“We gotta remember and identify and know that the only thing we gotta fear with the craziness and the madness and some of the very difficult evil things that have happened, is not to be human, is not to be cooperative, not to be looking out for one another, but to be spreading the good stuff everywhere…” Midnight Oil’s (“the Oils”) Peter Garrett, in his preface to “Put Down That Weapon”, the band’s second single off of their seminal 1987 album, Diesel and Dust. Some 30 years later, lyrics from the song and the ideas that they invoke seem as poignant as ever. The band has been mostly off the scene as Midnight Oil since they dissolved in 2002, so with their 2017 reformation and world tour, they have made an unexpected return to much acclaim and excitement. I was a huge fan of that 1987 album as it blew up in the U.S. at the time, and I had never had a chance to see them perform live until this show at Fox Theater in Oakland on Saturday night. It was nothing short of incredible, and will certainly rank as one of my favorite gigs of the year. They are touring a lot in 2017 and crossing back to cities already visited, so I give my highest recommendation to turn out for one of these events…
“I guess we just wanna reinforce our message of hope and new beginnings; because anything can happen, hopefully…” Susan Ottaviano speaking on behalf of her and her bandmates and a full reunion of Book of Love as preface to “Happy Day”, one of the bright and shiny songs off of their self-titled 1986 debut album. Their music is in stark contrast to a lot of the self-perpetuating negativity permeating our culture today. The band seemed to have more of an attitude about shaping the future by painting a picture of what they wanted it to be, rather than engaging in conflict. Maybe they were onto something that might come around again someday? Optimism is powerful. And San Francisco turned out for a healthy dose of it Sunday night at a sold out show at the DNA Lounge… to be part of this special concert engagement in which all four members of Book of Love performed together, with not just the original hits but new music too, in celebration of their 30th anniversary last year. [Read more…]
Book of Love continue to celebrate their 30th anniversary with two upcoming special concert dates in San Francisco and Houston this month featuring all four members: Ted Ottaviano, Susan Ottaviano, Jade Lee and Lauren Roselli. The two “reunion shows” will be held at Numbers in Houston on February 18th and at DNA Lounge in San Francisco on February 19th. [Read more…]
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Ted Ottaviano with Book Of Love. The synth pop New Wave group continue to celebrate their 30th anniversary with the release of new music as part of 2016’s “MMXVI: The 30th Anniversary Collection (Remastered)” hits album, an upcoming 2017 EP with remixes as well as live tracks from this month’s concert dates in San Francisco and Houston.
As with my 2012, 2013, 2014 and 2015 Year in Review features, this article looks back on a year of music with a summary of the highlights. This year, I attended about 35 shows, with hundreds of different sets of incredible talent and music to make sense of, not to mention trying to keep up with all of the studio releases from artists, new and old. This is my attempt to (subjectively) share my favorites of the year, from live shows to new songs and albums. You can also check out my Top 100 Concert Photos of 2016 in that separate article.
80s music icon Adam Ant is celebrating the 35th anniversary of his landmark album Kings of the Wild Frontier with a newly remastered box set release, as well as a North American tour kicking off next month in Washington DC. With this new tour, Adam Ant will play the album in its entirety and in sequence. [Read more…]
“Wow, it’s amazing to be back here at Humphrey’s, or as we like to call it, ‘free concert for boats!’ [pointing to the water] You were the guy who wrote the review! [mocking imitation] ‘Didn’t sound any good from my boat…’ Buy a fucking ticket!” Roland Orzabal of Tears for Fears, bringing not just amazing music but laughs too, carrying on a funny faux dialogue in-between songs with an unseen concert reviewer from their last appearance at Humphrey’s Concerts By The Bay in beautiful San Diego. Alongside Curt Smith, the pair added to the casual atmosphere of the venue with their playful quips and anecdotes throughout the evening, making the entire affair feel somewhat like a private gig among friends. But then there is that music… song after song that added significant color and style to the soundtrack of our lives, for many of us in attendance who found the band in our formative years. Which isn’t to say that they are exclusively “an 80’s band”, but that is the decade that they helped to craft and shape not just in music, but pop culture at large. And many of those songs are as “alive” today as ever, with younger artists creating their own versions of some of the songs, as well as the music still giving life to new works in other mediums (like Donnie Darko). Tears for Fears is one of my favorite bands to see live, because they always deliver with a top notch group of fellow musicians on stage and recreate those familiar songs in new and substantive ways. They are still relevant, and they’ve still got “it”. [Read more…]
September and October sees Tears for Fears performing 14 shows in North America, making up for a set of concerts that were previously postponed. More, they are working on a new album with Warner Bros. Records that is due out in 2017, the first since 2004’s Everybody Loves a Happy Ending. [Read more…]
80’s pop icon Cyndi Lauperhas kicked off the second leg of her tour supporting her latest album, Detours, which is comprised of covers of country classics from the ’40s, ’50s, and ’60s, featuring collaborations with Willie Nelson, Vince Gill, Alison Krauss, and Emmylou Harris. The current tour features a mix of both pop classics and new tracks of this year’s latest release. [Read more…]
“So, basically Culture Club makes happy sad music. If you’re a Gemini, you don’t need that explained. If you’re a Libra, I can’t help you. Hands up for the Geminis! You’ve got to use two hands if you’re a Gemini, because there’s always two of you. What’s that saying? ‘Roses are red, violets are blue, I’m schizophrenic, and so am I.’ That’s the Gemini mantra. So we do these happy sad songs. Dancy rhythms, melancholy sounds, mixed together…” Boy George explaining Culture Club in a way that only he could… an interesting insight into the band and the man who proudly stood out in front of it (as well standing for many other things) throughout the first half of the 1980s. All in preface to the song, “Move Away”, which was the lead single to their fourth album, From Luxury To Heartache, an album title which nicely dovetails into what he was explaining, as well as illustrative of that early trajectory of the band in it’s first life… It all ended far too early when they broke up in 1986 following the release of that album and that lead single, which would be their final entry into the U.S. Top 40 charts. The light that burns twice as bright last half the time and all that… But life is a funny thing. Fast forward thirty years (!), and there on that stage at Thunder Valley’s Outdoor Amphitheater in front of thousands of jubilant fans on Friday night was Boy George and the original members of Culture Club – Roy Hay, Mikey Craig and Jon Moss – and I can’t imagine them being any more happy or in sync with one another musically and with their live performance. And, it would seem, the impossible journey each took to get them there made it all the more sublime. Joyfully playing those now classic songs of happy sad music. A potent chemical reaction of letting soul and reggae out to play with all manner of other music genres, bending and twisting and dancing with new wave, country, pop, funk, rock, R&B, and even church music, to create something altogether unique but unified in that wicked sort of Gemini manner… The genius of Boy George, and his bravery in always being uniquely himself and forging new paths for others to follow. Definitely one of the best tours of 2016, one of the most important New Wave bands (who helped push those loose boundaries within that broad musical movement), and a band fronted by one of the most interesting figures in pop culture in modern times. [Read more…]