“Two words to introduce this next song! Two words! Two words to introduce this next song! Two words to introduce this next song!” Billy Idol getting the sold out crowd of nearly 3,000 screaming, fist pumping fans shouting “Rebel Yell” at the opening night of Grand Sierra Resort’s new Grand Theatre. I can’t imagine a better way to launch a high end new concert venue than having none other than Billy Idol kicking off a new tour of his own on the vast stage built on the $10 million dollar renovation of the live music space. Billy Idol has been building on his own career and accomplishments of late, with 2014’s awesome new album Kings & Queens of the Underground (the first in nine years) and bestselling Dancing With Myself autobiography. In the midst of a resurgent mainstream interest in all things Billy Idol, he seems to be as popular as ever. Alongside his incredible band, they’ve put together probably their best live show ever with this tour. It also clocked in as the longest show I’ve seen, at around two hours. I’ve always noted this band as one of my all-time favorite live shows, and I’d have to say that this was the best I’d ever seen them. I’ve always complimented Idol on his boundless and limitless energy and he seems to have reached a new high with this show and tour. He is at once an icon and an enigma, as he continues to evolve his style while retraining his trademark lip curl and tongue in cheek uncensored gestures, looks, and poses. And one can’t neglect to mention Mr. Steve Stevens on lead guitar, who could put the audience in a trance even if he stood alone on the stage – one of the best guitarists performing today, if not the very best. If you haven’t been to a Billy Idol concert lately, you haven’t seen him and his band at all, as they are better than they’ve ever been, and that is saying a lot.
“Remember baby, the lake may be cold, but the light at the end of the tunnel may be you…” The final words from the immortal Steven Tyler as he turned his back to the crowd and strutted topless down the ramp and into the bright lights glowing from the back of the stage, as “Bad To The Bone” played him out. Performing at Harvey’s Outdoor Arena in South Lake Tahoe as part of their Summer Concert Series two years running, the explosive live show by Aerosmith kept a sold out crowd on their feet for over two hours. In my own opinion, Aerosmith is not just the best live rock and roll band touring today, but maybe of all time. They do pretty much everything better than anyone else, and they have so many hits in their arsenal that it just builds and builds and builds all night. Steven Tyler was born to do what he does, and even at 67 years old, he does it like no one else (and last night appeared to be have more energy than any of the 7,000 people in attendance). As much as he is the ultimate front man and performer, he is absolutely beaming when “Joe Fucking Perry”, “on guitar for 40 fucking years” is beside him, bringing the familiar riffs to life in a way that seems to be equal parts passion and effortlessness. Their songs feel like they were made to be performed live, and maybe more than any other band today, they know how to put on a show that’s brilliant no matter where you are, from up close to far away in the bleachers. Even if you are not a dedicated Aerosmith fan, I would say above any other band today – if you are a fan of ANY contemporary music – you’ve got to turn out to their show at least once, just so you have a new benchmark from which to judge all other concerts. It really doesn’t get any better when you consider every critical element that goes into a live concert event. They’ve earned the title, “America’s Greatest Rock and Roll Band”.
Aerosmith’s “Blue Army Tour” series of concert events begins June 13th at the Gila River Arena in Arizona, and travels the United States and British Columbia well into August. Four time Grammy winners, they are one of the most exciting rock and roll bands touring today. They come armed with a ton of hits, old and new, that get crowds worked up into a frenzy. Having seen them live before, I give it my highest recommendation if you can make it out to one of their upcoming dates. [Read more…]
Garbage is celebrating two decades since the release of their self-titled debut album with a U.S. tour coming in October. The “20 Years Queer Tour” will see the alternative band playing their first album in its entirety. That debut was released on August 15th, 1995, and included hits such as “Queer”, “Stupid Girl”, “Vow”, and “Only Happy When It Rains”. The album went on to sell more than four million copies worldwide and garnered three Grammy Award nominations. Leading up to the tour, the band will release a special remastered 20th Anniversary Edition of Garbage which will include remixes and previously unreleased versions of some of the songs. [Read more…]
Life Is Beautiful Music & Art Festival has announced the bulk of their concert line-up for 2015, which has shaped up to be one of the best this year. The Las Vegas event – making this the third annual – will be held September 25th, 26th, and 27th, and headliners include Stevie Wonder, Imagine Dragons, Kendrick Lamar, Duran Duran, Hozier, Kid Cudi, Weezer, Major Lazer, Death Cab for Cutie, Brandon Flowers, and more. [Read more…]
“It enabled me to finish writing a bunch of these songs and create more of a positive spin. A hopeful, hopeful spin. This one is for my sweetie; it’s called “Brink of Destruction”… which is not a very positive title, now that I think about it. [laughter] …but, I don’t know, I like it; I like the dark side… and, you know, you walk to the edge and you look over and you go, “holy shit, do I want to jump?” and, yeah… I always do.” Sarah McLachlan talked about loss, and love, and new love, and like her music, it all reflects a very complex and deep feeling soul behind that soulful voice and heartfelt words. She is probably the most gifted vocalist to emerge in the past few decades, and having an opportunity to hear her in a live venue is definitely a memorable experience. Over the course of two hours, Sarah and her extremely talented band put on a showcase concert that hit on all cylinders – sound, lighting, audience interaction and some storytelling about some of the songs, as well as several Q&A opportunities (fans wrote down questions which she drew at random). Truly an “evening with” performance if there ever was one. Sarah has been writing and recording amazing songs for many years now, and her latest – Shine On – has quality that is right there with the best of it. End to end, the event presented a kaleidoscope of feeling and emotion, and Sarah can connect with people with her music unlike anyone else – she is truly peerless on many levels, and this is definitely one of the best tours going this year.
