Lady Gaga recently outlined her “Born This Way Ball” tour dates for North America in 2013. The support of the 2011 album started in Asia last year and she is currently touring Europe and will continue to Latin America and Africa. The 26 date run in Canada and the United States kicks off in mid-January in Vancouver. [Read more…]
The Who surviving members Pete Townshend and Roger Daltrey will be having their first tour in North America in four years starting November 1 and continuing well into 2013, with 37 dates planned. Title “Quadrophenia and More, the show will include a performance of the entire 1973 album. Tickets are on sale through AEG Live and Ticketmaster. [Read more…]
“Most times I try to think about how blessed my life is, and what a great time I’m gonna have in the future”… An optimistic and heartfelt sentiment shared by Jane’s Addiction front man Perry Farrell, somewhere in the middle of an amazing concert last night. Jane’s Addiction pretty much figuratively kicked the door open from the 80s and into the 90s with their alternative music, genre defining single, “Stop!”, off their 1990 album Ritual de lo habitual. A truly pioneering band with a unique post-punk/post-goth (and at times hard) rock sound; if “Stop!” kicked the door in, “Been Caught Stealing” off the same album hammered a wedge in that door for the next generation of music that followed. At the Mondavi Center in Davis last night, some 22 or so years later, “Stop!” closed out one of the best shows I’ve been to all year. A fantastic celebration of amazing music by an awesome band, who, collectively and with individual efforts outside of their group, have had a tremendous and ongoing influence on pop culture in challenging ideas and preconceived notions. Maybe it is just in their nature, but they continue breaking new ground and opening doors well into their careers, and never lost their grasp on how to put on a great rock concert and connect with their fans.
New Wave revolutionary? Prince?? Pirate??? Adam Ant has adopted a multitude of roles spanning many decades… but as an icon of post-punk and early 80s music and pop culture, he still knows how to kill it on stage, which is what he did for the sold out crowd at The Regency Ballroom in San Francisco last night, tearing through a massive 28+ song set list that still left out some fan favorites. Who would have imagined when he came on the scene in the mid to late 70s that not only would he still be selling out shows, but he’d still be relevant (and, looking backward, prescient) well into his late 50’s. Truly an artist musician, Adam Ant has created a culture and world all his own, and it is definitely a fun place to visit.
This article features the fourth in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Christian McAlhaney of Anberlin. I saw the band perform live at the Bill Graham Civic Auditorium in San Francisco on Friday. Anberlin’s sixth studio album, Vital, will be released in the U.S. tomorrow, and they will be headlining a new tour throughout November. Mr. McAlhanely, guitarist with Anberlin, talked about their new album, touring, their history as a band, and the music industry at large.
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“I’m old; I need to catch my breath…” Words from the legendary Smashing Pumpkins founder and frontman Billy Corgan during a momentary pause, about two hours into a massive set which kicked off with their newly released Oceania (also the title of this tour), played front to back and in its entirety, followed by an awesome cover of Bowie’s “Space Oddity”, and well into live performances of their many, many classic hits. I think it was more of a breath of fresh air for the fans packed onto the floor of the Bill Graham Civic Auditorium last night, who had the privilege of witnessing a true rock god at the top of his game, and in contrast to most popular music acts today: sans Auto-Tune, pre-recorded backing vocals, an army of dancers, and other artificial sweeteners. Billy Corgan and his Smashing Pumpkins are legendary for their layered, sweeping guitar-based sound and his unique, soul-baring vocals delivering authentic, sometimes fairly dark lyrics and sentiments. Ever the innovator, Billy Corgan continues to turn the music industry on its head, having essentially declared the album dead about four years ago, he now rebels against not the past, but the future. A strange era in music, but the Smashing Pumpkins keep doing their own thing in spite of changes and trends, and the Oceania-based concert last night was fantastic.
This is part of a continuing series of my impressions and experiences staying at various hotels and resorts while traveling to attend concerts worldwide. This review is for the Tangerine Hotel in Burbank, California for a stay in October 2012. Sadly, based on my experience, I can safely say that I would never stay there again. [Read more…]
Having seen Florence + The Machine at the Mondavi Center back in April – which still remains as one of the best (of many, many) concerts I’ve been to this year, I was committed as I walked out of that venue that I would see them again soon, hopefully before the close of the year. That dream became a reality last night at the historic Hollywood Bowl in Los Angeles. It was one of those circumstances in which you feel that you’ve already seen the best possible concert for a particular artist, and wonder if it is a good idea to see them again when it would be impossible to measure up to the experience that you already had. Somehow, Florence + The Machine defied all of my expectations and put on a somewhat different show, but one that at least measured up to the first experience I had seeing them months ago. They are an unbelievable band, and the most fascinating thing is that listening to the studio albums, you couldn’t know how amazing that it all translates into live music. I already gave them my highest recommendation in my first review. Whatever you might think of their music, whatever preconceived notions you may have about the live experience, I can’t imagine someone seeing this band live and not being blown away. Even one of the venue staffers I was talking with before the show was won over by them with their first of two performances at the Hollywood Bowl the night before – and let’s just say he’s not someone you would guess is a Florence + The Machine fan by any stretch of the imagination – and even he thought that they were one of the best bands he’s ever seen, and he’s in the business of working tons of shows every year. They are that fantastic, and in my opinion, one of the very top acts touring today.
Last night was the second show of New Order’s 10-date North American tour (spanning the U.S., Canada, and Mexico). One of the most important bands of my lifetime, they played classic New Order and Joy Division songs at the Greek Theatre in Los Angeles, which had a stage that dwarfed the one that they played last December at their concert at Troxy in London, which I was fortunate enough to have attended. Having been front row center for both shows, it was a bit surreal for me to see them from the exact same vantage point at such different venues and in different countries – both in their own country (which, at the time, was their first date there in five years) and now here in the United States. As the band is among my all-time favorite groups, I feel a bit challenged to evaluate the night, as the band and their music means more to me than I can put into words. It was really a stellar show, and it of course leaves me wondering, in a hopeful way, about the future of this legendary band.
In a perfect world, Metric would represent the future of music. But we don’t live in a perfect world, of course, but all the same, we have Metric and their music, and with my first experience seeing them live, it reaffirms my belief that there is tremendous talent in the music industry among some relatively newer bands (though Metric is five studio albums in, they still feel relatively fresh and new). Metric’s latest album, Synthetica, is one of my favorite new albums of the year, and most of it was played at the House of Blues Las Vegas last night. They make brilliant music that wants to be free – that wants to be played live – and they delivered with the fans in attendance last night, though talking with them, they came from not only all over the U.S. but outside of it as well. People who have discovered this band a really dedicated to experiencing their live shows, and having been to one now myself, I can understand why.