It was one year ago to the day that I saw Pet Shop Boys and their Electric Tour in San Diego… and while the “show” was mostly the same on this 2014 tour, kicking off at Fox Theater in Oakland, my own personal experience was worlds apart. The actual concert itself was the same as last year’s, with the exception of I think just one change to the setlist, but that is actually a good thing – why mess with near perfection? While there are a few favorites of mine I would have loved to have heard, the highly prolific duo have been making hits for over three decades now, so there will always be some songs that aren’t going to make the cut for every tour. As with last year, the avant-garde stage production is of the highest order, with credit also due to Stuart Price with his music production and programming, Creative Director/Designer Es Devlin and Stage Director/Choreographer Lynne Page, the two colorful dancers (Merry Holden and Tom Herron) with their interesting costumes and stage presence, and many others behind the scenes. This show was their first of 2014, and at one point Neil even confessed to having some nerves in coming back on the stage, but his voice and delivery was spot on, and the blending of old and new music maybe even works better the second time around. It was one of my favorite shows last year, and it was great to revisit it as well as share it with someone very special in my life this time around – it is a concert that I will never forget (more on that later)!
I had really high expectations for this, the latest Pet Shop Boys tour… yet somehow, as I sit down to write my thoughts about their show in San Diego at the Copely Symphony Hall last night, I am left a bit speechless… Not because I have nothing to say about it, but because I have this swirling flood of thoughts in my mind, and can’t seem to form a coherent approach to the whole thing. Maybe it was the overpowering strobe lights that disrupted the circuitry in my brain. Maybe it’s because they put on one of the most brilliant shows of the year. The cover of the tour program reads, “TURN IT ON”. Not a mere concert, it was a full blown, avant-garde stage production of the highest order, with credit also due to Stuart Price with his music production and programming, Creative Director/Designer Es Devlin and Stage Director/Choreographer Lynne Page, the two colorful dancers (Merry Holden and Tom Herron) with their interesting costumes and stage presence, and many others behind the scenes. Just when you expect that they should have peaked by now, they keep blazing new paths in music and life. Real artists, they create new work (in the studio and on stage) with a palette featuring colors all their own. They obviously put a lot of thought into not just sharing their music (old and new, hits and deep cuts), but creating a captivating and memorable experience. Though the visuals were mind blowing, the arrangements were amazing, Neil’s voice sounded better than ever, and the sound quality within the venue was superb.