The real thing. Real, authentic rock artists can’t be manufactured… they are born. And standing witness to the phenomenal performance by London-based post-punk revival rock band Savages, I had a deep feeling that maybe they were born a few decades later than when they should have been, yet it makes them that much more powerful. Having been born in 1973 myself, I was too young and on the wrong continent to catch the original shows put on by pioneering artists such as Bauhaus, Sex Pistols, Siouxsie and the Banshees, and The Cure… but I had this deep sense and feeling in watching Savages at The Independent last night that maybe what I felt like experiencing their show is what it may have felt like back in the day with those iconic bands. This was the second of two sold out shows in San Francisco. It was a different sort of show – unlike any of the 75 or so others I’ve attended thus far this year, and the many more going back years prior to that… there is nothing contrived or manufactured about Savages. Nothing at all – it is just pure post-punk art at its finest, in the best format of all – a live concert performance. They have brought something new to this space that hasn’t been felt in decades – even by those original players still recording today. A true resurrection. And given the state of society and culture today, it could not be more timely.
“This is a song for you young lovers out there. I was in love once. When I picked my guts up afterwards, I wrote this tiny little song, I hope you enjoy it; it’s called Wonderful.” A twisted sort of sentiment about his most mainstream song, New Wave icon and post-punk pioneer Adam Ant and The Good, The Mad & The Lovely Posse kicked on their 40-city North American tour in San Diego last night, at the classy Balboa Theatre. Adam Ant launched his first album in 18 years, Adam Ant is the Blueback Hussar in Marrying the Gunner’s Daughter, earlier this year. Somehow last night’s show felt even more spectacular than the one I caught in San Francisco last year. Adam Ant was like a rock star possessed; perhaps more confident and somehow… joyful? At one point deep into the set, he tossed his mic stand, which landed on his bass player’s effects pedals, completely shorting them all out. One of the stage crew came out and messed with it briefly, then unplugged it and plugged him directly into his amp… the relentless onslaught of music could not be stopped, or even paused due to technical difficulties… and the near sold out crowd was perhaps treated to a more raw version of what was planned. A lot of music acts continually reinvent themselves, over and over, sometimes to the point where they become a series of completely different artists. Adam Ant is different. He is today what he was more than 30 years ago, in terms of his identity, style, and sound. He has evolved, of course, but stayed true to what he was and has always been – one of those rare artists who maybe got it perfect the first time.
Following last year’s rocking tour, Adam Ant & the Good, the Mad and Lovely Posse will be returning to the United States supporting his first new studio album in 18 years, The Blueback Hussar in Marrying the Gunner’s Daughter, which was released earlier this year. Supporting the tour (on all dates except Hawaii and Buffalo), which is kicking off next month, are Los Angeles-based group Prima Donna. [Read more…]
New Wave revolutionary? Prince?? Pirate??? Adam Ant has adopted a multitude of roles spanning many decades… but as an icon of post-punk and early 80s music and pop culture, he still knows how to kill it on stage, which is what he did for the sold out crowd at The Regency Ballroom in San Francisco last night, tearing through a massive 28+ song set list that still left out some fan favorites. Who would have imagined when he came on the scene in the mid to late 70s that not only would he still be selling out shows, but he’d still be relevant (and, looking backward, prescient) well into his late 50’s. Truly an artist musician, Adam Ant has created a culture and world all his own, and it is definitely a fun place to visit.
The Nob Hill Masonic Auditorium hosted last night’s concert performance by Tears for Fears. It doesn’t get much better than a set that opens with “Everybody Wants To Rule The World”, closes with “Head Over Heels”, and finishes an encore with “Shout”. Some of the most classic songs of the 80s, and the band looks and sounds as great as ever. It was a fantastic evening with an awesome set that spanned their catalog and reflected the real diversity of their work. Truly one of best songwriting teams that helped define the 80s. A fantastic evening and true thrill to see them perform live, and in top form. The songs never sounded better.
Last night Modern English played Harlow’s in Sacramento as part of their U.S. West Coast tour, which begins and ends in the month of July. For me, their biggest hit, “I Melt With You”, was definitely among the best and most decade defining songs of the 80s – it is really ubiquitous with the vibe and culture and new direction in music that took hold in the early 80s. As the band has a history and habit of disbanding (in ’87 and ’91), this was my first time seeing them live, so it was an extra thrill to see the band featuring all of its original members. Of course, it was a matter of time until that seminal classic song would be played on stage, but the set list leading up to it was a fantastic voyage through their incredible catalog, and they sounded absolutely fantastic (and kudos to Harlow’s for the really nicely tuned sound system). It was both incredible and surreal to see this important band play live, just a few feet in front of me, but definitely worth the wait.