top notch group of fellow musicians on stage and recreate those familiar songs in new and substantive ways. They are still relevant, and they’ve still got “it”. [Read more…]
September and October sees Tears for Fears performing 14 shows in North America, making up for a set of concerts that were previously postponed. More, they are working on a new album with Warner Bros. Records that is due out in 2017, the first since 2004’s Everybody Loves a Happy Ending. [Read more…]
“It’s been quite a while since we’ve played here…” Lauren Mayberry of CHVRCHES at the first of two back-to-back sold out shows at the Fox Theater in Oakland on Monday night. With the incredible Wolf Alice supporting, it was a stellar evening of music from two bands in the midst of a huge upswing in both talent and popularity. Late last year, both bands put out new albums, CHVRCHES with their Every Open Eye (their second) and Wolf Alice bowed their debut LP, My Love Is Cool. I had opportunity to see Wolf Alice at all three of their Bay Area shows last year and CHVRCHES with their “Not So Silent Night” appearance in December, so it has been fascinating to see them evolve and grow with both their studio recordings and their live shows. All in all, an evening that offered a look at the future of music… Wolf Alice with their alternative rock and roll and CHVRCHES with their synth pop. [Read more…]
I usually start off my reviews with a quote, but Wolf Alice don’t spend too much time talking on stage, and their concert at The Chapel in San Francisco Thursday night was a bit too chaotic and kinetic for chit chat; they let the music speak for itself. I’ve been fortunate enough to catch all three of their San Francisco shows in 2015 (their debut at Popscene at Rickshaw Stop in March and follow-up at The Independent in May), but their most recent show – fueled by the June release of their debut album My Love Is Cool – was their best yet. They are, in my opinion, the most exciting new band recording and performing today. They continue to develop their many gifts and talents with their songwriting and originality, and their live concerts serve as a showcase for how amazing they are at recreating their rich and complex, multi-layered sound on stage. But back to that album… for me personally, it is the Album of the Year. Truly, the best album of the past several years. Every song is a gem. They are THE band to watch.
Music from the 1980s continues to permeate pop culture today – it seems like every commercial break cycle includes a familiar New Wave hit song repurposed for selling something or other. In addition – and on the positive end of the spectrum – we sometimes have the opportunity to catch a multi-artist live concert with a few or a variety of 80s artists perform at the same event. One such event was held at The Karman Bar in Orange County, providing a double headlining show with Dale Bozzio from Missing Persons and Clive Farrington from When In Rome. Taking a step back, one of the most interesting things about this show is how the two principals from the two very different 80s bands collectively covered the decade in music, with Missing Persons originally together from 1980 to 1986 and When In Rome being active from 1987 to 1990. So listening to their music at this event, there was also a contrast in sound from the beginnings of that decade (with it’s more traditional rock and roll emphasis of vocals, guitar, bass and drums) to that at the end (with vocals and keyboards/synth and electronic beats at the forefront). In any event, it is of course awesome to see two key players from the era keeping their music alive and turning out fans to celebrate it.
“I’d like to thank our two friends down here who have been down here all day; it was crazy for us to have any of you here in San Francisco all the way from London…” Ellie Rowsell’s gratitude expressed to the two Wolf Alice fans who came a long way to see the UK alternative four piece play in the U.S. I’d just seen their show at Popscene in San Francisco only three months ago, and I could not wait to catch another one of their dynamic live concerts. Having since had an opportunity to get schooled in their music released to date, I have found Wolf Alice to be one of the most exciting newer bands recording and performing today. With their debut album – My Love Is Cool – due next month, I am confident that their music will propel them to greater success and larger stages. They have a real set of gifts and talents with their songwriting and originality, and the contemporary yet timelessness of their music which features some touches and influences that span many disparate music genres and eras. They are the real deal.
“We’ve got a couple more for you… party on, Friday night!” Ellie Rowsell’s preface leading into Wolf Alice’s encore at the sold out show at Popscene at Rickshaw Stop on Friday night in San Francisco. The alternative band from London put on a blazing show at a rare headlining stop in the U.S. on their way to SXSW. A relatively newer band, their debut album, My Love Is Cool, is due in June, and already they seemed destined for much bigger venues. I would be surprised to see them on a steep upward trajectory over 2015. While the four members skew quite young, they exude maturity and confidence in their music, and as great as their EPs released thus far sound, their music seems fashioned to excel in a live setting even more than the studio recordings. Even though they didn’t move around too much on the stage during their set, their music moved the crowd and they are one of the most exciting bands to come along in recent years. Definitely ones to watch, and to catch live if you get the opportunity.