Fans of The Moody Blues got to experience the band like never before on Sunday night at Ironstone Amphitheatre. Featuring “an evening with…” style concert presentation, The Moody Blues played two full sets in front of the massive crowd in attendance, the first with various hits from their career and the second presenting a track by track playing of every songs from their groundbreaking album, Days of Future Passed, which celebrates it’s 50th anniversary this year. They looked and sounded great, and there was a lot of magic in the air as they recreated this landmark album live on stage.
“Now this next song, I must have been about 25 when I wrote this song… I don’t even know why I play it anymore other than I know you guys want to hear it, right?” John Melloncamp on stage at Ironstone Amphitheatre at Ironston Vineyards Saturday night, talking about writing his hit song from the 80s, “Jack and Diane”. The venue was packed with fans turning out to see their blue collar hero from decades past, though it is a strange kind of incongruity with what inspires the fans still today seems to be more of a thorn in the side of the man who captured their imagination with these songs for which he does not seemingly share the same sentiment himself today. Regardless, he delivered an impressive set and supporting artists Carlene Carter and Emmylou Harris did the same.
“Let’s see some hands!” Tommy DeCarlo, vocalist from Boston, getting the massive crowd at Ironstone Amphitheatre in Murphys reaching up to the sky during “Cool The Engines”. Essentially a double-header with Joan Jett & The Blackhearts performing earlier, it was a stellar night of classic rock spanning the last four or five decades. The two artists were a great choice to pair up, in that they had great crossover in fans but were also a showcase in contrasting styles and approaches to bringing their music to life on stage. Joan Jett & The Blackhearts were stripped down to just the instruments they needed to recreate their raw punk rock style as the sun set into the horizon behind the crowd while Boston had a fantastic spaceship themed backdrop across massive monitors that seemed to fuel their hard and progressive rock sounds. Early on in Richter Entertainment’s Summer Concert Series, this show set a bar for high energy and pure rock and roll for all the artists to follow.
“We been coming around here with you guys… well, hell, we’ve been coming around with you all for over four decades. Same three guys right here… Same three chords right here…” Billy Gibbons, guitarist and vocalist of ZZ Top, sharing the stage with co-vocalist and bassist Dusty Hill and drummer Frank Beard. What can you say about a band that’s had the same line-up forever (since 1969!). Really unheard of in the music industry. In any event, having covered the Summer Concert Series by Richter Entertainment Group at Ironstone Amphitheatre at Ironstone Vineyards over the past several months, ZZ Top turned out a huge crowd that had a unique character all its own. With Kenny Wayne Shepherd Band heating things up at the start of the evening, ZZ Top closed it out with both bands showcasing incredible work on guitar being the star of the show.
“I must say it’s smelling awfully good out there… I’m on duty… [laughs]” Peter Frampton on stage and in front of a massive crowd at Ironstone Amphitheatre at Ironstone Vineyards in Murphys, California, part of a double-headlining show with Lynyrd Skynyrd, fittingly playing as the sun set and dusk settled in as he then went into his blazing cover of Soundgarden’s “Black Hole Sun”. Darkness took over by the time he left the stage and southern rockers Lynyrd Skynyrd closed out the night, with vocalist and front man Johnny Van Zant trying to set the clock back through sheer force of will: “Now it’s Sunday night… Sunday night… we need to make it a Saturday night… Are you guys all in or what?” There was a lot of gratitude exchanged between the two artists as each took turns holding stage, as it was the end of their joint tour together, which would appear to have been a successful pairing of two different styles of music on this Summer tour. [Read more…]
“I don’t even know where we are right now…” Patrick Monahan of Train to a sold out crowd of upwards of 7,000 fans at Ironstone Amphitheatre at Ironstone Vineyards in Murphy’s California. Train certainly brought the magic to turn out such a massive number of fans to Murphys, California for a special evening under faint moonlight and brilliant lights from the stage on which they and The English Beat performed on Saturday night. Bringing a mix of hits, new songs, and covers, Train had the crowd up and out of their seats most of the night, and Monohan was on point vocally as well as engaging with fans, taking selfies with their mobile phones as well as performing one song from out in the audience. It was really a stellar show that left most satisfied but also probably thinking about doing it all again in the future. [Read more…]
