“We’re Veruca Salt, and we’re gonna blow it out your ass…” Early on in their sold out show at The Fillmore in San Francisco last night, Louise Post made reference to their EP that followed their hit 1994 album, American Thighs, though it seemed to sum up what they came to do on stage, with Louise and co-singer and guitarist Nina Gordon shredding, singing, and shrieking through just south of a two hour set to a crowd of people who were more into this show that I generally see. I became aware of Veruca Salt when their song “Seether” became a smash hit. Unfortunately, I never had an opportunity to see them play live back in the day; in the late 90s, I was living in LA and going to grad school full time and working full time, which left almost no time for concerts. However, I have to imagine that they are better than ever in their current comeback, which includes not just touring but new music as well. As a matter of fact, I am fairly certain that their new single – “Museum of Broken Relationships – is perhaps my favorite Veruca Salt song to date. The two things that most struck me about their concert at The Fillmore last night was that 1) they put on a stunning show and 2) they seem to be having more fun than anyone. Hopefully this is just the beginning of bigger and better things, because it would be well-deserved and a long time coming.
“We’re female chauvinist pigs…” Jill Cunniff, one of the three members of Luscious Jackson, prefacing her invitation of a handful of men in the audience to join them on the stage to shake their booties during their song, “#1 Bum”. It was an informal kind of show for the band, who haven’t been in San Francisco for a very long time, having recently reunited for their first studio album since 1999. One of just three headlining shows for this tour (having played Los Angeles the night prior and with Boston still to come next Saturday, as well as two festival appearances), The Independent appeared sold out (or close to it) last night. They put on an electric show with material spanning their original 90s songs as well as the new album, all sounding fresh and original. They definitely still have “it”, and hopefully their efforts to reinvent themselves with their PledgeMusic campaign and new independent streak will lead to a resurgence of their special brand of rock/pop/hip hop.