London’s post punk band Savages will be touring the world through the end of 2013, supporting this year’s debut album, Silence Yourself. [Read more…]
Little Boots Kicks Off World Tour For New Album “Nocturnes”
Victoria Christina Hesketh, AKA Little Boots, tonight embarked on her world tour supporting the highly acclaimed Nocturnes, which was released in May. [Read more…]
Monophonics with AM & Shawn Lee Playing The Independent in San Francisco on Saturday, September 28th
San Francisco-based Monophonics will be bringing their “Psychedelic Soul & Heavy Funk” style of music to The Independent in San Francisco on Saturday, September 28th. Joining them on the bill are AM & Shawn Lee, who had an album release party in June that I reviewed, following the release of their second collaborative album this year, La Musique Numberique. Also performing will be DJ Bcause. [Read more…]
Arctic Monkeys World Tour Supporting New Studio Album “AM”
British indie band Arctic Monkeys are currently in the midst of their world tour supporting their fifth studio album, AM, which was released earlier this month. [Read more…]
Blondie with X “No Principals Tour” at Nob Hill Masonic Auditorium | San Francisco, California | 9/19/2013 (Concert Review)
Blondie’s spectacular show at the Nob Hill Masonic Auditorium in San Francisco Thursday night was a reminder of how seemingly effortlessly Debbie Harry and the band crossed into and innovated within so many different styles and genres of music in the late 70s and early 80s. Punk, post-punk, disco, pop, New Wave, even some rap, reggae, and infusions of some world music, they were quite the innovators, really serving as a pioneering force in music, and they continue to record new and relevant music today. The Debbie Harry-fronted East Coast post punk/pop/disco group Blondie share the bill on the “No Principals Tour” with Exene Cervenka and John Doe fronting on vocals for the West Coast, L.A. punk pioneers X, which features its original line-up. Both artists brought amazing energy to the stage, which created a frenzy within the crowd at the Masonic unlike anything I’d seen at the usually mellow venue, with fans of both bands flooding the area between the all-seated venue and the low stage. It was definitely a different sort of concert (in a great way) and celebration of music that really served as a pivotal transition from the 70s to the 80s, paving a pathway into what turned out to be fresh and new world.
GROUPLOVE “Seesaw Tour” (Night 1 “Heavy”) at The Independent & (Night 2 “Light”) at The Chapel | San Francisco, California | 9/14/2013 & 9/15/2013 (Concert Review)
“We do it for love, sweet love…” Fittingly, the final words sung on stage both Saturday and Sunday night in San Francisco by GROUPLOVE, from their hit song, “Colours”. Playing back-to-back shows as part of their special run of their “Seesaw Tour”, performing at two small venues in select cities, doing one traditional show and one acoustic-style show, each night featured a different kind of show, almost as if seen, heard, and felt through a kaleidoscope that shifted not just night to night, but within each show. GROUPLOVE is a band with probably the best energy of anyone playing today – such joy and positivity beaming not just from the speakers at the venues, but from the artists themselves – their expressions and jumping around, and interactions with the audience. The funny thing is that the audiences and shows kind of played counter to expectations, with the “heavy” night at The Independent skewing older and more mellow and the “light” night at The Chapel being much more youthful and boundless, which seemed to fuel the band into rocking their acoustic instruments on the tiny stage, which could barely contain them. Two incredible shows that delivered well beyond expectations.
Pixies at El Rey Theatre | Los Angeles, California | 9/9/2013 & 9/10/2013 (Concert Review)
2013 is maybe the best year since the early 90s to be a Pixies fan. Interestingly, having been in attendance now at the first two of three consecutive shows this week at El Rey Theatre in Los Angeles (and a fourth coming right after at the Mayan Theatre), the crowd overall skewed very young, which really underscores my long held belief that the Pixies were way, way, way ahead of their time, and also had bad timing (maybe in an alternate universe they could have had Nirvana-sized mainstream success). In any event, as I’ve often referenced in countless articles here on the Rock Subculture Journal, the Pixies are solid in my Top Three favorite artists of all time. Before going into recent and ancient history, the big question those reading this are probably wondering is, ‘how were these shows?‘ The short answer is, absolutely phenomenal. Everything one could hope for in a Pixies concert has been present in Night 1 and Night 2. With their new touring efforts and new music (music that is on par with their classic material), it is an awesome time to be into the Pixies, whether you were around back in the day or not. A time to celebrate, and the band and the fans all brought the party to El Rey Theatre this week.
OneRepublic at Mountain Winery | Saratoga, California | 9/8/2013 (Concert Review)
“Tonight what you see is a very, very, very stripped, stripped version of what it is that we do on a nightly basis…” OneRepublic’s show at Mountain Winery in Saratoga Sunday night was one of those very rare shows that surprised me (in a good way) on all counts. It was my first time seeing the band live, who are touring their latest studio album, Native (more on that later, also in a good way). Since it was such a different show from the norm, I can’t really account for what is different, though I suspect it was much more acoustic-driven than their typical set, though both approaches certainly do justice to their material. One thing that was apparent is that the group is made up of musicians at heart, and perfectionists in recreating their music on stage in a very real way. Their crew quite masterfully swapped out instruments (large on small) on stage in-between each song, helping to create a very memorable night that was a tapestry of the great music that OneRepublic has created. They sounded phenomenal and their identity as a band certainly came through in a variety of ways, especially their relationships with each other and boundless energy on stage. The experience definitely made me a bigger fan and my curiosity is definitely piqued and interested in checking out the other kind of show that they referenced as different from this one, which felt quite intimate and special.
V101’s Old School Funk Fest 2013 (The Brothers Johnson, Midnight Star, The Dazz Band, and Sinbad) at Thunder Valley Casino Resort | Lincoln, California | 9/7/2013 (Concert Review)
“You can’t be what this is…” Part of comedian Sinbad’s introduction of The Brothers Johnson, headliners of V101’s Old School Funk Fest 2013. The legendary American Funk and R&B group took to the stage after Midnight Star and The Dazz Band through down the bass-driven hits for a few hours leading up to George “Lightnin’ Licks” Johnson and Louis E. “Thunder Thumbs” Johnson rocked Thunder Valley’s Outdoor Amphitheater with classics like “Strawberry Letter 23”, “Stomp!”, and “I’ll Be Good To You”, to the thrill of the sold out crowd at the World One Presents production. It was definitely an evening of sublime entertainment with groups that unfortunately don’t perform on stage much too often these days, though their old school sound definitely is a reminder of a lot of what is missing in music today in many respects.
The Zombies at Yoshi’s San Francisco | San Francisco, California | 9/5/2013 (Concert Review)
“It sells more every year now than it ever did when it did first came out in 1968″… Rod Argent, keyboardist and vocalist, talking about the second studio album put out by The Zombies, Odessey and Oracle, as he and vocalist Colin Blunstone took the time between stretches of songs to provide some history and context into their “musical journey” through the history of the British Invasion band. After a stellar opening set from supporting band Et Tu Brucé, the two founding members of The Zombies along with rock veterans Tom Toomey on guitar, Jim Rodford (front Argent and The Kinks) on bass, and Jim’s son Steve Rodford on drums demonstrated with their performance why their legendary status continues to grow. Yoshi’s San Francisco was as packed as I’ve ever seen it, and the audience seemed to be swept away with their brilliant and timeless music.
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