“Oakland, San Francisco, how the hell you doing tonight? We played here almost six years ago opening up for somebody… Who here was there? Was anybody there at the show? I’m just sayin’, I do see a lot of people who have been with us all six years, and for all of you who have come to all these shows, all these years, thank you so much!” Andrew Wessen, guitarist of Grouplove, a band who always has their gratitude and appreciation on display. They played a scorcher at a packed Fox Theater on Friday night, supporting their third studio album, Big Mess. Just one date into their new U.S. tour running through the end of the year (followed by dates in Australia), they sounded and performed better than ever. One of my favorite live acts, they put on a high energy show that had the crowd bouncing throughout, embracing the excellent new songs as much as the favorites. Definitely a must see tour. The latest album, produced by Captain Cuts (Grouplove’s Ryan Rabin) and Phil Ek is characterized by their signature sound and style, and may be their best yet. With their “Big Mess World Tour”, one dollar for every ticket sold will be donated to the organization charity: water to help fund water projects like drilled wells, spring protections, and BioSand filters that help provide clean water to communities around the world. [Read more…]
On the heels of the release of their third studio album, Big Mess, Grouplove next week kicks off their latest world tour. The latest album, produced by Captain Cuts (Grouplove’s Ryan Rabin) and Phil Ek is characterized by their signature sound and style, and may be their best yet. With their “Big Mess World Tour”, one dollar for every ticket sold will be donated to the organization charity: water to help fund water projects like drilled wells, spring protections, and BioSand filters that help provide clean water to communities around the world. [Read more…]
“We need a new story, Oakland. Sometimes, you just gotta make it up. It’s called self-preservation.” It was a show that ran a full gamut of emotions, as the ever reclusive Prince opened up to a crowd of what felt like dedicated fans of the iconic artist. The show at Paramount Theatre in Oakland was put up for sale just a few days prior and sold out instantly, so it was likely that those sorts of fans with their ear to the ground were the only ones who had a shot at getting them. Though pricey, it was well worth the price of admission as Prince put up a “fan service” setlist that included many hits as well as favorites that you might not expect from The Purple One. Bathed in a digital kaleidoscope of light throughout the show, Prince (with ginormous afro and shoes with flashing red lights) sat, stood at, danced around, and at one point even lay on top of a grand piano painted an appropriate shade of his signature color. Billed as “Prince: Piano and a Microphone”, he started this concept at his own Paisley Park in Minnesota last month. But it was so much more than that… I think Prince stripped down inspires him to open up so much more, both with his emotions and his music. Truly an unforgettable experience. [Read more…]
“Lyrics is everything to me…” The very thoughtful and contemplative Howard Jones, during his intimate solo show (“The Songs, The Piano, and The Stories) at City Winery Napa on Friday night, leading into his heartfelt hit song, “Life In One Day”. The lengthy set was split between his solo performance and stories about each song, delivered with warmth, honesty, and wit, in an authentic, humble manner. The format proved to be an amazing way in which to begin to get to know (funny enough) the man behind the music, which is something I always approach with a little trepidation (at least one favorite 80s icon proved to be a disappointment a few years ago – I wish I could “unexperience” that show). But Howard Jones proved to be a man the audience liked to get to know well… Mr. Jones is really not just an incredible artist, but an incredible man and I really appreciate his efforts to openly share about his fascinating life as well as pass along some life lessons. He does this in his traditional electric shows as well, but it’s not quite the same as him settling into his seat behind his keyboard with the mic volume set for discussion as well as playing, with an equally relaxed audience sitting around him. If you’ve ever seen one of Howard Jones’ electric live shows, I would highly recommend checking out one of these solo shows as well, as it is a totally different experience and maybe even more gratifying and entertaining. I loved every second of it, and plan to go to another one the next time the opportunity arises. My highest recommendation.
“We do it for love, sweet love…” Fittingly, the final words sung on stage both Saturday and Sunday night in San Francisco by GROUPLOVE, from their hit song, “Colours”. Playing back-to-back shows as part of their special run of their “Seesaw Tour”, performing at two small venues in select cities, doing one traditional show and one acoustic-style show, each night featured a different kind of show, almost as if seen, heard, and felt through a kaleidoscope that shifted not just night to night, but within each show. GROUPLOVE is a band with probably the best energy of anyone playing today – such joy and positivity beaming not just from the speakers at the venues, but from the artists themselves – their expressions and jumping around, and interactions with the audience. The funny thing is that the audiences and shows kind of played counter to expectations, with the “heavy” night at The Independent skewing older and more mellow and the “light” night at The Chapel being much more youthful and boundless, which seemed to fuel the band into rocking their acoustic instruments on the tiny stage, which could barely contain them. Two incredible shows that delivered well beyond expectations.
American alternative band GROUPLOVE today announced a special “Seesaw Tour” supporting their sophomore album, Spreading Rumors, due September 17th. The nine city tour will feature the band playing back-to-back gigs in each city, the first an all-rock set and the second at a non-traditional venue doing an all acoustic show (“one night heavy, one night light”). Special pre-sale packages went on sale this morning for the nine cities that are part of this special tour – Seattle, Portland, San Francisco, Los Angeles, Boston, New York, Philadelphia, Washington DC, and Chicago. [Read more…]
“We’d like for you guys to participate in this, because otherwise it just sits on its ass”. Music legend Juice Newton’s typically blunt and modest preface to the tremendous 80s country/pop crossover hits “Queen of Hearts” mixed with “Love’s Been a Little Bit Hard on Me”, as performed flawlessly (with audience providing the “clap-clap, clap” beat) at Yoshi’s in San Francisco in probably the most intimate show I’ve been to all year. The Juice Newton Trio, which was all acoustic strings with Jay Cawley and Danny Dugan both on guitars and providing backing vocals, Juice Newton stressed that this was a different sort of challenge and endeavor for her… a live concert sans the full band, which required the selection from of incredible songs from her catalog to be rearranged for a completely different result. And that result – simply amazing songs with the most artful delivery by one of the best vocalists in the business – was very moving and definitely sets the bar for soulful live music performances in small, intimate venues.