It was one year ago to the day that I saw Pet Shop Boys and their Electric Tour in San Diego… and while the “show” was mostly the same on this 2014 tour, kicking off at Fox Theater in Oakland, my own personal experience was worlds apart. The actual concert itself was the same as last year’s, with the exception of I think just one change to the setlist, but that is actually a good thing – why mess with near perfection? While there are a few favorites of mine I would have loved to have heard, the highly prolific duo have been making hits for over three decades now, so there will always be some songs that aren’t going to make the cut for every tour. As with last year, the avant-garde stage production is of the highest order, with credit also due to Stuart Price with his music production and programming, Creative Director/Designer Es Devlin and Stage Director/Choreographer Lynne Page, the two colorful dancers (Merry Holden and Tom Herron) with their interesting costumes and stage presence, and many others behind the scenes. This show was their first of 2014, and at one point Neil even confessed to having some nerves in coming back on the stage, but his voice and delivery was spot on, and the blending of old and new music maybe even works better the second time around. It was one of my favorite shows last year, and it was great to revisit it as well as share it with someone very special in my life this time around – it is a concert that I will never forget (more on that later)!
“It’s a happy and a sad occasion…” Thomas Dolby talking about his last stop at Creat Theatre in Sacramento last night, in his preface to “performing” his very personal documentary film, The Invisible Lighthouse Tour. Really a film unlike any I’ve ever experienced, it was just that – an experience. Dolby has been a pioneer in pop culture from his very beginnings, well known for his 1982 New Wave hit, “She Blinded Me With Science” among a number of other accomplishments in and out of music. Dolby’s partner on the stage, Blake Leyh, produced some amazing “analog”, impressionistic sound effects during the film, which Dolby scored and narrated, which made it clear that each performance of his film has been quite unique and different. A real pioneer in the arts, Dolby certainly has consistently blazed his own path, and after hearing his candid thoughts throughout the event, it would seem that he operates in a bit of a pop culture bubble, and looks to technology to find new ways in which to create meaningful art and vehicles for expression, and currently he is inspired by the ability today to make powerful films, sans Hollywood budgets and crews. The result is something that literally has to be experienced in a theater, and hopefully this event is truly not the last for The Invisible Lighthouse.
I had really high expectations for this, the latest Pet Shop Boys tour… yet somehow, as I sit down to write my thoughts about their show in San Diego at the Copely Symphony Hall last night, I am left a bit speechless… Not because I have nothing to say about it, but because I have this swirling flood of thoughts in my mind, and can’t seem to form a coherent approach to the whole thing. Maybe it was the overpowering strobe lights that disrupted the circuitry in my brain. Maybe it’s because they put on one of the most brilliant shows of the year. The cover of the tour program reads, “TURN IT ON”. Not a mere concert, it was a full blown, avant-garde stage production of the highest order, with credit also due to Stuart Price with his music production and programming, Creative Director/Designer Es Devlin and Stage Director/Choreographer Lynne Page, the two colorful dancers (Merry Holden and Tom Herron) with their interesting costumes and stage presence, and many others behind the scenes. Just when you expect that they should have peaked by now, they keep blazing new paths in music and life. Real artists, they create new work (in the studio and on stage) with a palette featuring colors all their own. They obviously put a lot of thought into not just sharing their music (old and new, hits and deep cuts), but creating a captivating and memorable experience. Though the visuals were mind blowing, the arrangements were amazing, Neil’s voice sounded better than ever, and the sound quality within the venue was superb.
When Depeche Mode announced the North American dates and cities for their Delta Machine Tour, I immediately identified the one at Pearl Concert Theater at Palms Casino Resort as the one to go to, since I was familiar with the (relatively) small and intimate venue from past shows, and it was one of just a few in the United States with a general admission standing floor area in front of the stage. Having seen them five times overseas earlier this year, I had become spoiled with standing right in front of the stage, so that has become a must for me in experiencing my favorite band. With the show last night, I certainly wasn’t disappointed, and I suspect most to all in the crowd felt the same, as Vegas is one of those rare cities that pull fans from not only all over the U.S., but all over the world. It was quite a celebration for not only the audience, but seemingly the band as well, who were quite jubilant throughout the performance, which clocked in at about two hours (there was no supporting act at this date). For me, being surrounded by friends who also traveled from California for this show, it was the perfect way to close out an amazing year of live music by the band who have in many ways impacted my life with their art, particularly in my formative years throughout the 80s. [Read more…]