“This album’s called “Doin’ Time”, because this here feels like Summertime, alright, so party with me…” Rome, of Sublime with Rome, doing an updated version of the 1997 Sublime hit, which itself was an homage more than a cover of “Summertime” by George Gershwin. Like ripples in a lake, impactful music can take on a life of its own as it moves through time. Of course, Sublime with Rome is not Sublime (original vocalist Bradley Nowell died in 1996), but this band and tour is as much about the subculture as it is the music, and seems to draw a crowd that skews younger than one might expect, given that the original Sublime was a 90s era band. But it was an evening filled out with music of several eras, with the youthful Bleeker kicking things off, with Tribal Seeds and Dirty Heads following. Each had it’s own unique genre-bending sound and style, providing an interesting kaleidoscope of music for those moved by reggae, hip hop, rock, and alternative. [Read more…]
“…sort of the college kids version of owning a winery.” John Rzeznik of The Goo Goo Dolls at Ironstone Winery, talking about when he and Robby Takac met just out of high school many decades ago and starting selling weed to their friends. Headlining a concert tour with Collective Soul and Tribe Society, this stop played to thousands at Richter Entertainment Group’s summer concert series at Ironstore Amphitheatre in Murphys, California. While both The Goo Goo Dolls and Collective Soul are most associated with the ’90s (when both bands broke out with global success), each have endured and continued to produce new music and evolve with the times. The Goo Goo Dolls’ latest album, Boxes, is in my opinion one of the best albums of the year, and worth checking out, as is this awesome live tour. [Read more…]
“Ever since I was four years old man, all I wanted to do is sing…” A grateful Darius Rucker in front of a massive crowd at the first show of Richter Entertainment Group’s summer concert series at Ironstone Amphitheatre in Murphys, California. As preface to the song, “It Won’t Be Like This For Long”, Rucker talked about touring with two of his children and said: “If God came to me and said you could be one thing, you know what I’d be? I’d be a parent.” The Grammy Award-winning singer-songwriter brought an authentic earnestness to the stage and his performance, which goes hand in hand with his style of music. Country hit makers Dan + Shay and Michael Ray filled out the entertainment for the evening with their supporting sets, all set against the beautiful backdrop of Ironstone Vineyards, with it’s seasonal amphitheater drawing a massive crowd yet somehow maintaining an intimate atmosphere. [Read more…]
“Right now we’re going to do one that we haven’t done probably in about ten years… it’s a fan favorite. It’s not necessarily a happy song…” James “J.Y.” Young of Styx, leading into their controversial 1981 song “Snowblind”, which was claimed to have been “Satanistic” by some anti-rock activists at the time (as well as claiming that it was one of the songs that contained hidden messages – only heard if played backwards!). Styx has recorded and performed music now for over four decades (with some break-ups along the way), and given the energy and enthusiasm coming from the stage at Bob Hope Theatre in Stockton on Sunday night, it is quite amazing how well the band has endured over the years as they continue to bring their unique style of music to fans, old and new. Judging by their interactions while on stage, they seem like they really enjoy working and playing together these days, which is very rare in the music world. Playing “an evening with…” style of show with no supporting or opening artists, they split their own set in two (with a short intermission) and played a solid 90 minutes of not only their own songs but some surprise covers and tributes as well. An excellent show and the kind of band worth seeing again and again, as they seem to have unique elements to their concerts to keep things fresh and exciting. An earnest and authentic group of guys, there was no pretense or arrogance… they seemed to acknowledge that their legacy is locked within those songs and albums and were eager to celebrate their music with the sold out crowd.